Beasts of the Forest: Denizens of the Dark Woods

One of the emails I received over the holiday period was an invitation to be a plenary speaker at an interdisciplinary symposium at St Mary’s University, Twickenham, London, which will explore the representation of forests and their more sinister inhabitants within the context of popular culture. I am already excited about this as it bridges the gap between my two areas of research i.e. botany/natural history and the gothic. I am going to be presenting something on a dark arboreal theme!  

The location will be stunning as the symposium is taking place in the drawing room of Horace Walpole’s Gothic mansion in Strawberry Hill. Delegates will discuss the forest as context and as the subject of horror in popular culture. As such the symposium will feature discussions of arboreal horrors and forest creatures. Crossing national and social boundaries, the world’s forests and jungles offer sinister, primeval experiences of horror. Whether they be our shelter and safe-haven or the domain of malevolent spirits and sprites, forests have the capacity to horrify and threaten those that venture into them without permission. Human interference has continually threatened forests across the world, yet this threat is reversed in myth and folklore. We seem all too willing to grant our forests malevolence, yet it is increasingly our responsibility to take care of and preserve these ancient realms.  

Proposals are invited for The Beasts of the Forest: Denizens of the Dark Woods Conference, St Mary’s University, Twickenham, London, UK, July 2017 (date tbc).

Topics for presentations might address, but are not limited to:

  • Ecocriticism: deforestation and extinction as textual themes
  • Forest fears and found footage films: The Blair Witch and beyond
  • Fairylands: malevolent spirits, sprites and fairyfolk in popular culture
  • New England Gothic and forbidden woods: H.P. Lovecraft, Stephen King and the legacy of the Puritans
  • Hunting Bigfoot, evolution of the ‘squatchers’
  • Representations of the forest as monstrous entity
  • Forests and the full moon: wolves, lycanthropy and madness,
  • Forests as horror context and lair in creature features
  • Forests and jungles in popular music
  • Witches and warlocks of the forest
  • Tolkien’s forests in film, games and animation
  • Forests in Disney
  • Forest creatures in PSB: BBC natural history as emblem of cultural value
  • Social Class and hillbilly horror

Interested parties should submit a 500-word abstract by Thursday 14th April 2017 to: Dr Jon Hackett: jon.hackett@stmarys.ac.uk; Dr Sean Harrington: sean.harrington@stmarys.ac.uk

 

 

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Happy Gothic Hogmanay – You Can Close Your Box Now Pandora!

I am hoping Pandora will close her box today for the Hogmanay and we can all celebrate the rise of Happy Gothic!!

2017 will see the launch of the OGOM Research Centre and the completion of our ‘Company of Wolves’ publications (one edited collection and 2 special journal issues). I will be applying to Readership in July and hope to be advertising another PhD bursary for a doctoral student to be attached to the project and begin work in September 2017. Our ‘Books of Blood’ festival will open in Limerick in the autumn before the exhibition tours in the UK in 2018 (super excited about this).

OGOM sends congratulations again to Kaja for her achievements this year. She will begin the New Year as a doctor. And to Curtis and Daisy who met at the OGOM Company of Wolves conference in 2015 and have just announced their engagement. OGOM is delighted for you both.

February 2017 will see the publication of the long awaited new book from Catherine Spooner Post-millennial Gothic: Comedy, Romance and the Rise of Happy Gothic and I am looking forward to welcoming her back to the university for a preview in the run up to the launch of the Research Centre.

Lots to look forward to in 2017 then. OGOM thanks you for your continued interest and support. As 2017 draws to a close we are just a few visits short of 50,000 hits on the site to date!!!! A landmark indeed. This is a wonderful acknowledgement of our work in the field and our services to Gothic studies.   

Happy Hogmanay OGOMERS!!!

 

 

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Have Yourselves A Gothicky Merry Christmas From OGOM!

Gothicky Merry Christmas OGOMERS!!

Pandora seemed to reopen her box in 2016 and no end of horrors were let loose upon the world from Brexit to Trump (with Bowie’s death seemingly acting as a catalyst for things falling apart). Happily our year at OGOM was very successful and ended in triumph with Kaja passing her viva on the 16th December. We are currently working hard on the forthcoming Company of Wolves publications and I am busy plotting ‘Books of Blood’, a creative offshoot of OGOM, that will launch in the autumn of 2017 (watch this space).  2017 will see some changes and we will finally get our own research centre so it is something of a landmark year already. Thanks to everyone on OGOM Facebook and on the blog for their continued interest and unwavering support and to Bill and Kaja for their inspiration and hard work this year.  

Finally there are two of my PhD students who I would like to send special messages to. Firstly Jillian, who has had to endure personal tragedy and heart ache this year (stay strong everyone is willing you on to the final hurdle) and Matt who is battling health issues and trauma and has just had a spell in hospital. Here’s wishing you both health and happiness in the new year from OGOM    

Have yourselves a Gothicky Merry Christmas!! 

Victorian Christmas cards can get you in the festive mood after all nothing says Christmas quite like:

an unruly pudding

a scary root vegetable bearing gifts

a creepy clown

or pyromaniac birds 

ha ha…don’t you just love Victorian sensibilities!!

See you in the new year!!

 

 

 

 

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OGOM Celebrates the Rise of Dr Kaja Franck

Woo hoo…huge congratulations to Kaja who passed her PhD viva today!!! Dr Franck OGOM is very, very proud of you. It has been a joy and a delight to supervise you from day one. We are all so very pleased for you and I for one can’t wait to see what you do next….

Here’s a wolf cake to help you celebrate this gothtastic achievement!  

Thanks to Dr Catherine Spooner for examining the thesis and being such fantastic company. OGOM salutes you! Thanks are also due to Dr Andrew Maunder (internal examiner) and to Dr Rowland Hughes for his guidance on eco-gothic and the American wilderness. 

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Folk Gothic and Folk Noir

We’ve mentioned the growing interest in folk Gothic a couple of times on this site, where the darkness of Gothic narrative roots itself in folk traditions (or invented replicas of such traditions). Folklore, too, interests us in the form of fairy tale and its transmutation by such writers as Angela Carter and in many paranormal romance novels. So, a related mode in folk music is bound to be of interest; this article discusses a wave of female folk singers who infuse their songs with a Gothic darkness. I don’t know these singers, but they’re surely descendants of such artists as Nick Cave and of the nameless composers of archaic murder ballads and songs of the restless dead. They sound fascinating and I’ll certainly be exploring them.

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The Company of Wolves: Angela Carter and Neil Jordan

From the brilliant Angela Carter Online website (thanks to Caleb Sivyer), here’s a fascinating discussion between Angela Carter and Neil Jordan, the director of the film adaptation of Carter’s wolf narratives as The Company of Wolves.

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Theodore von Holst, ‘Frankenstein’ (1831)

A very erudite and penetrating article here by Ian Haywood of the University of Roehampton on the frontispiece to Mary Shelley’s 1831 edition of Frankenstein by Theodore von Holst, a protégé of Henry Fuseli. Haywood’s essay uses the image of the awakening of Frankenstein’s creature to cast light on the novel, its reception, and context.

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Gothic Sensibilities: Charlotte Bronte Stitches Her Dead Sibling’s Hair Into Her Shoes

Just when you thought the Bronte sisters could not get any more gothic Charlotte Bronte’s silk shoes from 1850 reveal that she repaired them using her dead sibling’s hair!! This may seem maudlin to us but it was evidently an act of great love for Charlotte and a symbol of her immeasurable loss. She stitched the hair (thought to be Emily’s) into a sprig of heather symbolising solitude. It shows that she was familiar with the Victorian Language of Flowers, something I have written about in my botany book. It is a nod perhaps too to Emily’s gothic heroine Catherine who died whilst Heathcliff was out gathering heather for her on the moor. How could any one not imagine unquiet slumbers for the sleepers in that quiet earth!

brontecyipbkpwgae24-m-1

If you have not been to the Bronte Parsonage Museum in Howarth you will not be disappointed and should still find the reference to the shoes in the display case there. Thank you to @bookwitchsara for the image and for reminding me about this story. I am posting it for my niece Miranda who specialises in clothing and collects Victorian mourning wear involving hair (that is rings and lockets etc. containing hair; worn following the death of a loved one). Such love tokens always remind me of visiting Keats’s house where you can see the lock of hair Fanny Brawne sent to the poet in a letter before his untimely death in Italy in 1821. I am also reminded of ‘The Relic’ by John Donne. Here the poet muses on the bracelets of hair the lovers wore when buried, as a symbol of their eternal love. Donne imagines them as religious icons (whilst knowing that the hair was a symbol of earthly rather than divine love).  I imagine Charlotte would enjoy the sentiment in this poem whilst remaining devout (though the siblings were known for their liking of Scott).                                            

When my grave is broke up again

Some second guest to entertain [..],

And he that digs it, spies

A bracelet of bright hair about the bone,

Will he not let’ us alone,

And think that there a loving couple lies,

Who thought that this device might be some way

To make their souls, at the last busy day,

Meet at this grave, and make a little stay?

If this fall in a time, or land,

Where mis-devotion doth command,

Then he, that digs us up, will bring

Us to the bishop, and the king,

To make us relics; then

Thou shalt be a Mary Magdalen, and I

A something else thereby;

All women shall adore us, and some men;

And since at such time miracles are sought,

I would have that age by this paper taught

What miracles we harmless lovers wrought.

First, we lov’d well and faithfully,

Yet knew not what we lov’d, nor why;

Difference of sex no more we knew

Than our guardian angels do;

Coming and going, we

Perchance might kiss, but not between those meals;

Our hands ne’er touch’d the seals

Which nature, injur’d by late law, sets free;

These miracles we did, but now alas,

All measure, and all language, I should pass,

Should I tell what a miracle she was.

 

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CFP: Call for Articles: Victorian and Neo-Victorian Screen Adaptations

And following my last post on Steampunk and Neo-Victorianism, there’s a call here for articles in a collected volume on Victorian and Neo-Victorian Screen Adaptations.

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Steampunk and Neo-Victorianism

The rapid interbreeding of genres around fantastic literature in general but particularly (and this has been my focus) with YA fantasy has found Neo-Victorian/Steampunk in bed with paranormal romance; I’m hoping to write about a couple of novels with this tendency that I discovered recently. A brilliant article by Dr Claire Nally here, ‘Fabricating Histories: Steampunk, Neo-Victorianism, and the Fantastic‘, helps to delineate the genre(s). There’s also a fascinating edited collection that has just come out, examining the humour that is an ineluctable property of a genre which is at heart parodic, edited by Marie-Luise Kohlke and Christian Gutleben: Neo-Victorian Humour: Comic Subversions and Unlaughter in Contemporary Historical Re-Visions.

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