‘Werewolves in Africa’: An Interview with the Creator of ‘The Pack’

Though my research is centred on werewolves in Western literature (predominately British and American literature), this is a very interesting interview with Paul Louise-Julie who created The Packa comic book which follows two Nubian brothers, Khenti and Nekhet, who becomes leaders of a werewolf pack.

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’18 Buffy the Vampire Slayer Quotes You’ve Used at the Office’

It’s Thursday which means the weekend is in sight (though I realise this may not mean a break for everyone). In this spirit, I am sharing ’18 Buffy the Vampire Slayer Quotes You’ve Used at the Office’. I have definitely shouted ‘Undo it, undo it’ at a computer when it has eaten my work.

This article also reminded me of the pleasure to be found in the verbage in Buffy. Of any programme I watched it had the greatest influence on how I spoke as a teenager (followed closely by Clueless, 1995). I distinctly remembering my peers critiquing my American Question Intonation. Whilst there has been much research into the use of language in Buffy, the first paper I saw on this subject was at the inaugural OGOM conference in 2010. This paper, given by Malgorzata Drewniok, became a chapter in the OGOM book entitled ‘”I feel strong. I feel different”: transformations, vampires and language in Buffy the Vampire Slayer‘. Having re-read it, it has made me consider the importance of language in Gothic texts, especially those aimed at the YA market where language can be used to show further difference between supes, teens and adults.

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Fairy Tales, Ancient Histories, and Eternal Appeal

There have been a couple of articles recently on the ancient origins of fairy tales – ‘Fairytales much older than previously thought, says researchers’ on The Guardian and ‘Fairy tale origins thousands of years old, researchers say’ on the BBC website. These articles are based on recent research and published by the universities of Durham and Lisbon. By uncovering the ancient roots of these tales, the researchers have suggested that there are certain themes that recur throughout the history of story telling. Fairy tales are now considered to be children’s literature and yet they contain dark elements about morality, animality and transformation.

I also read an interesting blog post which included some excerpts from Margaret Atwood’s account of her relationship with literature in The Pleasure of Reading (2015, ed. by Antonia Fraser). She acknowledges the important role that fairy tales played – especially those with more gory elements. Atwood’s comments express the importance of literature aimed at children and young adults – ideas which Sam also blogged about recently.

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New links and things

I’ve updated the link to MMU’s Centre for Gothic Studies, which they’ve just redesigned (and it looks great!). Try it–it’s in the Related Links section on the right-hand sidebar.

I’ve also added a link to the fabulous Sussex Centre for Folklore, Fairy Tales and Fantasy.

And I’ve added a new Category of ‘Courses’ where you can search for on-line (and other) courses related to OGOM research topics. Dale Townsend and Peter Lindfield at the University of Sterling have just set up a fantastic-looking MOOC, The Gothic Revival, 1700-1850: Interdisciplinary Perspectives, introducing Gothic architecture and related themes.

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‘MOOC: The Gothic Revival, 1700-1850: Interdisciplinary Perspectives’ Trailer

The University of Stirling (home of The Gothic Imagination blog) has released the trailer for its Massive Open Online Course (MOOC) ‘The Gothic Revival, 1700-1850: Interdisciplinary Perspectives’. The course is delivered by Dale Townshend and Peter Lindfield and it looks absolutely fascinating. It is also free – which in the world of further education is a pretty exciting concept!

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‘How to Recognise a Werewolf in the Nineteenth Century’ by Will Pooley

This well researched post, ‘How to Recognise a Werewolf in the Nineteenth Century’, on the Beastly Histories blog is a very interesting read. (Actually the whole of the blog is pretty exciting so get ready to lose a few hours reading away). I am particularly interested in how the werewolf was presented as ‘unnatural’ or different from a non-supernatural wolf in these texts. These ideas fit in with my discussions on hybridity, the wolf and the werewolf which I am currently writing up. I’m interested in how the werewolf is both a hybrid (wolf and man combined – often in a monstrous form) and also a discrete taxonomic category within the supernatural evolutionary tree. Currently, I am attempting to express these ideas in an articulate way for my thesis and as well as suggesting what this means about the relationship between man and wolf. It certainly beats having a New Year’s resolution!

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YA Shapeshifters: The Selkie

selkie images

The ‘Animal Kinship’ panel at OGOM Company of Wolves included some discussion of the ‘Selkie’ or shapeshifting seal. This elusive creature was discussed in Peter Le Couteur’s paper ‘Sealskins: Finns, Seal Wives, and Mythmaking’. We were rather excited to receive this proposal I remember. Folklore involving selkies can be traced to the Orkney Islands and there are many sightings of selkie folk to draw upon and even poems commemorating them. This  research paper whetted my interest (pardon the pun) and so I was thrilled to see a mention of the selkie in Scott Westerfeld’s novel Afterworlds:

“What about a selkie?” Coleman suggested. “YA hasn’t had many selkies.”
“What the hell is a selkie?” Oscar asked…
…”It’s a magical seal you fall in love with,” Darcy explained.
“Just think of it as a portmanteau,” Coleman said. “Combining ‘seal’ and ‘sexy.’”
Oscar raised an eyebrow. “I don’t see the appeal.” (page 57)

The novel is gently satirizing the appeal of romance involving such shapeshifters and this extract is cited in Genre Guide: Paranormal Romances for Teens . There are some tentative definitions of the PR genre (I tend to use Roz Kaveney and Alison Waller then develop their ideas via Fred Botting) on this site and another list of YA Gothic romances. At least three of the books I choose for Generation Dead appear in this list: Shiver, Twilight and The Iron King (the most so far). The novel Raised by Wolves is also mentioned and I am researching animal parented children in literature and the idea of wolf children for the Company of Wolves book (deadline for papers pending people). No doubt Kaja has already read this one…..

Raised by Wolves by Jennifer Lynn Barnes
Adopted by the Alpha of a werewolf pack after a rogue wolf brutally killed her parents right before her eyes, fifteen-year-old Bryn knows only pack life, and the rigid social hierarchy that controls it. That doesn’t mean that she’s averse to breaking a rule or two

rbwolvesdrop

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The Alchemy of Young Adult Fiction

northanger abbey images

By some additional alchemy that this genre alone brings […] infusing the cankered souls of the rest of us – they will make me read as if I were young again – in one mad, open-minded, unstoppable rush. What delight. What privilege. What joy.

This is Lucy Mangan from The Guardian gushing about Young Adult Fiction and it seems apt to post this for my ‘Generation Dead: Young Adult fiction and the Gothic’ students. I am hoping they feel the same about the gothic fictions they are reading for the course listed here. 

“There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children’s book” (Philip Pullman)

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Sexualising the Witch: Magic, Witches & Devils #jrlmagic

The majority of convicted witches in early modern Europe were women, and two female stereotypes became particularly powerful: the alluring young woman, and the dried-up old ‘hag’. Regardless of age, female witches were believed to be in sexual thrall to the Devil, who was the source of their power. Yet this power came at a price and revealed the Devil’s deceptiveness: witches were given gold that turned to dung, or seduced by handsome men who later revealed their true, diabolical form.

Visual images helped to establish these stereotypes. The story of the witch of Berkeley was illustrated for the first time in the 1493 Nuremberg Chronicle, told as part of a historical narrative in a Christian framework. The half-naked witch, wrapped in her shroud, is shown claimed by the Devil after her death as payment for the magical powers given to her in life.

This is an extract from Jennifer Spinks and Sasha Handley’s Exhibition catalogue for

Magic, Witches & Devils in the Early Modern World
John Rylands Library, 21 January – 21 August 2016 (free entry)

My interest in witches is rather niche as I am focusing on the sympathetic witch in the mid to late twentieth century and recent manifestations of such a figure in contemporary Young Adult Fiction but this exhibition at the John Rylands Library looks wonderfully dark and informative and I will definitely visit it next time I am in Manchester. You can view my post on my past and future in witches here and visual images of witches including Goya

waterhouse images

Download the catalogue for the John Rylands exhibition and go along! 

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Young Adult Classes about Werewolves

As we have just begun the Generation Dead module which includes some werewolf texts and following the sad demise of Alan Rickman I thought I’d post a link to Severus Snape teaching the dark arts class about werewolves.  It seems apt too given Company of Wolves!

Maurice Sand, Les Lupins, featured in Montague Summers

Maurice Sand, Les Lupins, featured in Montague Summers

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