Red — an animated retelling of ‘Little Red Riding Hood’

OGOM’s Company of Wolves conference in 2015 explored the figure of the wolf, the werewolf, and wild children (often thought to have been raised by wolves themselves). An edited collection and two special journal issues will emerge soon from this wonderful event.

We discussed important questions of animality and humanity in various narratives, but the tale of ‘Red Riding Hood’ is obviously quite central. The story has been reworked many, many times in various media; the dominant approach from the mid-twentieth century onwards has been to redeem Red Riding Hood from her victim status. She is no longer anyone’s meat, as Angela Carter tells us in her revisionary ‘The Company of Wolves’.

This short animated film, Red, directed by Jorge Jaramillo and Carlo Guillot, is a wonderfully atmospheric version–creepy and savage.

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Call for chapters: Pyrotechnics: The Incandescent Imagination of Angela Carter

Angela Carter is no stranger to these pages–she is crucial in giving literature of the fantastic/Gothic its subversive edge and in the transformation of genres that fuels much OGOM research. The editors of a forthcoming collection, Dr Charlotte Crofts (Associate Professor Filmmaking) and Dr Marie Mulvey-Roberts (Associate Professor Literature) at UWE Bristol, request submissions for chapters here.

This book seeks to critically explore Angela Carter’s legacy and showcase the current state of Angela Carter scholarship, aiming to give new insights into the pyrotechnic creativity of Angela Carter and to pay tribute to her often incendiary imagination, as well as re-assessing her impact and importance for the twenty-first century. Chapters should seek to move on from well-rehearsed arguments and offer new and original scholarship, challenging the mythologisation of Angela Carter as the often sanitised “white Witch of English Literature” to explore her wider influences and influence, such as in recognising her subversive humour, irreverence and the unsettling effect of her work across a range of literary forms and media.

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CFP: Death and the Maiden Conference, University of Winchester, 21-24 July 2017

Call for papers for an interdisciplinary conference exploring the relationships between women and death–sure to inspire scholars of the Gothic and the fantastic.

Death and the Maiden has long been an artistic genre in the West, with its roots in the Dance Macabre tradition. In c1426, the English poet and Benediction monk, John Lydgate, adapted the Parisian cycle to include women with those taken away by a skeletal death, and in c1495, the German painter and printmaker, Albrecht Dürer, engraved a distinctly male death ravishing a young woman. But women’s connection with death go far deeper than the subject of art, for in the Greek and Roman times, it was a woman’s job to close the corpses eyes and mouth; indeed across time and space women have typically been the layers-out of the deceased.

From the practical to the representational, this interdisciplinary conference which is collaboration between the Dead Maidens, and Dr Christina Welch of the University of Winchester, seeks to draws widely on the connections between death and women, examining, exploring, and celebrating the intimate relationship between Death and the Maiden.

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CFP: Fantastic London: Dream, Speculation and Nightmare, University of London, 13–14 July 2017

Call for papers for a conference on London and the fantastic (deadline 17 March 2017):

Proposals are invited for papers, comprised panels, and roundtable sessions, which consider any period or genre of literature about, set in, inspired by, or alluding to central and suburban London and its environs, from the city’s roots in pre-Roman times to its imagined futures. While the main focus of the conference will be on literary texts, we actively encourage interdisciplinary contributions relating to film, architecture, visual arts, topography and theories of urban space.

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Vegan Vampires (or How to Make Human Blood with Beetroot Juice)

I have a confession to make: I’m incredibly squeamish. This is not a problem in itself but if you interests include monsters, especially vampires, piercings and tattoos, announcing that you get woozy at the sight of blood causes a few titters. (Not to mention the embarrassment of passing out whilst getting your septum pierced). It appears to be a family curse as I have many memories of my dad passing out every time he cut himself or had to get an injection. (This is also not a good thing if you are a technology teacher as accidents do happen).

In this vein, my friends and I started discussing the cruel reality for a vampire who was afraid of/ faints at the sight of blood. This is something that has been broached before both in Lynsay Sands A Quick Bite (2005), and in this wonderful short film about a blood-fearing vampire called Erebus visiting a psychiatrist (which, I should warn you, contains many swearwords). I’m discounting Count Duckula and the Cullens because their vegetarianism is for ethical reasons rather than being caused by a phobia.

Given that my Victorian-heroine-constitution gets worse with low blood sugar, I had an image of a hungry vampire seeking out their prey, biting them and then coming round five minutes later to discover that their victim has escaped and, to add insult to injury, they’re still starving. What then is the modern vampire meant to do?

Ultimately, veganism seemed the way forward for this particular vampire – it is so hot right now. This was followed with much discussion of the nutritional content of blood, and another time in which my search history makes me look like a serial killer. Whilst eHow explains how to ascertain the calorific content of blood, there are two contradictory reports of regarding the safety of having blood as your only means of nutrition: one points out the risks of high iron diets and the other acknowledges the incredibly high salt content of human blood.

From this limited and entirely unscientific internet search I set on a mission to create a vegan version of human blood. Naturally, I started with beetroot juice simply for the aesthetics. I regularly drink beetroot juice and I can confirm that drinking it from a ‘True Blood’ bottle is the only way to go as the picture on the left proves. As it turns out, beetroot juice is a good source of both iron and vitamin C (which helps with the absorption of iron).

I was a bit stuck on the salts front, as lots of salt is not good for us who carry the family curse of high blood pressure. So, I decided coconut water would have to suffice as it is a natural isotonic and has relatively high amounts of sodium. (Do vampires sweat a lot? Do they need to replace those isotopes after a session of being super human? Who knows?) And, because it was my lucky day, it turned out coconut water has iron and vitamin C in it.

Now for the iron content: I chose a mixture of kale – because it can hardly be called a smoothie nowadays if it doesn’t have kale in it – and an iron supplement in liquid form. The one I chose, and I believe there are plenty out there, also includes copper which, bonus points, is also present in human blood. Finally I added a little protein powder to stand in for the proteins that can be found in plasma.

So here it is, my patented* blood smoothie recipe:

(NB: This smoothie is only suitable for vampires and has not been tested on humans).

I’ll try to test it out and get back to you on whether or not it makes me feel as though I have gorged on red blood cells. My Gothic Halloween cake (red velvet, of course) was relatively successful so perhaps Gothic recipes should become a regular on the blog.

*I should clarify, I am not a medical doctor, and whilst this had not prevented many people from making a killing on the faux-nutrition market, I wouldn’t want to be accused of giving unhealthy advice.

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Harry Potter: Magic and Herbology at the British Library

Harry Potter: A History of Magic, British Library 
20 October 2017 – 28 February 2018

Libraries can be very magical places so it is fitting that the British Library are to host a stellar exhibition on Harry Potter this year. For the first time I have heard more about the exhibition, which will celebrate the 20th anniversary of the publication of Harry Potter and the Philosopher’s Stone. 

The title of the exhibition, which is in partnership with Bloomsbury publishing, will be Harry Potter: A History of Magic. It will showcase a fascinating display of wizarding books, manuscripts and magical objects, and combine centuries-old British Library treasures with original material from Bloomsbury’s and J.K. Rowling’s own archives.

The structure of the exhibition has been inspired by the subjects that Harry and his friends study at Hogwarts School of Witchcraft and Wizardry, from Potions and Herbology, to Astronomy and Care of Magical Creatures, and will explore the rich magic traditions that they draw on.

A selection of British Library medieval manuscripts and early printed books  will feature in the ‘Care of Magical Creatures’ section of the exhibition, depicting magical creatures which inspired characters that all fans of the books will recognise, such as Fawkes the Phoenix or Norbert the Norwegian Ridgeback.

More information about the exhibition will be released throughout 2017, and tickets will be on sale from Monday 3 April 2017 at www.bl.uk.

This explosion of interest in British magic ties in well with the launch of the Open Graves, Open Minds: Centre for Research into the Narratives of Revenants, Shapeshifters, and Magical Beings. Keep following the blog for details of events. I think we will definitely be doing something in October on magic and arranging a special OGOM outing to this!   

Proof that ‘Happiness can be found, even in the darkest of times, if one only remembers to turn on the light’ Dumbledore, Harry Potter and the Prisoner of Azkaban (2004).

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Witchcraft through the Ages: The Black Mass

Incredible scene of witches attending a black mass from this amazing-looking 1922 Swedish film, Häxen (which I had not heard of before).

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Alice in Wonderland

Some items that I’ve recently spotted on the Alice books.

First, a 1915 silent film of Alice in Wonderland that looks amazing–I’d not come across this before.

Then the first of a series of broadcasts on CBC: ‘Curioser and Curioser’.

And here, the original manuscript of ‘Alice’s Adventures Under Ground’ at the always brilliant British Library website, with a lucid essay.

Finally, the story of the engravings by the Dalziel brothers of Tenniel’s illustrations.

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Join Us For A Literary Weekend At Cumberland Lodge

 The Literature staff at University of Hertfordshire are having a residential weekend
 in Cumberland Lodge again this year (the weekend of 10th-12th February). We will be arriving Friday evening and  departing Sunday afternoon. This year we are sharing the programme with staff and students from the Philosophy and History group and the programme of events is interdisciplinary to reflect our audience and the specialisms of the invited speakers. The Lodge and grounds are fabulous (see pic above) and there is an excellent menu of home cooked food and a very full breakfast for all the guests.

It’s shaping up into a really interesting few days and you will see below that I am first on the bill! I am going to be discussing how my work on feral children, which I first spoke about at OGOM ‘Company of Wolves’ conference, has been developing. I will be presenting on my chapter for the new Company of Wolves book. We would love you to join us if you are interested in literary debate, are an MA student, PhD researcher, or lecturer (why not bring some students!).  

The programme is as follows:

Dr Sam George, University of Hertfordshire, will speak about the development of her research into feral children, or ‘wolf children’ (thought to have animal parents), such as Peter the Wild Boy.

Dr Dinah Roe, Oxford Brookes University, will speak about
Christina Rossetti and the Pre-Raphaelite movement.

James Kidd, Literary journalist, will speak about how to carve out
 a career as a freelance writer, reviewer, interviewer, blogger, and
general bookish type.

There will be a screening of the award-winning documentary film
‘The Destruction of Memory’, directed by Tim Slade, and an associated debate
 on collective and cultural memory. 

There are some interactive creative writing events and walks in Windsor Great
Park, drinks in the bar, a tour of the historic Lodge itself, a literary
quiz, not to mention fine company and interesting chat around the fire!

If you are interested in joining us please contact Dr Rowland Hughes at r.w.hughes@herts.ac.uk for further details (including residential fees) asap as places are limited! 

 

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Better the Devil You Know: Part Two

I raised questions about visual images of the devil in my Better the Devil You Know post yesterday, even suggesting that he was once blue and winged rather than red and horned. Following this discussion Daisy alerted me to this wonderful blue devil from Giovanni da Modena. The Inferno, 1410, can be seen in Basilica di San Petronio, Bologna. He is spectacular I have to say and something of a giant. Thank you Daisy I am now convinced that the devil was blue for long periods in history (and your research sounds fabulous).

I have also been thinking about how imagery around satyrs and depictions of Pan are crucial to the story. The characteristics of these figures found their way into representations of the devil because the church had demonised them as pagan gods in an attempt to get the masses to follow the one true Christian God. The devil starts to take on some of the characteristics of Pan therefor and see below this sixteenth-century satyr’s cloven hooves and horns. The devil has all the best tunes and he is often depicted as Pan-like playing the pipes!

But when did he turn red?  Part three coming soon!

 

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