Who’s Afraid of the Big Bad Lynx?

Feeling angered about the wanton destruction of Lillith the Lynx – what does this scenario teach us about re-wilding debates and about being human? Last call for tickets for the Being Human Festival. We can’t bring back Lillith but we can ask questions and seek atonement.

Join us 18th November, ‘The Comet Room’, De Havilland, University of Hertfordshire, 2.00-5.15 to redeem the wolf, subvert the fairy tale we have all grown up with and creative a new narrative for the 21st century. Book online for free tickets:

Redeeming the wolf: A Story of Persecution, Loss and Rediscovery

If you can’t make it in person you can join in on Twitter #redeemthewolf
Bring Grandma and wolf down those last free tickets!

Related News Story: Red Riding Hood Hampers Wolf Debate Says Academic
Lillith: Escaped Lynx is Killed over Growing Concerns for Public Safety

What are you waiting for!!

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Automaton Reads My Vampire Research on Youtube

Amused to find my article for The Conversation ‘How Long Have We Believed in Vampires?’ read by an automaton on Youtube but there is no acknowledgement, nothing to say I wrote it tch!! Well I did! An ironic case of vampirism in action – in a parasitical relationship to the original!

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The Franck Crucifix: A Case of Family Folklore

Last week, I was up (across?) in Worcestershire helping my parents move into their new home. Alongside the mammoth amount of unpacking, there was a chance to wander around the local community. Like many British towns, we found our fair share of wonderful haunted and Gothic places from the ancient abbey on a hill to the Spirit House, a witchcraft shop plagued by a poltergeist. But in this post, I want to concentrate on a more personal story.

As we were unpacking we came across this crucifix, an object we’d inherited from my father’s house. None of my family are religious, however, this crucifix has a very special story. On discovering it amongst the boxes my mum asked me whether I knew its story. I dutifully parroted that this was the crucifix that had jumped off the wall, landing face down a metre away from the wall on which it hung, whilst my dad and his sisters were using a Ouija board. And this is why I have always been told by my dad, my 6’3″, leather-clad, motorbike-riding, power-tool-using dad, that I must never do a Ouija board. This story has been told to my sister and me multiple times throughout the years. It has become folklore within our family. And as far as I am aware, neither my sister or I have ever used a Ouija board.

 

Crucifix aside, there is another darker element to this little story which I find far more sinister. During one session with the Ouija board, my dad’s sisters asked the board for the name of a local murderer. A young woman, Leslie Whittle, has been kidnapped and her body had been found some time later in a drainage shaft of a local reservoir. The Ouija board offered a name, Donald Neilson, a local thief who was known by the moniker the Black Panther due to the black balaclava he wore. Having been given this name, it was placed in a sealed envelope on the mantelpiece only to be opened once the police had convicted someone of the murder. A few months later, a man was accused and found guilty of the crime. The envelope was opened and the names matched. Of course, the envelope could have been tampered with but, built into this sliver of folklore, there are multiple reasons for why this can’t be the case according to my dad. Again, I’ve still never used a Ouija board. It doesn’t matter how much I tell myself that it’s circumstantial evidence, high spirits of teenagers, I just can’t stop the shiver running through me whenever I think about this story.

Last Thursday, I tweeted a picture of this crucifix as family folklore. Family Folklore is recognised as a branch of folklore – understandably since folklore and its transmission over time connects to ideas of identity, social cohesion, and being one of the folk, whether that is within your immediate family or your larger community. As we move from one place to another we carry our family folklore like a talisman but we also become embedded into the stories and tales of our new community. Retelling our personal folklore strengthens it. One day my sister or I will inherit this crucifix and tell the story to our children. And who knows, maybe they’ll never use a Ouija board either.

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Two Sides to Every Story: Wolves Gain A Voice

The debate over the influence of fairy tales and werewolf myths on our perception of the flesh and blood wolf is gaining momentum. See BBC Little Red Riding Hood Hampers Wolf Debate Says Academic

This story emphasises our collaboration with the UK Wolf Conservation Trust over the wolf’s reintroduction. If you are in London or the South of England on 18th November do come along to OGOM’s Being Human event and join in the discussion. This promises to be a fantastic day and the wolf cup cakes and Red Riding Hood goodies are back!

The event is FREE – click here to gobble up those last tickets this week and you can even bring your granny!

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Happy Hallowe’en with Betty Boop

Happy Hallowe’en to all from OGOM. What a fabulous party this is!

Don’t forget to book for the free Being Human: Redeeming the Wolf event on 18 November 2017–tickets here!

 

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OGOM Halloween Wolves!

Redeeming the wolf: a story of persecution, loss and rediscovery

By the Open Graves, Open Minds Project

For this Halloween blog post special, the Open Graves, Open Minds Project explores whether everything you’ve heard about the big bad wolf is true. From folklore and fairy tales to conservation find out how the wolf is perceived today.

See our special Halloween post on the Being Human site here

Do please book for this event it is free but we need you to have a ticket!

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Vampire Pumpkins and Scary Shrunken-Head Swedes

Happy Halloween OGOMERS!!

I hope you are enjoying some spooky festivities. I have written in the past about swede or turnip Jack ‘0’ Lanterns being the most authentic and we used to carve these as children in rural Cumbria. Here’s a cat a lantern I made from a swede

This old Irish one is very scary indeed:

Then there are the vampire pumpkins and watermelons of folk legend associated with the Romany people of South Eastern Europe. These were described by Tatomir Vukanovic in the Journal of the Gypsy Lore Society which covered his trip to Serbia (1933 -1948). During the night of a full moon a pumpkin or melon could undergo a vampiric transformation, shown by the appearance of a drop of blood on its skin.

There are only two plants which are regarded as likely to turn into vampires: pumpkins of every kind and water-melons. And the change takes place when they are ‘fighting one another.’ In Podrima and Prizrenski Podgor they consider this transformation occurs if these ground fruit have been kept for more than ten days: then the gathered pumpkins stir all by themselves and make a sound like ‘brrrl, brrrl, brrrl!’ and begin to shake themselves. It is also believed that sometimes a trace of blood can be seen on the pumpkin, and the Gs. then say it has become a vampire. These pumpkins and melons go round the houses, stables, and rooms at night, all by themselves, and do harm to people. But it is thought that they cannot do great damage to folk, so people are not very afraid of this kind of vampire.
The Gs. destroy pumpkins and melons which have become vampires … by plunging them into a pot of boiling water, which is then poured away, the ground fruit being afterwards scrubbed by a broom and then thrown away, and the broom burned.

(Tatomir Vukanović, Journal of the Gypsy Lore Society)

N.B. Gs stands for Gypsies as that is the word that is used at this time.

I have had fun finding the vegetables for this rather wonderful theme below…

If you are still to carve your pumpkin or swede here’s a helpful video featuring GANZA’s own Lorna Piatti Farnell

Have a magical night!

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‘A devout but nearly silent listener’: dialogue, sociability, and Promethean individualism in Mary Shelley’s Frankenstein (1818)

Image result for frankenstein frontispiece

My article, ‘”A devout but nearly silent listener”: dialogue, sociability, and Promethean individualism in Mary Shelley’s Frankenstein (1818)’, has been published in The Irish Journal of Gothic and Horror Studies, 16 (Autumn 2017) alongside other excellent articles. Here’s a brief synopsis:

Dialogue, as much as the novel, may be the dominant genre of the eighteenth century. This was a period that featured and valued dialogue, sustained through the institutions described by Jürgen Habermas as the public sphere; the genre itself proliferated and permeates and modulates the novel. The novel is defined in part by its generic hybridity and many eighteenth-century novels feature embodied dialogues. The dialogue was revitalised and gained new energies amidst the political controversies and tensions of the late century and the dialogue form appears embedded in many novels, particularly ‘Jacobin’ novels of the late century.

The Romantic period has often been characterised as a shift to the inward and individual, against the communicative rationality and sociability preceding it. However, this article argues that Mary Shelley’s 1818 novel, Frankenstein, continues that dialogism and concern with the social. Born out of conversation itself—the famous talks at the Villa Diodati, where Shelley was an ambivalent listener—and out of the Jacobin novel, dialogue in this novel appears particularly as an echo of those radical dialogues that demanded universal human rights.

Frankenstein is subtitled ‘The Modern Prometheus’; Prometheus was a key figure for radical Romantics, representing (as in Percy Shelley’s drama) the rebellion against authority that inspires human progress. Yet Herbert Marcuse identifies an alternative Prometheus present in capitalism, who represents a distorted asocial individualism that, in fact, keeps humanity bound to alienated labour. I show how, in the novel, Mary Shelley explores the tensions between these two avatars of Prometheus. Uneasy tensions between emancipating sociability and bourgeois individualism pervade the novel, mapping onto a gendered dialectic between the public and domestic spheres which is revealed through the dialogue genre which it incorporates.

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How long have we believed in vampires? (from The Conversation)

How long have we believed in vampires?

File 20171026 13309 1r3s12b.jpg?ixlib=rb 1.1

EMVDS-photography/Shutterstock.com

Sam George, University of Hertfordshire

Vampires have a contested history. Some claim that the creatures are “as old as the world”. But more recent arguments suggest that our belief in vampires and the undead was born in the 18th century, when the first European accounts appear.

We do know that 1732 was the vampire’s annus mirabilis. There were 12 books and four dissertations on the subject published over that year, as well as the term’s first appearance in the English language, according to gothic expert Roger Luckhurst. But archaeological discoveries of deviant burials in Europe in the last few years have unearthed a belief in vampirism and revenants before 1500, much earlier than was previously understood by literary scholars.

The body of a 500-year-old “vampire”, for example, is currently on display in an ancient cemetery in the town of Kamien Pomorski, Poland. The vampire corpse, discovered two years ago, has been reported on widely in the world’s press. Archaeologists have confirmed that it has a stake through its leg (presumably to prevent it from leaving its coffin) and a rock in its mouth (to stop any unfinished blood sucking). Even older deviant burials have been discovered in villages in Bulgaria.

An 800-year-old skeleton found in Bulgaria stabbed through the chest with iron rod.
Bin im Garten, CC BY-SA

Meanwhile, the medieval remains of the first English vampires in Yorkshire’s village of Wharram Percy have reputedly been found. The inhabitants who fled the village in 1500 showed widespread belief in the undead returning as revenants or reanimated corpses. They fought back against the risk of vampire attacks and showed a medieval belief in an English zombie apocalypse, an episode that would not be out of place in a scene from The Walking Dead.

So some form of vampire was evidently believed in throughout much of Europe from the medieval period. But the seductive Romantic vampire does not leave his calling card in polite society in London until 1819, when the first fictional vampire, the satanic Lord Ruthven is born in a story by John Polidori. So how did our understanding of vampires transition from dishevelled peasants into alluring Byronic aristocrats? We must return the creature to its beginnings in early folk belief to fully understand its history.

Vampire, vrykolakoi, velku

In the first written accounts of European vampires, the creatures are understood as revenants or returners, often taking the form of a diseased family member who reappears in the unfortunate guise of a vampire. In such tales, “unfinished business”, even something as trivial as the want of clothing or shoes, is enough to make the dead return to the world of the living.

The number of words for “vampire” can frustrate scholars: Krvoijac, vukodlak, wilkolak, varcolac, vurvolak, liderc nadaly, liougat, kullkutha, moroii, strigoi, murony, streghoi, vrykolakoi, upir, dschuma, velku, dlaka, nachzehrer, zaloznye, nosferatu … the list goes on.

The Oxford English Dictionary takes seven pages to define a vampire, but the earliest entry, of 1734, is of most interest here:

These Vampyres are supposed to be the Bodies of deceased Persons, animated by evil Spirits, which come out of the Graves in the Night-time, suck the Blood of many of the Living and thereby destroy them.

Le Vampire, lithograph by R. de Moraine, Les Tribunaux secrets (1864)
Wikimedia Commons

There is evidently little appeal or attraction felt for these early revenant figures. Unlike the English aristocratic vampire, modelled on Lord Byron, these early folkloric vampires are peasants and tend to appear en mass like modern-day zombies.

Agnes Murgoci explored this folk belief further. She argued in 1926 that the journey from death to the afterlife is perilous – in Romanian belief it took 40 days for the soul of the deceased to enter paradise. In some cases, it was thought that it lingered for years, and during this time there are a myriad of ways that deceased family members can succumb to vampirism.

It was thought that dying unmarried, unforgiven by one’s parents, through suicide or being murdered could all lead to a person returning as a vampire. Events after death could also have the same effect – beware breezes blowing across corpses before burial, dogs or cats walking over coffins, or leaving a mirror (a soul trap) not turned to the wall at this precarious time.

Entering literary spheres

It was a treatise written in 1746 by the French monk Antoine Augustin Calmet that famously gave British writers access to a number of encounters with vampires. Calmet took inspiration from Joseph Pitton de Tournefort, a botanising man of science, who had earlier claimed to have come face to face with a plague of bloodsucking vampires in Mykonos in 1702. His account was still being read in 1741.

Three decades after Tournefort’s encounter, the London Journal of 1732 reported some enquiries into “vampyres” at Madreyga in Hungary (a story later referred to by John Polidori). Greece and Hungary feature prominently in these early accounts – and this is mirrored in Romantic literature: Lord Byron for example makes Greece the setting of his unfinished vampire story A Fragment (1819).

But it was Polidori who was responsible for the vampire’s English pedigree and its elevation of social rank. There seems never to have been an urban, nor an educated bourgeois bloodsucker prior to The Vampyre (1819). A predatory sexuality is also introduced. We see for the first time the vampire as rake or libertine, a real “lady killer” – a trend that metamorphosed into Bram Stoker’s Dracula and anticipated the arrival of vampire romance in the beautiful undead form of Twilight’s Edward Cullen.

As this all reveals, the history of vampires is a disputed and uncertain one whatever your perspective, scientific or literary. But the “vampire” burials discovered by archaeologists of late do cohere with practices that are known to suggest a belief in vampirism (such as piercing the corpse, nailing down the tongue, putting a needle in the heart and placing small stones and incense in the mouth and under the finger nails to stop blood sucking and clawing). These “vampire” corpses do therefore go some way towards finding out how old our belief in vampires actually is.

The ConversationBut the history of vampires is still impossible to chart with any certainty, and we should probably take heed from British vampirologist Montague Summers (1880-1948) in our search for the lair of the original fiend. He referred to vampires as “citizens of the world”: to him, they existed beyond temporal or geographical boundaries.

Sam George, Senior Lecturer in Literature, University of Hertfordshire

This article was originally published on The Conversation. Read the original article.

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How long have we believed in vampires?

Sam has an article here, ‘How long have we believed in vampires?‘ for The Conversation on the long history of vampires.

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