The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world. You can find out more by viewing the story of OGOM through its reception in the media here.
To make the most of this site as a research tool visit the ‘How to use this site’ page.
Latest on the Blog
- Review: Catherine Spooner on Renfield
- Review: Stacey Abbott, Phantome Der Nacht: 100 Jahre Nosferatu/Phantom of the Night: 100 Years of Nosferatu
- Review: Holly Black, The Stolen Heir (2023)
- CFPs and Events: Gothic world literature, C. S. Lewis, Gothic summer school, magic, monsters, folklore, Hallowe’en
- CFPs: Gothic folklore, chimeras, fairy-tale horror, Dracula and vampires
- Lost Hearts: A Gothic Love Story
The OGOM Project is convened by Dr Sam George (University of Hertfordshire) and Dr Bill Hughes, and has been funded generously by the University of Hertfordshire.