Spectral Visions: Interview with Bill Hughes

Stephanie Gallon, of the University of Sunderland’s Spectral Visions group, has interviewed me here about the Open Graves, Open Minds Project and paranormal romance. I enjoyed the interview very much; her questions were relevant and challenging and helped me clarify my own thoughts.

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Studies in Gothic Fiction, 3.2 (2014)

The latest issue of Studies in Gothic Fiction (3.2), edited by Enrique Ajuria Ibarra, is now available on line and is dedicated to Latin American Gothic.

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Davia Sills, ‘The good zombie’

Davia Sills charts the rise of the post-Romero humanised zombie and what it might represent. This will be of interest to anyone exploring paranormal romance, particularly texts such as Daniel Waters’s Generation Dead and Isaac Marion’s Warm Bodies.

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Gail Turley Houston, ‘From Dickens to Dracula’

A thoughtful short essay on Dracula and the presence of the Gothic mode in Victorian fiction generally.

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The Wild Evolution of Vampires, From Bram Stoker to Dracula Untold

Devon Maloney gives a brisk but useful survey of the changes in the image of the literary and cinematic vampire.

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Six people given a vampire burial in Poland

Six people given a vampire’s burial over 200 years ago have been discovered in a Polish graveyard, some barricaded in the earth with sharp sickles, some weighted by stones on their necks, possibly to keep them from chewing through their burial shrouds.

The above is an extract from an article in USA Today ‘Vampire Graves Shed Light on the Fear of the Undead’, 29th November. You can view the article here Vampire Undead Graves Discovered in Poland. I posted on an earlier story  Vampire Graves Unearthed in Bulgaria some time ago and commented on the number of vampire graves that have been unearthed in recent times (seven sites in two years). These vampire graves are certainly giving food for thought on the ‘Reading the Vampire’ MA I am teaching. We are lucky to have an archaeologist Matt Beresford on the OGOM team who can offer another perspective on vampire studies. I’d be interested to hear any comments on these practices and their representation in the press. Is it only now when vampirism is still enjoying a vogue that we are viewing these corpses as vampires?

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Monstrous Hounds and the Phantasmagoria: OGOM’s Lycanthropic Lantern-of-fear!!!

Wolves and werewolves were a very important part of magic lantern iconography for over 200 years and featured as part of Robertson’s famous Phantasmagoria in Paris.
At OGOM’s ‘Company of Wolves’ David Annwyn Jones will offer a film on monstrous hounds and the Phantasmagoria and follow up with a lycanthropic lantern-of-fear show projected on an antique magic lantern and featuring wolvish slides. The show will be historically authentic referencing Gothic literature throughout.

David is a leading expert in the famous Phantasmagoria of E.A. Robertson, a horror and magic lantern show set in a vast, deserted convent in Paris from 1799 onwards, and its relation to Gothic Literature. He has written many essays and books on this subject and co-produced the only authentic walk-through film reconstructing an evening at the convent with its luminous monsters, ghosts and demons. His macabre play ‘Harker’s Bizarre’ appeared at Whitby Theatre in 2013. He is the author of the best-selling Gothic Machine and Sexuality and the Gothic Magic Lantern and the editor of Dracula’s Precursors.

I think you’ll agree  ‘Lyncanthropic Lantern- of- Fear’ is unmissable. I just can’t wait for showtime!!

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OGOM Company of Wolves CFP – Beyond excited to announce this!

Conference, University of Hertfordshire, Sept 3rd-5th 2015: Call for Papers and Panels

OGOM: ‘The Company of Wolves’: Sociality, Animality, and Subjectivity in Literary and Cultural Narratives—Werewolves, Shapeshifters, and Feral Humans

doreWolves have long been the archetypal enemy of human company, preying on the unguarded boundaries of civilisation, threatening the pastoral of ideal sociality and figuring as sexual predators. Yet, in their way, with their complex pack interactions, they have served as a model for society. Lately, this ancient enemy has been rehabilitated and reappraised, and rewilding projects have attempted to admit them more closely into our lives.

Our company with wolves has inspired fiction from Ovid, through Perrault and the Grimms’ narrators, to Bram Stoker and Kipling; and, more recently, to Angela Carter, Neil Jordan, Anne Rice, Marcus Sedgwick and Glen Duncan.

The Open Graves, Open Minds Project was initiated in 2010 with the Vampires and the Undead in Modern Culture conference and reconvened for the Bram Stoker Centenary Symposium in 2012. We turn our attention now to creatures not strictly undead but which haunt the peripheries of the vampire—werewolves and shapeshifters. Such beings have served in narrative fiction to question what humanity is; weres tend to reveal the complex affinities and differences between our existence as linguistic, social subjects and our physiological continuity with other animals. They also draw our attention to questions of hierarchy and sexuality, to the instinctive, and to what extent our conceptions of these are ideological.

Werewolves, along with vampires, have recently become humanised, even romanticised, as identity politics became mainstream and the Other assimilated. The ancient paradigm of Beauty and the Beast lives on in paranormal romance. And just as the vampire figure both conditions the shape of the subgenres it dwells in and draws other genres into its sphere, so fictions about werewolves, wild humans, and human-animal relationships also invoke questions of genre and intertextuality. Thus, we are also interested in other narratives and discourses such as beast fables, taxonomies, human metamorphoses, and stories of feral children and those raised by animals which question the boundaries between animal and human.

Amidst concerns about our relationship with nature, in a culture informed by Romanticism and a post-Enlightenment doubt about the centrality of humanity, contemporary fictions often turn to the animal, and to transitions between animal and human (particularly the werewolf and kindred figures) to interrogate what is special about our species. In her werewolf paranormal romance, Shiver, the YA author Maggie Stiefvater quotes Rilke: ‘even the most clever of animals see that we are not surely at home in our interpreted world’. This perhaps captures our amphibious nature and raises the kind of questions we are interested in.

The conference will explore human social existence and its animal substrate, and the intersection between the human and the wolfishly bestial as expressed in narrative media from a variety of epochs and cultures. It will provide an interdisciplinary forum for the development of innovative and creative research and examine the cultural significance of these themes in all their various manifestations. As with the initial OGOM conference, from which emerged a book and a special issue journal, there will be the opportunity for delegates’ presentations to be published.

The conference organising committee invites proposals for panels and individual papers. Possible topics and approaches may include (but are not limited to) the following:

Werewolves, lycanthropy, and shapeshifters
Feral and wild children
Language, culture, and nature
Instinct and agency
Animal studies and humanist perspectives
Phenomenology and the philosophy of language, mind, and body
Animality and sociality from Hobbes through Rousseau to Darwin
Narratives of the Grimms, Perrault, Kipling, Angela Carter, Neil Jordan, Anne Rice, Maggie Stiefvater, Glen Duncan, Marcus Sedgwick
Genre, intertextuality, and narratology
Young Adult and children’s fiction
Urban fantasy and paranormal romance
TV, film, and other media
Folklore and anthropology
Fables, fabliaux, and fantasy
The Gothic, fairy tale, and myth
Sexuality and romance
Species, ‘race’, identity, and taxonomy

Abstracts (200-300 words) for twenty-minute papers or proposals for two-hour panels should be submitted by 31st March 2015 as an email attachment in MS Word document format to all of the following: Dr Sam George, s.george@herts.ac.uk; Dr Bill Hughes, bill.enlightenment@gmail.com; Kaja Franck, k.a.franck@googlemail.com

Please use your surname as the document title. The abstract should be sent in the fol-lowing format: (1) Title (2) Presenter(s) (3) Institutional affiliation (4) Email (5) Abstract. Panel proposals should include (1) Title of the panel (2) Name and contact information of the chair (3) Abstracts of the presenters. Presenters will be notified of acceptance by April 2015

The programme features Neil Jordan and plenary talks from Sir Christopher Frayling on ‘Angela Carter’, Dr Catherine Spooner on ‘Wearing the Wolf’, Dr Stacey Abbott on ‘The Sound of the Cinematic Werewolf’, Dr Sam George on ‘Wolf Children’ and Dr Bill Hughes on ‘Werewolves and Paranormal Romance’. There will be contributions from novelists Marcus Sedgwick and Glen Duncan (tbc) together with special guests. OGOM PhD students, Kaja Franck and Matt Beresford, will present papers on their current research involving werewolves. Delegates will have the opportunity to visit unique places associated with our theme, and to actually ‘walk with wolves’.

For more information, contact Dr Sam George at s.george@herts.ac.uk.

The conference is organised by the University of Hertfordshire, UK http://www.herts.ac.uk.

Click here to see details of the Open Graves, Open Minds book
Our website is at: www.opengravesopenminds.com and our blog, with updates on the conference and project, is at: openmindsopengraves.wordpress.com

Download PDF file of CFP here

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A guide to ghosts by Jonathan Stroud

A pictorial exploration of the different types of ghosts, ghouls, spectres, and the like.

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Adam J Smith, ‘A True Accouneit of Sublime Terror and Paranormal Activity’

In this amusing and insightful blog entry, Dr Adam Smith muses on the eighteenth-century origins of terror and the sublime while watching the film Paranormal Activity 4, via Daniel Defoe and Ann Radcliffe.

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