Tag Archives: Genre

CFPs: Gothic Interruptions, New Romanticisms, Byron, Angela Carter, Romance

Posted on 26th November 2021 by William the Bloody

Some exciting CFPs for forthcoming conferences. The one we have all been waiting for, the International Gothic Association 2022 conference in Dublin is out at last!** Note that the deadline for the Angela Carter symposium is very soon–30 November. 1. … Continue reading →

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Young Adult Gothic Fiction, Vampire Dystopia

Posted on 18th July 2021 by William the Bloody

Another excellent edited collection which I am grateful to be included in is now out from University of Wales Press: Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others, ed. by Michelle J. Smith and Kristine Moruzi (Cardiff; University of Wales Press, … Continue reading →

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Matizes do gótico: Three centuries of Horace Walpole – Two kinds of Romance

Posted on 18th July 2021 by William the Bloody

I’m very honoured to have my chapter ‘“Two kinds of romance”: Generic hybridity and epistemological uncertainty in contemporary paranormal romance’ included in this beautiful new book from Brazil: Matizes do gótico: três séculos de Horace Walpole, ed. by Júlio França … Continue reading →

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Book Received: Xavier Aldana Reyes, Gothic Cinema

Posted on 15th January 2020 by William the Bloody

Arguing for the need to understand Gothic cinema as an aesthetic mode, this book explores its long history, from its transitional origins in phantasmagoria shows and the first ‘trick’ films to its postmodern fragmentation in the Gothic pastiches of Tim … Continue reading →

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YA Gothic, fairytale retellings, demon lovers, mermaids and Scottish myths

Posted on 7th November 2019 by William the Bloody

Here’s a selection of interesting articles on OGOM-related topics. First, an article on YA Gothic with some recommended novels in the genre. Much of our research has focused on these texts–they are often more adventurous than their adult counterpart, especially … Continue reading →

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Book Review: Elizabeth von Arnim, Vera

Posted on 9th July 2019 by William the Bloody

As you may know from previous posts, I have been tracing the genetic mutations from which the genre of paranormal romance arose by looking at an earlier manifestation, Gothic romance (or romantic suspense). This genre flourished from about the 1940s … Continue reading →

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Glenarvon, Polidori, and Gothic Romance

Posted on 16th April 2019 by William the Bloody

OGOM’s recent symposium, ‘Some curious disquiet’: Polidori, the Byronic vampire, and its progeny‘ was a huge success and we’d like to thank again everyone who made it possible, form the brilliant speakers to the very supportive visitors and the staff … Continue reading →

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CFPs: IGA 2019, Mapping the Mythosphere

Posted on 21st November 2018 by William the Bloody

Calls for papers for two exciting conferences. First, following the fabulous IGA 2018 in Manchester, the IGA 2019 conference, Gothic Terror, Gothic Horror is being held on 30 July to 2 August 2019, at Lewis University, Romeoville, Illinois, United States. Deadline: … Continue reading →

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IGA2018: Ambiguous Creatures and Ambivalent Morals

Posted on 8th August 2018 by William the Bloody

A huge thank you to all the organisers of the International Gothic Association 2018 conference, held at Manchester Metropolitan University. And thanks to all who attended OGOM’s Ambiguous Creatures and Ambivalent Morals panel and to all the lovely and inspiring … Continue reading →

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Genre, dreadpunk, mannerpunk, the female Gothic

Posted on 20th July 2018 by William the Bloody

What constitutes a genre or subgenre and whether even the concept of genre itself has any use is much debated; it’s certainly a focal point of OGOM research, where we’re often concerned with what happens when genres collide or mate, … Continue reading →

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