CFPs: Magical cities, coastal folklore, folk horror, folklore and the fantastic, Walpole

Some more CFPs to tempt you:

1. From the brilliant people at Supernatural Cities (who were such good partners at our Urban Weird conference in April this year), the Magical Cities conference, 15 June 2019, University of Portsmouth. Deadline: 31 January 2019

The University of Portsmouth’s Supernatural Cities research group presents their fourth conference: Magical Cities. This one-day conference seeks to explore the magical potential of urban environments.

2. OGOM have a particular fondness for selkies and mermaids, so this conference at at the Sussex Centre for Folklore, Fairy Tale and Fantasy, University of Chichester on maritime and coastal folklore looks fascinating: The Fabled Coast: Coastal and Maritime Folklore, Superstitions and Customs, 27 April 2019. Deadline: 25 January 2019

Taking its name from Sophia Kingshill’s and Jennifer Westwood’s seminal book The Fabled Coast, this conference will explore the abundance of folktales, legends, myths, songs and re-imaginings associated with coastal areas and maritime traditions and practices around the world.

3. Folk horror is another genre/area that we have been interested in recently. This conference looks excellent: Folk Horror in the 21st Century, Falmouth University 5-6 September 2019. Deadline: 1 April 2019

The conference organizers Ruth Heholt (Falmouth University, UK) and Dawn Keetley (Lehigh University, USA) invite proposals on all aspects of folk horror, in all periods, across all regions and in all mediums, exploring the meanings and manifestations of the folk horror renaissance in the 21st century.

4. This time, a call for articles for the Gramarye journal. It’s from the Sussex Centre for Folklore, Fairy Tale and Fantasy again, seeking ‘articles and book reviews relating to creative, literary and historical approaches to folklore, fairy tales, fantasy, gothic, science fiction and magic realism for publication in Gramarye, its peer-reviewed journal published by the University of Chichester’.

5. On the founder of the Gothic novel, there’s a conference at Horace Walpole’s Gothic villa at Strawberry Hill: Text Artefact Identity: Horace Walpole and the Queer Eighteenth Century, 15 February 2019 – 16 February 2019. No deadline visible, so best to enquire soon.

This conference will bring together scholars and curators from the disciplines of Literature, Cultural History, Art and Architectural History, and Heritage to investigate LGBTQ perspectives on the “long” eighteenth century [. . .] the conference will complement a major exhibition taking place October 2018-February 2019, ‘The Lost Treasures of Strawberry Hill’, which will bring together, for the first time since 1842, masterpieces from Walpole’s collection.

Posted in Call for Articles, CFP (Conferences) | Tagged , , , , , , , , , , , , , | Leave a comment

Every Time A Bell Rings an Angel Gets His Wings

I am writing on Hans Andersen in my forthcoming book on shadow play and despite the discourse of suffering and redemption, the stories are full of imagination and sensibility, and are always heart-wrenchingly empathic. Many of the tales have a dark gothic gloom like those polar nights in a Scandinavian winter when there are only two or three hours of light a day and the sun skirts just below the horizon, never fully rising. In previous years I’ve posted about Andersen’s ‘The Fir Tree’, which feels pain and the bitterness of rejection when it is discarded. This year I have re-read ‘The Little Match Girl’ (first published in 1845). It is a story about a dying child’s hopes and dreams. ‘A sad tale is best for winter’ (A Winter’s Tale, 2.1) and Andersen imagines the child contemplating the loss of the person who loves her most, her grandmother, as the snow falls thickly outside. ‘The Little Match Girl’ teaches us to open our hearts to love and friendship even when those hearts are aching (reminiscent of the redemption of Scrooge, from Dickens’ A Christmas Carol). There is something of these sentiments in Frank Capra’s It’s A Wonderful Life too. The film is based on a short story by Philip Van Doren Stern, who was moved to write it after having a dream based on Charles Dickens’s A Christmas Carol Due to this film I grew up believing – when you hear a bell ringing an angel has just got its wings!

In Andersen’s story there is no such happy ending. A falling star signals an earthly death (accompanied perhaps by a bell and a new angel ascending), but whilst the little  girl wishes to prolong the match’s flame she does not rage against the ultimate dying of the light. She goes to her death with love in her heart, though her body is frozen. As the sun comes up on New Year’s Eve, we are made aware that her star has finally fallen.

It was so terribly cold. Snow was falling, and it was almost dark. Evening came on, the last evening of the year. In the cold and gloom a poor little girl, bareheaded and barefoot, was walking through the streets[….] In an old apron she carried several packages of matches, and she held a box of them in her hand. No one had bought any from her all day long, and no one had given her a half penny.

Shivering with cold and hunger, she crept along […] The snowflakes fell on her long fair hair, which hung in pretty curls over her neck. In all the windows lights were shining, and there was a wonderful smell of roast goose, for it was New Year’s eve. Yes, she thought of that!

In a corner formed by two houses, one of which projected farther out into the street than the other, she sat down and drew up her little feet under her. She was getting colder and colder, but did not dare to go home, for she had sold no matches, nor earned a single cent, and her father would surely beat her. Besides, it was cold at home, for they had nothing over them but a roof through which the wind whistled even though the biggest cracks had been stuffed with straw and rags.

Her hands were almost dead with cold. Oh, how much one little match might warm her! If she could only take one from the box and rub it against the wall and warm her hands. She drew one out. R-r-ratch! How it sputtered and burned! It made a warm, bright flame, like a little candle, as she held her hands over it; but it gave a strange light! It really seemed to the little girl as if she were sitting before a great iron stove with shining brass knobs and a brass cover. How wonderfully the fire burned! How comfortable it was! The youngster stretched out her feet to warm them too; then the little flame went out, the stove vanished, and she had only the remains of the burnt match in her hand.

She struck another match against the wall. It burned brightly, and when the light fell upon the wall it became transparent like a thin veil, and she could see through it into a room. On the table a snow-white cloth was spread, and on it stood a shining dinner service. The roast goose steamed gloriously, stuffed with apples and prunes. And what was still better, the goose jumped down from the dish and waddled along the floor with a knife and fork in its breast, right over to the little girl. Then the match went out, and she could see only the thick, cold wall. She lighted another match. Then she was sitting under the most beautiful Christmas tree. It was much larger and much more beautiful than the one she had seen last Christmas through the glass door at the rich merchant’s home. Thousands of candles burned on the green branches, and coloured pictures like those in the printshops looked down at her. The little girl reached both her hands toward them. Then the match went out. But the Christmas lights mounted higher. She saw them now as bright stars in the sky. One of them fell down, forming a long line of fire.

“Now someone is dying,” thought the little girl, for her old grandmother, the only person who had loved her, and who was now dead, had told her that when a star fell down a soul went up to God.

She rubbed another match against the wall. It became bright again, and in the glow the old grandmother stood clear and shining, kind and lovely.

“Grandmother!” cried the child. “Oh, take me with you! I know you will disappear when the match is burned out. You will vanish like the warm stove, the wonderful roast goose and the beautiful big Christmas tree!”

And she quickly struck the whole bundle of matches, for she wished to keep her grandmother with her. And the matches burned with such a glow that it became brighter than daylight. Grandmother had never been so grand and beautiful. She took the little girl in her arms, and both of them flew in brightness and joy above the earth, very, very high, and up there was neither cold, nor hunger, nor fear-they were with God.

But in the corner, leaning against the wall, sat the little girl with red cheeks and smiling mouth, frozen to death on the last evening of the old year. The New Year’s sun rose upon a little pathetic figure. The child sat there, stiff and cold, holding the matches, of which one bundle was almost burned.

“She wanted to warm herself,” the people said. No one imagined what beautiful things she had seen, and how happily she had gone with her old grandmother into the bright New Year.

I am posting this in memory of my mother and my two grandmothers and in celebration of Christmas past and present.

Posted in Critical thoughts | Tagged , , | 2 Comments

OGOM: Supernatural St Albans Christmas Tour

B164h7lCcAEllvt.jpg large

Following the success of our Supernatural St Albans Hallowe’en Tour, and back by popular demand, we are undertaking our spook-tacular tour of St Albans as a festive treat on Saturday 8th December. Led by OGOM’s Dr Kaja Franck, the trip will be exploring the magical and spectral history of Hertfordshire’s finest Gothic city. The event is informed by the research we carried out for our Urban Weird project in collaboration with Supernatural Cities.  We have explored the weird and the eerie, and those uncanny or submerged histories that give play to the imagination and rise up to frame spacial narratives.

St Albans is home to tortured martyrs, ghostly monks, pagan gods, grotesque carvings, an ancient dragon or wyrm’s lair, succubi, winged skulls, witches, Wicca communities, folklore rituals, and more. 

Details:

Meet at the Clock Tower, St Albans, 3.30pm. The tour lasts 90 minutes. Price £10.00 to be paid in cash on the day. Make sure you wrap up warm, wear sensible shoes, and bring a torch as we will be out after dark!

 

To book please email: K.A.Franck@gmail.com

Posted in Events | Tagged , , , , , | Leave a comment

CFPs: IGA 2019, Mapping the Mythosphere

Calls for papers for two exciting conferences.

First, following the fabulous IGA 2018 in Manchester, the IGA 2019 conference, Gothic Terror, Gothic Horror is being held on 30 July to 2 August 2019, at Lewis University, Romeoville, Illinois, United States. Deadline: 31 January 2019.

We invite the submission of abstracts that explore the theme of Gothic Terror, Gothic Horror. We welcome proposed panels of three related papers. Since this IGA conference is the first to be held in the United States, we encourage proposals that consider the theme in relation to the American Gothic.

Then, at the University of Glasgow, there is the Glasgow International Fantasy Conversations conference Mapping the Mythosphere, 23-24 May 2019. Deadline: not given.

GIFCon 2019 is a two-day symposium that seeks to examine and honour the relationships between the different strands of Fantasy and the individual Fantastic works that make up the Mythosphere, be they books, films, games or comics. We welcome proposals for papers relating to this theme from researchers and practitioners working in the field of Fantasy and the Fantastic across all media, whether within the academy or beyond it. We are particularly interested in submissions from postgraduate and early career researchers.

Posted in CFP (Conferences) | Tagged , , , , , , , | Leave a comment

Twilight: feminism and fandom

A pale young man fills the top left of the poster, standing over a brown-haired young woman on the right, with the word "twilight" on the lower right.It’s the ten-year anniversary of the first film of Stephenie Meyers’s Twilight series (Twilight, dir. by Catherine Hardwicke), the YA vampire paranormal romance which became a sensation. Both book and film, and the adulation both received, attracted much criticism, often from a feminist perspective that objected to the values portrayed but often in a way that disparaged the books and films’ admirers. These two articles reappraise what was a significant cultural phenomenon, restoring some agency to the fans themselves. I don’t think the questions on the feminist or otherwise force of Twilight are resolved here, however.

Kate Muir, ‘Ten years of Twilight: the extraordinary feminist legacy of the panned vampire saga

Tom Beasley, ‘Twilight forever: how superfans kept the vampire critics at bay

 

Image: By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=21976665

Posted in Critical thoughts, Generation Dead: YA Fiction and the Gothic news, MA Reading the Vampire module news | Tagged , , , , , , , , | Leave a comment

CFPs: 19C vampires, radical YA lit, revisiting the Gothic

An edited collection and two conferences seeking contributions:

1. Call for articles for A Feast of Blood: the Vampire in the Nineteenth Century. Deadline: 31 January 2019.

We invite essay proposals on the vampire figure in the long nineteenth century.  Our edited collection will look at the vampire figure’s rise in popularity throughout the period and across a range of literary texts.

2. CFP: Radical Young People’s Literature & Culture, 29-30 March 2019, Marino Institute of Education, Dublin 9, Ireland. Deadline: 7 December 2018.

This conference will explore the experimental, subversive and/or disruptive potential of Irish and international literature and culture for young people. The conference will also consider the extent to which children’s and young-adult texts and culture can promote, cultivate and/or establish radical representations and ideas.

3. CFP: Revisiting the Gothic in Literature and the Visual Arts (18-Enero-2019, UCAM), Catholic University of Murcia, 18 January 2019. Deadline: 3 December 2018.

This interdisciplinary conference will analyse and discuss the transformations undergone by the Gothic genre since the late 1970s up to today within the fields of fiction, the visual arts and other forms of popular culture. Special emphasis will fall on the appropriation and reformulation routines in the works under assessment plus the continuity (or discontinuity) of classic tropes.

 

Posted in Call for Articles, CFP (Conferences) | Tagged , , , , , , , | Leave a comment

LGBT Selkie Poem

I’m posting this Scottish folklore poetry re-imagined with an LGBT twist for those interested in selkie literature. The book will launch at LGBT History Month in Scotland in February 2019. Students of the Generation Dead: YA Fiction and the Gothic course will be looking at the Selkie novel Tides in a few weeks time with its theme of inbetweeness, and this provides us with a lively alternative context.

Posted in Generation Dead: YA Fiction and the Gothic news | Tagged , , | Leave a comment

Vampires: Dracula, James Joyce, Jane Austen, bats, and Marx

Image result for dracula

Again, a bit too late for Hallowe’en, but a handful of essays on vampires here:

1. Recent research at the London Library on Bram Stoker’s annotations to source material for Dracula: ‘The Books That Made Dracula‘.

2. Austen Gilkeson, ‘The Dead and the Undead: James Joyce and the Origin of the Modern Vampire‘ on the vampirism in Joyce’s story.

3. Eric Parisot discusses vampiric rewritings of Jane Austen in ‘Mr Darcy as vampire: a literary hero with bite‘.

4. With Shahidha Bari, Nick Groom and Xavier Aldana Reyes discuss vampire fiction, its origins, and legacy in ‘Sinking Your Teeth Into Vampires‘.

5. Katy Waldman asks ‘Are Vampires Cancelled?‘ in a review of Nick Groom’s new book, The Vampire: A New History.

6. Matthew Wills considers the continuing relevance of vampires by looking at the economic metaphor of vampirism employed by Karl Marx: ‘Marxferatu: Teaching Marx with Vampires‘.

7. Allison Meier explores the bat symbolism that decorates the Parisian cemetery in ‘Bats and Vampiric Lore in Père Lachaise Cemetery‘.

8. And finally, Francky Knapp recalls an early cinematic vamp actor: ‘America’s Vampire Sweetheart: Valeska Suratt‘.

 

Posted in Critical thoughts | Tagged , , , , , , , , , , , , | Leave a comment

CFPs: Myth and dream, tales of terror, Romanticism

Three very tempting conferences with CFPs:

1. Myth and Dream / The Dreaming of Myth, University of Bologna, 23-24 May 2019; deadline 1 February 2019.

The conference invites proposals addressing diverse approaches to the combination of myth and dream – literary, artistic, scientific or theological – that enjoy attention in the contemporary world.

2. Tales of Terror: Gothic Horror and Weird Short Fiction, University of Warwick, 21-22 March 2019; deadline 1 December 2018.

This two-day conference will explore the appeal, evolutions, and elusiveness of Gothic, Horror, and Weird Short Fiction, and welcomes speakers with new and innovative perspectives at any stage of their academic career.

3. International Conference on Romanticism, University of Manchester, 31 July-2 August 2019; deadline 15 January 2019.

Inspired by the 200th anniversary of Peterloo, our conference theme—‘Romanticism Now and Then’—invites reconsideration not only of the historical events of 1819 and their implications, but also, more broadly, of the relations among politics, aesthetics, and time in any aspect of Romantic art, literature, and culture. Put simply, we are interested in making space for the most rigorously imaginative and significant work being done now that bears on our understanding of the politics, aesthetics, and/or temporalities of Romanticism.

 

Posted in CFP (Conferences) | Tagged , , , , , , , | Leave a comment

Night of the Gorgeous Goth Girls–again!!

This poem was meant as a light-hearted celebration of all things Gothic, and of scholars and students in the field. I crammed in as many tropes, archetypes, characters, and clichés as I could, torturously straining the rhymes on the rack. It was originally a short piece commissioned by Ali Younger at the University of Sunderland for her ‘Gorgeous Goth Girls’, so the alliteration of the letter ‘g’ became compulsive. It’s been expanded several times—I can’t seem to let it go—and the current iteration is in response to the University of Sheffield’s Reimagining the Gothic: Aesthetics and Archetypes conference which I was unfortunately unable to attend (there’s a sly reference to the conference theme in there now, and Prof. Angela Wright has a solo spot).

It’s a playful Bacchanalia, but beneath the surface there’s a more serious theme, one of aesthetic transformation and emancipation—a reimagining, if you like—and of the importance of narrative. All the moral ambiguity and subversiveness of the Gothic appears. The reworking of Gothic archetypes appears in an allusion to Angela Carter’s characterisation of her revisioning of fairy tales as ‘new wine in old bottles’. The action is a Walpurgisnacht of witches learning eagerly, conjuring lovers, feasting voraciously, and having a general good time while telling stories that reimagine and enchant the world, then soaring into the skies till dawn arrives.

Night of the Gorgeous Goth Girls: A Paranormal Romance.

(for Sam George, Angela Wright, Alison Younger, and their students of the Gothic at the Universities of Hertfordshire, Sheffield, and Sunderland)

Under a gibbous and gory moon
The Gorgeous Goth Girls gyre and gimble,
Gliding gaily to gloomy tune
With graceful sway and gait that’s nimble.

Their eyes adorned with artful shade,
Glad-ragged in black, lips daubed with mauve;
Transforming all that moonlit glade
Aesthetically, those Goth Girl fauves.

Witches all, with body parts
And occult herbs they craft their spell;
Imagination and dark arts
Create a heaven from savage Hell.

Hence three-faced Hekátē, through hexes
Etched in the air with argent fire,
Breathes lucid commerce among the sexes,
Inspiring a colloquy of desire.

Then, demon lovers from leafy wood,
Or leaping from the leaves of books,
Are stirred alive with boiling blood,
Enchanted by those glamouring looks.

Come icy Ruthven, cool Carmilla,
Lurching zombie, Giaour, and ghoul;
Spike and Angel, crazed Drusilla—
Glittery Edward’s here from school.

Barnabas and Scissorhands,
L’Estat, Ligeia, Yog-Sothoth,
Goblins, elves from Faerie lands
Salute the troupe of Gorgeous Goths.

The Count himself, three sultry brides;
Galvanic monster and his wife;
Pale warriors, werewolves, Mr Hyde:
All celebrate that Blood is Life.

And oh! What music they do make!
With gut and reed and rattling bones,
Wild revels like some Celtic wake
Resound with eerie, plangent tones.

The Girls gavotte with gay cadavers,
Goat-men, mermen, incubae,
Who quicken in the danse macabre
And ululate with ghostly cry.

The music dies; the feast begins
With tender flesh laid out to bite.
The menu sings of luscious sins
Enthralling curious appetites.

Such gleeful gusto! The gorgeous gluttons
Gulp goblin grapes and baneful berries;
Wolf glorious gateaux, goose and mutton,
With lusty wine from Naughty Man’s Cherries.

Licking lips, they leave the table
To conjure more delicious sin,
To reimagine Gothic fable—
New archetypes in ancient skin.

The greedy Girls explore grimoires
In search of threads that can be woven
Into stories spiced with noir
To spellbind the uncanny coven.

All gather kindling and ignite
A bonfire which soon fiercely rages.
The visions in the flames incite
Wild tales inscribed on virgin pages.

Ceridwen flings into the brew
That simmers in her cauldron bright
Wild elements to create anew
The chaos of the sable night.

There’s pickled spiders, gall of goat,
Scale of dragon and basilisk blood,
Syllables torn from infant throat,
Distilled with Gothic womanhood.

Benighted ravens, owls, and bats
Around the Girls shape-shift and swirl,
While grinning glowing-green-eyed cats
Torment the air with eldritch skirl.

Familiars help the spells get ready:
Faithful Wednesday, furred Pyewacket,
Wilful Willow, and torpid Teddy
Growl and purr in gleeful racket.

Who has gathered to incant
These arcane scripts? What dark divines
Will glorify and re-enchant
The world and render it sublime?

Matilda plots with Loridani,
Alice Nutter, Lilith, Glinda,
Bastet, Morrigan, fey Morgana,
Mab, Medea, and gypsy Wanda.

While Angela stirs Gothic Romance
Into the spell of history,
Beguiling Italy and France
Evoke Udolphan mystery.

There Ali, Lianan-Sídhe, reveals
Bright secrets from the darkest lore.
Her students, with delighted squeals,
Learn tales of terror, lust, and gore.

Samantha, witch of Circe’s line,
Likewise from open graves uncovers
Charms, unfit for abject swine,
That open minds of bards and lovers.

Kaja, lycanthrope, uncoils
Her tale of animality,
Reveals her hybrid self embroiled
With carnal sociality.

Through Rachey’s stories summoned hence,
Beautiful monsters who transgress
Morality and common sense
Mask vice beneath cosmetic dress.

These narratives grip the Girls with awe
And animate a fierce resolve
To transcend gravity’s grim law:
Besmearing skin with chymick salve

That stings their bodies into flight,
And shivering with the fierce uplift,
The Gorgeous Girls soar into night
Astride a hog or besom swift.

Now howling giddily, drunk with glee,
They trace Agnesi’s sensual curves,
Describing paths that set them free,
Reborn in wild ecstatic swerves . . .

But now the cock crows dreary day
And Gorgeous Goth Girls must retire.
Spectral visions fade away;
Bells clang and banish dark desire.

Posted in Creative Writing | Tagged , , , | Leave a comment