Locating Fantastika – Registration Open

The programme for Locating Fantastika has been published on the blog. It looks very interesting with plenty to offer. Registration has also opened and this is free! This is a brilliant opportunity for undergraduates or people starting their academic career to attend a conference without having to worry too much about costs. In order to register you simply have to email fantastikaconference@gmail.com to confirm that you are attending. I have just returned from the conference Masculinities in the Landscape (review to follow) and it reaffirmed how important conferences can be to academic life. They are a great place to meet people, share your ideas, and revive your interest in the subject. It is always worth remembering, if you are a little nervous about attending one, that they are the festivals of academia so if nothing else you’ll get to let your hair down.

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Black and Deep Desires: was the ‘dark lady’ of Shakespeare’s sonnets a vampire?

Black and Deep Desires
William Shakespeare, Vampire Hunter
Shakespeare, the Dark Lady, Guy Fawkes – and vampires!

Prof. Graham Holderness (esteemed Shakespeare scholar and Professor of Literature here at the University of Hertfordshire) has embraced the spirit of OGOM and created a mash up of Macbeth in which the ‘dark lady’ of Shakespeare’s sonnets becomes rather more sinister and the bard turns vampire hunter! This is a novel in the comic spirit of Anthony Burgess or Kim Newman. And Holderness has more fireworks up his sleeve when Marlowe and Guy Fawkes are thrown into the mix. The Elizabethan underworld, much loved by Marlowe, begins to resemble Dante, and in a nod to Dr Faustus, the theatricals turn phantasmagoria, with Dracula waiting in the wings. Looks like we might have to invite Prof. Holderness to be a part of our new research centre, tentatively called Centre for the Study of the Representation of the Dark Arts (CSRDA) !!

Here is a summary of the novel Black and Deep Desires along with some interesting  reviews

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New British Werewolf movie looks “Howl-arious”

I thought I would share the trailer for a new British werewolf movie Howl which will be released later this year. As Empire Online points out it is basically werewolves on a train as opposed to snakes on a plane. I think they probably should have refrained from showing you a close-up of the werewolf’s face until you were in the cinema to keep a bit of the surprise and I am a little disappointed with the look of them.

However it is fun to note that the train is the last train departing from Waterloo – a train with which I am very familiar. Once again we are in traditional Big, Bad Wolf territory as the train gets stuck in the woods and civilisation is just out of reach.

The lead character is played by Ed Speleers who starred in Love Bite (2012) which was so very, very bad. It revolved around a werewolf who only ate virgins in some kind of twist on Cherry Falls (2000) and Hammer Horror vampires. Oh and there was an exotic and mysterious werewolf-hunter. And a sensitive guy with a great relationship with his mum. And a lad’s lad who liked bants. And it ended with twist in the tail. I recommend watching it with a group of friends for the comedy value alone but definitely the kind of friends who understand your penchant for terrible horror movies.

I did note that the train driver for Howl is played by Sean Pertwee who was in the brilliant Dog Soldiers (2002) which has to be up there as one of my favourite interpretations of the werewolf in film. The directorPaul Hyett, also worked with Neil Marshall who directed Dog Soldiers amongst other horror films. So, fingers crossed Hyett can do something original with this movie.

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OGOM meets Spring-Heeled Jack- the slides

Dr Karl Bell has very kindly forwarded the slides to his Spring-Heeled Jack talk and you can view them here:  Open Graves talk PP

Kaja and I particularly enjoyed SHJ’s appearance on New Port Arch in Lincolnshire  (Lincoln is her home town).

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Thanks again to Karl for a wonderful talk in which he made pertinent links to the Victorian vampire myth. I am grateful too for his lively chat with my research students afterwards in the uni bar. A good time was had by all. I will certainly be following up some research links involving SHJ’s theatricals…..

You can contact Karl about his new research project at supernaturalcities@port.ac.uk

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Feeling Gothicky? OGOM Welcomes Prof. Lucie Armitt for ‘Haunted Landscapes’ May 13th at UH

Looking forward to meeting our next speaker Prof. Lucie Armitt (University of Lincoln) on 13th May. Many of you will know Lucie’s work. She is greatly esteemed in the field of Gothic studies and is a specialist in the fantastic, twentieth-century Gothic and women’s writing. Her talk, which is on ‘haunted landscapes’, is the first paper from a new project of Lucie’s based on the relationship between climate change and the uncanny which sounds very intriguing.

ihandmages

The talk entitled ‘Haunted Landscapes and the Writings of Kate Mosse’ will take place at the University of Hertfordshire, De Havilland Campus,  3.30-5.00 in Room W102. Please email me on s.george@herts.ac.uk if you would like to attend. Drinks and gothicky chat afterwards at Club de Havilland.

Lucie is also the external examiner for Kaja’s PhD progression viva on the same day. Good luck Kaja!

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More Lupine Music

Last week I was lucky enough to see Laura Marling perform at Queen Elizabeth Hall, Southbank. It was a beautiful concert. And, of more interest to me and my peculiar research topics, she opened with her song ‘Howl’. I don’t think my partner needed an elbow in the ribs when Marling instructed us to ‘howl at the moon’ and the whispered invocation, “Wolves! Wolves are everywhere!” but I certainly appreciated the imagery. The lyrics appear to be about two lovers. The subject of the song tells us that she (the gender is a little unclear) only appears at night to see her lover and asks him to howl at the moon should he need her. Personally, I feel that it has a very lycanthropic tone. But perhaps you can take a listen and tell me your interpretation below.

In a similar musical vein (folksy, guitary, bluesy goodness), Mumford and Sons also have a song on their new album called ‘The Wolf’. Whilst this seems to pertain to the wolf of the imagination, there is an overlap between human and lupine subjectivity in the lyrics. Both singles are interesting takes on the figure of the wolf and how it thrives in the wilderness of the human psyche.

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Happy Walpurgisnacht!

Tonight is the night that witches party. There is a wild, fantastic depiction of this in Goethe’s Faust and there are memorable reworkings throughout literature and the arts–in Thomas Mann’s The Magic Mountain, Bulgakov’s The Master and Margarita, Joseph Heller’s Catch-22, and in Mussorgsky’s musical piece Night on Bare Mountain. Here are some evocative and scary illustrations by Stefan Eggeler for a 1922 edition of Gustav Meyrink’s Walpurgisnacht.

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Scenarios you will never find in a Werewolf Romance

The following is in no way a proper critique of the romance genre. I’ve just had to read quite a few for my Table of Werewolves and certain aspects have become grating. So, without further ado, here are:

Seven scenarios you will never find in a Werewolf Romance

1) “Alpha? Beta? No, we’ve eschewed hierarchy as we feel it is a human dominance model that is normally found in capitalist societies and doesn’t reflect the natural state of humans and non-human animals. We’ve actually built an egalitarian society in which we make joint decisions”.

2) The Alpha stepped forward. He was short, slightly portly and wore glasses. In one hand he held a handset for a games console and in the other a copy of Harry Potter.

He stumbled slightly as he approached, failed to balance both objects instead dropping the novel, as he reached forward to shake my hand.

“I’m Gary”, he stuttered. “Have you tried turning it off and on again? … Oh, sorry, I meant, how can I help”?

3) Raphael leant forward. his eyes glowing like embers. The musky scent of masculine desire oozed from his every pore. He put his hands on either side of Lisa’s head … manfully, and brought his body towards hers so she could feel the heat of his body.

“You will be mine”, he growled, the noise like velvet being dragged over potholes on a well-used London road.

Suddenly, from the shadows, another figure emerged. The stranger smacked Raphael round the back of the head.

“For the love of Goddess, Raphael, what part of informed consent can you not get through your thick head”?

4) Camille leaned in towards Christian’s full lips. He had been so kind, so attentive towards her, she felt he deserved a reward.

“Erm”, said Christian quizzically. “I’m gay”.

5) I have a secret: I’m a female werewolf. Luckily, it’s about a 50/50 split between males and females in the werewolf community so no-one needs to compete for me.

6) The Alpha looked at the bristling examples of masculinity in front of her. Dominic and St. John burned (look in case you didn’t notice, werewolves are super hot and animalistic, that is what the fire imagery is insinuating) with masculine pride and the need to dominate.

There was only one thing to do in this situation.

“If you cannot settle this like civilised weres, you leave me with no choice”, the Alpha intoned. “It is trial … by flower arranging”.

7) Selene looked from Lucian to Rex. Lucian, so gentle but powerful, the rightful Alpha; his honour shone like a beacon in the darkness of Selene’s life. Though his golden head was bowed she could sense the emerald of his eyes boring into her soul. And Rex, the lone wolf, who had given so much to return and help her on her quest. Beneath his broken exterior she sensed the deep yearning of his heart to be whole again. He ran his fingers through his raven locks and arched his eyebrow at her. His obsidian eyes held a look of arrogance tinged with pain.

She had to say something or her attempt to save her sister who had been caught by the Demon Lord, Anorack, would fail.

Holding up her left hand between the two, Selene simply said, “Yeah, I’m happily married. And not in a bored-house-wife, my-man-doesn’t-understand-my-deepest-passions way. We are safe-word a-go-go when the mood strikes us. Like properly, happily married.

In fact, the sooner we find my sister, the sooner I can text hubs to tell him to get me tea on. So, friends, yeah? And looking at you two glowering at each other makes me wonder if you need read up on Sedgwick and homosocial desire”.

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‘Spring-Heeled Jack and the ersatz Victorian Vampire’: Dr Karl Bell, 6th May, University of Hertfordshire

Dr Karl Bell will be in dialogue with OGOM on 6th May at the University of Hertfordshire where he will present his research into  Spring-Heeled Jack and the Victorian vampire myth.

springheeledjack

His talk is entitled: – ‘”His eyes resembled red balls of fire”: Reading Spring-heeled Jack as an ersatz Victorian Vampire’ . This event will get underway at 3.30-5.00 in R010 and there will be drinks afterwards in Club de Havilland. All are welcome but please let me know in advance via email if you are intending to come (s.george@herts.ac.uk). I am really looking forward to meeting Karl and to having some drinks with OGOMers. See you there.

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Landscapes of Romance: Generic Boundaries and Epistemological Dialectics in the Paranormal Romance of Julie Kagawa’s The Iron King

Here’s the abstract for the paper I presented last week at the excellent Reading the Fantastic: Tales beyond Borders conference at the University of Leeds. You can download the paper from here, too.

Within contemporary fantastic fiction, a modulation of the Gothic has recently taken place: by ‘romance’ (in its present-day sense of fictions centred on romantic love). A new genre has emerged, the paranormal romance, where humans love supernatural creatures (most notably vampires).

In dark faery romance, there is a plot function which necessarily involves a genre shift too. Faery narratives almost always include a moment of entry into the other world. This in itself draws on earlier genres—the two-worlds fantasies of Lewis and others, the descent into the underworld of epic, and, of course, the Tam Lin theme of traditional faery lore itself. With these new fairy stories, the more traditional fantasy irrupts wholesale into the text rather than modulating it.

Faeries in paranormal romance have the viciousness and the predatory nature of vampires, together with their sex appeal. But they are associated not with death—rather with intensified life, life out of human control, and thus, nature. In the twenty-first century this inevitably evokes the values and concerns of environmentalism, though the monstrous nature of faeries means that the incorporation of these values is not uncritical.

Julie Kagawa’s darkly attractive fairies in her Young Adult novel, The Iron King (2010), facilitate clever play with genre and ways of knowing. Kagawa neatly draws on the folkloric motif of faery aversion to iron, representing a contemporary questioning of modernity. Kagawa’s Iron King of the title threatens the land of Faery through an ecocatastrophe that is manifested through further intriguing generic modulations.

But Faery (nature) is uncongenial to the human world, and that creates ambivalence. Kagawa’s novel crosses boundaries, both literally as the protagonists travel from the contemporary world into Faery, and formally as genre boundaries are transgressed, dramatising a dialectic of ways of perceiving the world, between environmentalism and humanism.

Landscapes of Romance _paper_

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