Cultural Afterlives of Frankenstein

Great post by Megen de Bruin-Molé–Cultural Afterlives of Frankenstein–on why works last and the enduring nature of the Frankenstein myth, traced from Mary Shelley’s novel through its myriad descendants and adaptations.

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A Guide to Ancient Magic

A fascinating, though brief, article from the Smithsonian on ancient spells and curses from Sumeria, Greece, and Rome

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CFA: Death in Supernatural (edited collection)

Just a few days left to respond to this call for articles here for an edited collection with Mcfarland on Death in Supernatural

Editors Taylor and Nylander seek original essays for an edited collection exploring the the nature of death as well as the character Death, the Horseman, in the television show Supernatural.  As death is a constant theme and sometime driver of the show’s narrative, this collection seeks to more fully examine the ways Supernatural represents, personifies, and explores death.   This collection is under contract with McFarland Publishers.

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Kubo and the Two Strings

A review and trailer here for the forthcoming stop-motion animated fantasy film, Kubo and the Two Strings, from the same studio that created Coraline. It looks wonderful, and draws, apparently, on Grimms’ tales and Japanese folklore.

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Women and Speculative Fiction

Here are two more inspiring reading lists: one of women writers of speculative fiction in translation; one of space operas (typically, a very male genre) written by women.

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The Lost Boys — TV series

I like the concept of this forthcoming adaptation of Joel Schumacher’s classic 1980s vampire film, The Lost Boys as a TV series, described here.

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New YA and Fantasy Fiction

Two excellent lists here of recent and forthcoming YA fiction, most which appear to be fantastic and with strands of paranormal romance. Many are reworkings of fairy tales or classic narratives–a mode which OGOM is much fascinated by. I have read one of these: Rachel Caine’s Ink and Bone, which is marvellous and about which I intend to blog about here.

13 Books like Harry Potter for Adult Readers

The 20 Most Anticipated YA Books to Read in September

 

 

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The Strange Case of the Gubblecote Witch

I read this account of the Gubblecote Witch in a very old pamphlet on Gothick Hertfordshire, uncovered on a market stall in Hitchin.  For some reason I was really unsettled by this story, which is a true one, it took place not far from here (now marked on my map).

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It was in the year of 1751 that Ruth Osborne, an old woman of Long Marston, was accused of witchcraft. Her accuser was John Butterfield, a publican at Gubblecote. He claimed the woman had bewitched his cattle when he was a dairyman, stopping them from yielding milk. The death penalty for witchcraft was abolished in 1735 but he had roused local feeling against Ruth. It was not long before town criers announced that there would be a ducking for witchcraft at Long Marston on 22nd April of that year.  Ruth was driven from her home by an angry mob wherein she fled to the workhouse with her husband John. They eventually sought sanctuary in the church at Tring, but when the mob threatened to torch the town, they were given up. The two were taken to the Black Horse at Gubblecote and from there to Wilstone Green, where they were stripped and bundled into sheets with their hands and feet tied. In this helpless condition they were ‘swum for witchcraft’ in a pond known as Wilstone Wear. They were both over seventy at the time and ‘crazed with age’, according to curate Gilbert White. Ruth was dead by the time they had finished and John died soon after.

At the coroner’s inquest some 30 people were found guilty of wilful murder. Ruth Osborne had survived being dragged across a pond on the end of a rope, left in her wet sheet while her husband was ducked, thrown in the pond again, and left dazed on the bank. But when they dragged her across the pond the second time, a man named Thomas Colley amused the crowd by pushing her face down with his stick. She grasped the stick and pleaded for her life but he wrenched it out of her hand and thrust her under again. On finally being taken out, now quite naked, she was pronounced dead.  She died partly from suffocation and partly from exposure. When it became known that Colley had collected money from bystanders for witnessing the ducking he was sentenced to be hanged. The locals claimed it was a hard case to hang a man for destroying an evil old witch who had done so much mischief with her magic. Colley was hanged, despite the protests,  at Gubblecote Cross where his body was hung in chains. It remained on that gibbet for many months, and a ghost was known to haunt the spot in the form of a black dog. Local people ceased to walk that lane at night for fear of Ruth’s retribution.

Below is an illustration of Ruth’s ducking wrapped in the sheet

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This is my own inspiration for folk horror. It would make a compelling play. I have circled Gubblecote on my Gothick Hertfordshire map. Some wonderful place names here. A trip to ‘Grim’s Ditch’ or Devil’s Dyke’ anyone?

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Generation Dead: YA and the Gothic – An Announcement

If you have already read Sam’s post, ‘Vampire and Undead Studies 2016-17’, you’ll know that I have received some incredibly exciting news. As of the final week of September this year I will be teaching the module ‘Generation Dead: YA Fiction and the Gothic’ whilst Sam is on research leave. I’ve delayed announcing this because, as Sam mentioned, I am currently in the final months of my PhD and I’m looking to submit the same week that I start teaching.

However, I’ve been working closely with Sam to finalise the reading list for this semester whilst drafting, re-drafting and perfecting footnotes. There have been some changes to the list of texts which reflect my own research interests; though the themes covered will still remain vampires, werewolves, dark fairies, and zombies. Having been able to watch the inception of this module I am deeply honoured that I can take the mantle from Sam (even temporarily) and it will be the perfect start to my teaching career.

In the first week I’ll post up the final reading list so you can see the changes that have been made. Each week there will also be a blogpost covering what has been discussed during the workshop sessions and the issues/ideas/comments raised by the students. It’s going to be an exciting few months for OGOM as a whole and for myself personally. So I’m off to touch wood, cross my fingers, and find a lucky black cat.

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Vampire and Undead Studies 2016-17

Maybe we had found the perfect moment in history, the perfect balance between the monstrous and the human, the time when the ‘vampire romance’ born in my imagination […] should find its greatest enhancement (Lestat).

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It is seven years since I first invited vampires into the academy and I’m looking forward to meeting the new cohort of MA students who will accompany me on my latest journey into literary vampirism. My vampire course: Reading the Vampire: Science, Sexuality and Alterity in Modern Culture will run for twelve weeks from January as part of the Modern Literary Cultures MA Programme at the University of Hertfordshire.

I am changing up and adding in a few texts this year to avoid any overlap with Generation Dead: Young Adult Fiction and the Gothic (my module at level six). Elizabeth Kostova’s The Historian will feature for the first time in relation to folklore and history (and paired with Sedgwick). I’ll also include Kim Newman’s Anno Dracula which will kickstart some debates around postmodernism and introduce the idea of intertextuality ahead of some paranormal romance (YA vampire texts from the twenty-first century). The Open Graves, Open Minds book is out in paperback too so students can purchase this ahead of the course and dip into the lively collection of essays.

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I learnt this week that the British Library is running a short five week course on vampires for Hallowe’en and it looks hugely enjoyable. I wish I could go back to the beginning and sign up myself (though there is a not so small fee). You can view the schedule here. It involves friends of OGOM Catherine Spooner and Stacey Abbott; we all contributed to the vampire book above. The session by Greg Buzzwell offers the most potential for enthusiasts and involves rare manuscripts and access to vampire material from the archives. There are only 16 places and the course is aimed at adult learners. It is not assessed and so it is a very different animal to ‘Reading the Vampire’ which is MA accredited and involves students writing independent research projects on their chosen vampire related topics.

I will be on research leave from September to January and will not be teaching in the first semester.  Instead I will be completing the paperwork for OGOM to become an internationally recognised research centre and applying for a Readership. I will also be grappling with the exhibition and funding bid for Books of Blood in collaboration with the Wellcome Trust and working with Bill to get the Company of Wolves: Werewolves, Shapeshifters and Feral Humans  manuscript submitted to MUP. I’ll be focussing on folklore and working on a brand new book proposal.  In light of this OGOM’s Kaja Franck will be stepping up to teach Generation Dead (having submitted her PhD thesis round about the same time (fingers crossed)). She has already been working on the course material and will be blogging about her experiences of teaching and researching in this area in the autumn. Go Kaja!!

It’s all very exciting and I just can’t wait to get down to the British Library and begin juggling my many projects….vampires are certainly in vogue in the fall so don’t leave home without your garlic!

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