The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.
1. From the brilliant people at Supernatural Cities (who were such good partners at our Urban Weird conference in April this year), the Magical Cities conference, 15 June 2019, University of Portsmouth. Deadline: 31 January 2019
The University of Portsmouth’s Supernatural Cities research group presents their fourth conference: Magical Cities. This one-day conference seeks to explore the magical potential of urban environments.
2. OGOM have a particular fondness for selkies and mermaids, so this conference at at the Sussex Centre for Folklore, Fairy Tale and Fantasy, University of Chichester on maritime and coastal folklore looks fascinating: The Fabled Coast: Coastal and Maritime Folklore, Superstitions and Customs, 27 April 2019. Deadline: 25 January 2019
Taking its name from Sophia Kingshill’s and Jennifer Westwood’s seminal book The Fabled Coast, this conference will explore the abundance of folktales, legends, myths, songs and re-imaginings associated with coastal areas and maritime traditions and practices around the world.
3. Folk horror is another genre/area that we have been interested in recently. This conference looks excellent: Folk Horror in the 21st Century, Falmouth University 5-6 September 2019. Deadline: 1 April 2019
The conference organizers Ruth Heholt (Falmouth University, UK) and Dawn Keetley (Lehigh University, USA) invite proposals on all aspects of folk horror, in all periods, across all regions and in all mediums, exploring the meanings and manifestations of the folk horror renaissance in the 21st century.
4. This time, a call for articles for the Gramarye journal. It’s from the Sussex Centre for Folklore, Fairy Tale and Fantasy again, seeking ‘articles and book reviews relating to creative, literary and historical approaches to folklore, fairy tales, fantasy, gothic, science fiction and magic realism for publication in Gramarye, its peer-reviewed journal published by the University of Chichester’.
This conference will bring together scholars and curators from the disciplines of Literature, Cultural History, Art and Architectural History, and Heritage to investigate LGBTQ perspectives on the “long” eighteenth century [. . .] the conference will complement a major exhibition taking place October 2018-February 2019, ‘The Lost Treasures of Strawberry Hill’, which will bring together, for the first time since 1842, masterpieces from Walpole’s collection.
I am writing on Hans Andersen in my forthcoming book on shadow play and despite the discourse of suffering and redemption, the stories are full of imagination and sensibility, and are always heart-wrenchingly empathic. Many of the tales have a dark gothic gloom like those polar nights in a Scandinavian winter when there are only two or three hours of light a day and the sun skirts just below the horizon, never fully rising. In previous years I’ve posted about Andersen’s ‘The Fir Tree’, which feels pain and the bitterness of rejection when it is discarded. This year I have re-read ‘The Little Match Girl’ (first published in 1845). It is a story about a dying child’s hopes and dreams. ‘A sad tale is best for winter’ (A Winter’s Tale, 2.1) and Andersen imagines the child contemplating the loss of the person who loves her most, her grandmother, as the snow falls thickly outside. ‘The Little Match Girl’ teaches us to open our hearts to love and friendship even when those hearts are aching (reminiscent of the redemption of Scrooge, from Dickens’ A Christmas Carol). There is something of these sentiments in Frank Capra’s It’s A Wonderful Lifetoo. The film is based on a short story by Philip Van Doren Stern, who was moved to write it after having a dream based on Charles Dickens’s A Christmas Carol Due to this film I grew up believing – when you hear a bell ringing an angel has just got its wings!
In Andersen’s story there is no such happy ending. A falling star signals an
earthly death (accompanied perhaps by a bell and a new angel ascending), but
whilst the little girl wishes to prolong the match’s flame she does not
rage against the ultimate dying of the light. She goes to her death with love
in her heart, though her body is frozen. As the sun comes up on New Year’s Eve,
we are made aware that her star has finally fallen.
It was so terribly cold. Snow was falling, and it was almost dark. Evening came on, the last evening of the year. In the cold and gloom a poor little girl, bareheaded and barefoot, was walking through the streets[….] In an old apron she carried several packages of matches, and she held a box of them in her hand. No one had bought any from her all day long, and no one had given her a half penny.
Shivering with cold and hunger, she crept along […] The snowflakes fell on her long fair hair, which hung in pretty curls over her neck. In all the windows lights were shining, and there was a wonderful smell of roast goose, for it was New Year’s eve. Yes, she thought of that!
In a corner formed by two houses, one of which projected farther
out into the street than the other, she sat down and drew up her little feet
under her. She was getting colder and colder, but did not dare to go home, for
she had sold no matches, nor earned a single cent, and her father would surely
beat her. Besides, it was cold at home, for they had nothing over them but a
roof through which the wind whistled even though the biggest cracks had been
stuffed with straw and rags.
Her hands were almost dead with cold. Oh, how much one little
match might warm her! If she could only take one from the box and rub it
against the wall and warm her hands. She drew one out. R-r-ratch! How
it sputtered and burned! It made a warm, bright flame, like a little candle, as
she held her hands over it; but it gave a strange light! It really seemed to
the little girl as if she were sitting before a great iron stove with shining
brass knobs and a brass cover. How wonderfully the fire burned! How comfortable
it was! The youngster stretched out her feet to warm them too; then the little
flame went out, the stove vanished, and she had only the remains of the burnt
match in her hand.
She struck another match against the wall. It burned brightly, and
when the light fell upon the wall it became transparent like a thin veil, and
she could see through it into a room. On the table a snow-white cloth was
spread, and on it stood a shining dinner service. The roast goose steamed
gloriously, stuffed with apples and prunes. And what was still better, the
goose jumped down from the dish and waddled along the floor with a knife and
fork in its breast, right over to the little girl. Then the match went out, and
she could see only the thick, cold wall. She lighted another match. Then she
was sitting under the most beautiful Christmas tree. It was much larger and
much more beautiful than the one she had seen last Christmas through the glass
door at the rich merchant’s home. Thousands of candles burned on the green
branches, and coloured pictures like those in the printshops looked down at
her. The little girl reached both her hands toward them. Then the match went
out. But the Christmas lights mounted higher. She saw them now as bright stars
in the sky. One of them fell down, forming a long line of fire.
“Now someone is dying,” thought the little girl, for her old
grandmother, the only person who had loved her, and who was now dead, had told
her that when a star fell down a soul went up to God.
She rubbed another match against the wall. It became bright again,
and in the glow the old grandmother stood clear and shining, kind and lovely.
“Grandmother!” cried the child. “Oh, take me with you! I know you
will disappear when the match is burned out. You will vanish like the warm
stove, the wonderful roast goose and the beautiful big Christmas tree!”
And she quickly struck the whole bundle of matches, for she wished
to keep her grandmother with her. And the matches burned with such a glow that
it became brighter than daylight. Grandmother had never been so grand and
beautiful. She took the little girl in her arms, and both of them flew in
brightness and joy above the earth, very, very high, and up there was neither
cold, nor hunger, nor fear-they were with God.
But in the corner, leaning against the wall, sat the little girl
with red cheeks and smiling mouth, frozen to death on the last evening of the
old year. The New Year’s sun rose upon a little pathetic figure. The child
sat there, stiff and cold, holding the matches, of which one bundle was almost
burned.
“She wanted to warm herself,” the people said. No one imagined
what beautiful things she had seen, and how happily she had gone with her old
grandmother into the bright New Year.
I am posting this in
memory of my mother and my two grandmothers and in celebration of Christmas
past and present.
Following the success of our Supernatural St Albans Hallowe’en Tour, and back by popular demand, we are undertaking our spook-tacular tour of St Albans as a festive treat on Saturday 8th December. Led by OGOM’s Dr Kaja Franck, the trip will be exploring the magical and spectral history of Hertfordshire’s finest Gothic city. The event is informed by the research we carried out for our Urban Weird project in collaboration with Supernatural Cities. We have explored the weird and the eerie, and those uncanny or submerged histories that give play to the imagination and rise up to frame spacial narratives.
St Albans is home to tortured martyrs, ghostly monks, pagan gods, grotesque carvings, an ancient dragon or wyrm’s lair, succubi, winged skulls, witches, Wicca communities, folklore rituals, and more.
Details:
Meet at the Clock Tower, St Albans, 3.30pm. The tour lasts 90 minutes. Price £10.00 to be paid in cash on the day. Make sure you wrap up warm, wear sensible shoes, and bring a torch as we will be out after dark!
First, following the fabulous IGA 2018 in Manchester, the IGA 2019 conference, Gothic Terror, Gothic Horror is being held on 30 July to 2 August 2019, at Lewis University, Romeoville, Illinois, United States. Deadline: 31 January 2019.
We invite the submission of abstracts that explore the theme of Gothic Terror, Gothic Horror. We welcome proposed panels of three related papers. Since this IGA conference is the first to be held in the United States, we encourage proposals that consider the theme in relation to the American Gothic.
Then, at the University of Glasgow, there is the Glasgow International Fantasy Conversations conference Mapping the Mythosphere, 23-24 May 2019. Deadline: not given.
GIFCon 2019 is a two-day symposium that seeks to examine and honour the relationships between the different strands of Fantasy and the individual Fantastic works that make up the Mythosphere, be they books, films, games or comics. We welcome proposals for papers relating to this theme from researchers and practitioners working in the field of Fantasy and the Fantastic across all media, whether within the academy or beyond it. We are particularly interested in submissions from postgraduate and early career researchers.
It’s the ten-year anniversary of the first film of Stephenie Meyers’s Twilight series (Twilight, dir. by Catherine Hardwicke), the YA vampire paranormal romance which became a sensation. Both book and film, and the adulation both received, attracted much criticism, often from a feminist perspective that objected to the values portrayed but often in a way that disparaged the books and films’ admirers. These two articles reappraise what was a significant cultural phenomenon, restoring some agency to the fans themselves. I don’t think the questions on the feminist or otherwise force of Twilight are resolved here, however.
We invite essay proposals on the vampire figure in the long nineteenth century. Our edited collection will look at the vampire figure’s rise in popularity throughout the period and across a range of literary texts.
This conference will explore the experimental, subversive and/or disruptive potential of Irish and international literature and culture for young people. The conference will also consider the extent to which children’s and young-adult texts and culture can promote, cultivate and/or establish radical representations and ideas.
This interdisciplinary conference will analyse and discuss the transformations undergone by the Gothic genre since the late 1970s up to today within the fields of fiction, the visual arts and other forms of popular culture. Special emphasis will fall on the appropriation and reformulation routines in the works under assessment plus the continuity (or discontinuity) of classic tropes.
I’m posting this Scottish folklore poetry re-imagined with an LGBT twist for those interested in selkie literature. The book will launch at LGBT History Month in Scotland in February 2019. Students of the Generation Dead: YA Fiction and the Gothic course will be looking at the Selkie novel Tides in a few weeks time with its theme of inbetweeness, and this provides us with a lively alternative context.
6. Matthew Wills considers the continuing relevance of vampires by looking at the economic metaphor of vampirism employed by Karl Marx: ‘Marxferatu: Teaching Marx with Vampires‘.
The conference invites proposals addressing diverse approaches to the combination of myth and dream – literary, artistic, scientific or theological – that enjoy attention in the contemporary world.
This two-day conference will explore the appeal, evolutions, and elusiveness of Gothic, Horror, and Weird Short Fiction, and welcomes speakers with new and innovative perspectives at any stage of their academic career.
Inspired by the 200th anniversary of Peterloo, our conference theme—‘Romanticism Now and Then’—invites reconsideration not only of the historical events of 1819 and their implications, but also, more broadly, of the relations among politics, aesthetics, and time in any aspect of Romantic art, literature, and culture. Put simply, we are interested in making space for the most rigorously imaginative and significant work being done now that bears on our understanding of the politics, aesthetics, and/or temporalities of Romanticism.
This poem was meant as a light-hearted celebration of all things Gothic, and of scholars and students in the field. I crammed in as many tropes, archetypes, characters, and clichés as I could, torturously straining the rhymes on the rack. It was originally a short piece commissioned by Ali Younger at the University of Sunderland for her ‘Gorgeous Goth Girls’, so the alliteration of the letter ‘g’ became compulsive. It’s been expanded several times—I can’t seem to let it go—and the current iteration is in response to the University of Sheffield’s Reimagining the Gothic: Aesthetics and Archetypes conference which I was unfortunately unable to attend (there’s a sly reference to the conference theme in there now, and Prof. Angela Wright has a solo spot).
It’s a playful Bacchanalia, but beneath the surface there’s a more serious theme, one of aesthetic transformation and emancipation—a reimagining, if you like—and of the importance of narrative. All the moral ambiguity and subversiveness of the Gothic appears. The reworking of Gothic archetypes appears in an allusion to Angela Carter’s characterisation of her revisioning of fairy tales as ‘new wine in old bottles’. The action is a Walpurgisnacht of witches learning eagerly, conjuring lovers, feasting voraciously, and having a general good time while telling stories that reimagine and enchant the world, then soaring into the skies till dawn arrives.
Night of the Gorgeous Goth Girls: A Paranormal Romance.
(for Sam George, Angela Wright, Alison Younger, and their students of the Gothic at the Universities of Hertfordshire, Sheffield, and Sunderland)
Under a gibbous and gory moon The Gorgeous Goth Girls gyre and gimble, Gliding gaily to gloomy tune With graceful sway and gait that’s nimble.
Their eyes adorned with artful shade, Glad-ragged in black, lips daubed with mauve; Transforming all that moonlit glade Aesthetically, those Goth Girl fauves.
Witches all, with body parts And occult herbs they craft their spell; Imagination and dark arts Create a heaven from savage Hell.
Hence three-faced Hekátē, through hexes Etched in the air with argent fire, Breathes lucid commerce among the sexes, Inspiring a colloquy of desire.
Then, demon lovers from leafy wood, Or leaping from the leaves of books, Are stirred alive with boiling blood, Enchanted by those glamouring looks.
Come icy Ruthven, cool Carmilla, Lurching zombie, Giaour, and ghoul; Spike and Angel, crazed Drusilla— Glittery Edward’s here from school.
Barnabas and Scissorhands, L’Estat, Ligeia, Yog-Sothoth, Goblins, elves from Faerie lands Salute the troupe of Gorgeous Goths.
The Count himself, three sultry brides; Galvanic monster and his wife; Pale warriors, werewolves, Mr Hyde: All celebrate that Blood is Life.
And oh! What music they do make! With gut and reed and rattling bones, Wild revels like some Celtic wake Resound with eerie, plangent tones.
The Girls gavotte with gay cadavers, Goat-men, mermen, incubae, Who quicken in the danse macabre And ululate with ghostly cry.
The music dies; the feast begins With tender flesh laid out to bite. The menu sings of luscious sins Enthralling curious appetites.
Such gleeful gusto! The gorgeous gluttons Gulp goblin grapes and baneful berries; Wolf glorious gateaux, goose and mutton, With lusty wine from Naughty Man’s Cherries.
Licking lips, they leave the table To conjure more delicious sin, To reimagine Gothic fable— New archetypes in ancient skin.
The greedy Girls explore grimoires In search of threads that can be woven Into stories spiced with noir To spellbind the uncanny coven.
All gather kindling and ignite A bonfire which soon fiercely rages. The visions in the flames incite Wild tales inscribed on virgin pages.
Ceridwen flings into the brew That simmers in her cauldron bright Wild elements to create anew The chaos of the sable night.
There’s pickled spiders, gall of goat, Scale of dragon and basilisk blood, Syllables torn from infant throat, Distilled with Gothic womanhood.
Benighted ravens, owls, and bats Around the Girls shape-shift and swirl, While grinning glowing-green-eyed cats Torment the air with eldritch skirl.
Familiars help the spells get ready: Faithful Wednesday, furred Pyewacket, Wilful Willow, and torpid Teddy Growl and purr in gleeful racket.
Who has gathered to incant These arcane scripts? What dark divines Will glorify and re-enchant The world and render it sublime?
Matilda plots with Loridani, Alice Nutter, Lilith, Glinda, Bastet, Morrigan, fey Morgana, Mab, Medea, and gypsy Wanda.
While Angela stirs Gothic Romance Into the spell of history, Beguiling Italy and France Evoke Udolphan mystery.
There Ali, Lianan-Sídhe, reveals Bright secrets from the darkest lore. Her students, with delighted squeals, Learn tales of terror, lust, and gore.
Samantha, witch of Circe’s line, Likewise from open graves uncovers Charms, unfit for abject swine, That open minds of bards and lovers.
Kaja, lycanthrope, uncoils Her tale of animality, Reveals her hybrid self embroiled With carnal sociality.
Through Rachey’s stories summoned hence, Beautiful monsters who transgress Morality and common sense Mask vice beneath cosmetic dress.
These narratives grip the Girls with awe And animate a fierce resolve To transcend gravity’s grim law: Besmearing skin with chymick salve
That stings their bodies into flight, And shivering with the fierce uplift, The Gorgeous Girls soar into night Astride a hog or besom swift.
Now howling giddily, drunk with glee, They trace Agnesi’s sensual curves, Describing paths that set them free, Reborn in wild ecstatic swerves . . .
But now the cock crows dreary day And Gorgeous Goth Girls must retire. Spectral visions fade away; Bells clang and banish dark desire.
Marina Warner
Marina Warner is a writer of fiction, criticism and history; her works include novels and short stories as well as studies of art, myths, symbols and fairytales.
Centre for Myth Studies, University of Essex
The Centre It promotes the study of myth, from ancient to modern, and raises awareness of the importance of myth within the contemporary world.
Mythopoeic Society
The Mythopoeic Society is a non-profit organization devoted to the study of mythopoeic literature, particularly the works of members of the informal Oxford literary circle known as the “Inklings.”
Sheffield Gothic
Sheffield Gothic is a collective group of Postgraduate Students in the School of English at The University of Sheffield with a shared interest in all things Gothic.
American Gothic Studies
American Gothic Studies is the official journal of the Society for the Study of the American Gothic (SSAG), which promotes and advances the study of the American Gothic
Echinox Journal
Caietele Echinox is a biannual academic journal in world and comparative literature, dedicated to the study of the social, historical, cultural, religious, literary and arts imaginaries
Folklore
Journal of The Folklore Society. A fully peer-reviewed international journal of folklore and folkloristics, in printed and digital format
Gothic Nature
Gothic Nature: New Directions in Ecohorror and the Ecogothic
Gothic Studies
The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day.
International Journal of Young Adult Literature
an academic peer-reviewed journal dedicated to publishing original and serious scholarship on young adult literature from all parts of the world.
Irish Journal of Gothic and Horror Studies
The Irish Journal of Gothic and Horror Studies (ISSN 2009-0374) is a peer-reviewed, interdisciplinary, electronic publication dedicated to the study of Gothic and horror literature, film, new media and television.
Journal of Popular Romance Studies
The Journal of Popular Romance Studies is a double-blind peer reviewed interdisciplinary journal exploring popular romance fiction and the logics, institutions, and social practices of romantic love in global popular culture.
Journal of the Fantastic in the Arts
An interdisciplinary journal devoted to the study of the fantastic in Literature, Art, Drama, Film, and Popular Media
Monsters and the Monstrous
Monsters and the Monstrous is a biannual peer reviewed global journal that serves to explore the broad concept of “The Monster” and “The Monstrous” from a multifaceted inter-disciplinary perspective.
Studies in the Fantastic
Studies in the Fantastic is a journal devoted to the Speculative, Fantastic, and Weird in literature and other arts
Supernatural Studies
Supernatural Studies is a peer-reviewed journal that promotes rigorous yet accessible scholarship in the growing field of representations of the supernatural, the speculative, the uncanny, and the weird.
The Lion and the Unicorn
The Lion and the Unicorn, an international theme- and genre-centered journal, is committed to a serious, ongoing discussion of literature for children.
Victorian Popular Fictions Journal
Victorian Popular Fictions is the journal of the Victorian Popular Fiction Association. The VPFA is a forum for the dissemination and discussion of new research into nineteenth- and early-twentieth-century popular narrativeo
Related Links
Aarne-Thompson-Uther Index
The Aarne-Thompson-Uther Index is a classification numeric system created to group similar folktales from different cultures
ACADEmy
LSAD centre for research into Art, Curatorial Studies, Applied Design and Art and Design Education
African Religions
With the Yoruba Religion Reader and similar resources
Angela Carter Society
Promoting the study and appreciation of the life and work of Angela Carter
Art Passions
Art Passions: Fairy Tales are the Myths We Live By
Asian Gothic
Asian Gothic appears as an attempt to make sense of the vast and diverse body of Asian literature, film, television, games, comics and other forms of cultural production by reading these texts from a Gothic perspective
British Association for Romantic Studies (BARS)
The UK’s leading national organisation for promoting the study of Romanticism and the history and culture of the period from which it emerged.
British Association for Victorian Studies (BAVS)
The British Association for Victorian Studies (BAVS) is a multidisciplinary organisation dedicated to the advancement and dissemination of knowledge about the Victorian period.
Byron Society
The Byron Society celebrates the life and works of Lord George Gordon Byron (1788-1824), a poet, traveller and revolutionary
Cambridge Research Network for Fairy-Tale Studies
The Cambridge Research Network for Fairy-Tale Studies is an open space at the University of Cambridge aimed at connecting researchers with an interest in fairy tales across different disciplines and scholarly perspectives.
Carterhaugh School
We give lectures and teach courses on fairy tales, folklore, witches, writing, and more. Basically, your ultimate fantasy college courses
Centre for Myth Studies, University of Essex
The Centre It promotes the study of myth, from ancient to modern, and raises awareness of the importance of myth within the contemporary world.
Deborah Hyde
Deborah Hyde wants to know why people believe in weird stuff. She attributes her fascination with the supernatural to having spent her childhood with mad aunties. She approaches the subject using the perspectives of psychology and history.
Fairyist: The Fairy Investigation Society
A website that will gather together sources, links, bibliographical references and discussions on fairies and related supernatural creatures
Folklore Society
The Folklore Society (FLS) is a learned society, based in London, devoted to the study of all aspects of folklore and tradition, including: ballads, folktales, fairy tales, myths, legends, traditional song and dance, folk plays, games, seasonal events, ca
Ghoul Guides
Home to the Ghoul Guides – a digital multimedia project devoted to exploring, understanding, and enjoying the wonders and weirdness of the Gothic
Gothic Feminism
Gothic Feminism is a research project based at the University of Kent which seeks to re-engage with theories of the Gothic and reflect specifically upon the depiction of the Gothic heroine in film
Gothic Herts Reading Group
This site is our one-stop platform for discussing our latest Gothic texts, from journal articles and press pieces, to full length books both old and new
Gothic Women Project
2023: The Year of Gothic Women. An interdisciplinary project devoted to spotlighting undervalued and understudied women writers
Haunted Shores
Haunted Shores Research Network, dedicated to investigating coasts and littoral space in Gothic, horror, and fantastic multimedia
Hellebore magazine
HELLEBORE is a UK-based small press devoted to British folk horror and the occult. Maria J. Pérez Cuervo publishes the magazine twice a year, on Beltane and Samhain
MEARCSTAPA
monsters: the experimental association for the research of cryptozoology through scholarly theory and practical application
Mermaids of the British Isles
a history of mermaids in the arts and cultural imagination of our early islands, which will map the place of these beguiling, and often deadly, figures in the national maritime imaginary, and explore our ancestors’ persistent reimagining of the mermaid
Open Folklore
Open Folklore is devoted to increasing the number of useful resources, published and unpublished, available in open access form for folklore studies and the communities with which folklorists partner
PCA Vampire Studies
A site dedicated to the Vampire Studies Area of the Pop Culture Association
Pook Press
Publisher of Vintage Illustrated Fairy Tales, Folk Tales and Children’s Classics
Romance Scholarship DB
This Romance Scholarship Database is therefore intended as a tool to assist popular romance scholars in their research into modern popular romance novels
RomanceWiki
A wiki resource for romance fiction authors, texts, and publishers
Science Fiction and Fantasy Research Database
The Science Fiction and Fantasy Research Database is a freely available online resource designed to help students and researchers locate secondary sources for the study of the science fiction and fantasy and associated genres.
Sophie Lancaster Foundation
The charity, known as The Sophie Lancaster Foundation, will focus on creating respect for and understanding of subcultures in our communities.
Supernatural Cities
Supernatural Cities is an interdisciplinary network of humanities and social science scholars of urban environments and the supernatural.
Supernatural Studies Association
The Supernatural Studies Association is an organization dedicated to the academic study of representations of the supernatural, the speculative, the uncanny, and the weird across periods and disciplines.
The Association for the Study of Buffy+
The mission of the Association is to promote the scholarship of Buffy+ Studies, focusing on inclusivity, intersectionality, and excellence. We define Buffy+ Studies as the scholarly exploration of Buffy the Vampire Slayer and its related texts.
The Society for the Study of the American Gothic (SSAG)
The Society for the Study of the American Gothic (SSAG) was established in 2023 to promote and advance the study of the American Gothic through research, teaching, and publication
The Thinker's Garden
we also love Plotinus and the Renaissance Platonists, as well as the Transcendentalists and Romantics. We are also drawn to the peculiarities of the Theosophists and hermeticists of the nineteenth century
Vamped
Vamped is a general interest non-fiction vampire site. We publish interviews, investigations, lists, opinions, reviews and articles on various topics.
Vampire Studies Association
TThe Vampire Studies Association (VSA) was founded by Anthony Hogg . . .“to establish vampire studies as a multidisciplinary field by promoting, disseminating and publishing contributions to vampire scholarship
Victorian Popular Fiction Association
The Association is committed to the revival of interest in understudied popular writers, literary genres and other cultural forms.
Wells at the World's End
I am reading through the complete works of H G Wells, in chronological order. This blog is for my jottings, as I go along.
YA Literature, Media, and Culture
YALMC is a resource for those of us researching, writing, writing about, interested in Young Adult Literature, Media, and Culture.
YA Studies Association (YASA)
The YA Studies Association (YASA) is an international organisation existing to increase the knowledge of, and research on, YA literature, media, and related fields