Tag Archives: Film

Events: Gothic networking, Dracula, vampires

Posted on 20th April 2022 by William the Bloody

Some exciting events coming up! Some alluring vampire-themed material here, too, with what looks an intriguing contemporary dance adaptation of Dracula, and a festival of vampire films, discussed by Prof. Stacey Abbott, who has collaborated with OGOM from the beginning. … Continue reading →

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CFPs and Events: Crones, vampires, Alice, Blake, Shelley, Burns Night

Posted on 18th December 2021 by William the Bloody

An assortment of conference CFPs and calls for articles, plus online events. 1. CFP: Crones, Crime, and the Gothic, In-person Conference, Falmouth University UK, 10-11 June 2022. Deadline: 1 April 2022. Older women have traditionally been portrayed negatively in folklore, … Continue reading →

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Call for articles: Murder she wrote, Supernatural Cities, 1980s horror

Posted on 1st December 2021 by William the Bloody

Some calls for articles in journals and edited collections. Be warned that the deadline for the Murder, She Wrote collection is very soon–15 December 2021! 1. Call for chapters: Edited collection – ‘Something very sinister is going on here’: The … Continue reading →

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Events and CFP: Radcliffe, mermaids, Byron, Gothic Excursions, Haiti and Vodou

Posted on 26th November 2021 by William the Bloody

Some interesting online events coming up along with some prerecorded ones, plus another Byron CFP. Be warned: the first two events are very soon–Monday and Tuesday! 1. Radcliffe Beyond Udolpho, The Gothic Women Project, 29 November 2021. For the November … Continue reading →

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Resources: Fairies, fairy tales, YA and children’s literature, preternature

Posted on 8th July 2020 by William the Bloody

We’ve added some useful links to various resources from the website. These appear in the Related Links and Journals sections on the right-hand side of the Blog and Resources pages. The International Fairy-Tale Filmography is a fantastic database of film … Continue reading →

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CFP ‘Ill met by moonlight’: Gothic Encounters with Enchantment and the Fairy Realm in Literature and Culture, 8-10 April, 2021

Posted on 2nd May 2020 by Sam George

University of Hertfordshire, 8‒10 April 2021 The Open Graves, Open Minds (OGOM) Project was launched in 2010 with the Vampires and the Undead in Modern Culture conference.We have subsequently  hosted symposia on Bram Stoker and John William Polidori, unearthing depictions … Continue reading →

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Book Received: Xavier Aldana Reyes, Gothic Cinema

Posted on 15th January 2020 by William the Bloody

Arguing for the need to understand Gothic cinema as an aesthetic mode, this book explores its long history, from its transitional origins in phantasmagoria shows and the first ‘trick’ films to its postmodern fragmentation in the Gothic pastiches of Tim … Continue reading →

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CFPs: Folk horror, folklore and fantasy, enchanted environments, literature and science

Posted on 15th September 2019 by William the Bloody

* Hurry! Some of these deadlines are very soon! 1. Contemporary Folk Horror in Film and Media, Leeds Beckett University, 30-31 July 2020. Deadline: 30 December 2019. The 1960’s and 70s folk horror canon brought the ‘Unholy Trinity’ of Witchfinder General (1968), The Blood on … Continue reading →

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CFPs: Vampires, Philip Pullman, climate change, horror film, Good Omens

Posted on 20th August 2019 by William the Bloody

1. CFP for PCA/ACA Vampire Studies on the legacy of Bram Stoker: Annual National Popular Culture Association Conference, Philadelphia, 15-18 April 2020. Deadline: 1 November 2019. The co-chairs of the PCA/ACA Vampire Studies area are soliciting papers, presentations, panels and … Continue reading →

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CFPs: Utopia & Dystopia, Gothic mashup, Screening loss, SyFy films, Gothic games, performing fairy

Posted on 15th July 2019 by William the Bloody

1. First, a conference CFP: Utopia & Dystopia: Conference on the Fantastic in Media Entertainment, University of Southern Denmark, 28-29 May 2020. Deadline: 10 December 2019. This conference invites new research in the fantastic. Why is the fantastic more popular … Continue reading →

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