The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.
Unlike Dracula’s cold cuts, this traditional Hungarian dish – also known as Paprika Hendl – is a warm welcome in a bowl, thick, rich and shot through with the subtle smokiness of paprika. Jonathan Harker loves it so much, in fact, that he writes in his diary a memo to “get recipe for Mina”.
Serve the pink-sauced stew spooned over ribbons of black tagliatelle – usually coloured by squid ink or activated charcoal – for full Gothic effect. It’ll taste just as lovely accompanied by noodles, potatoes or rice, though. Or simply eat it with a spoon, perhaps with some chunky bread to mop up the sauce.
For a vegetarian version, try roasting squash and mushrooms until tender and add to the pan in place of the chicken after step 2, simmering for 15-20 minutes until the sauce is nicely reduced.
Make it dairy-free or vegan by substituting a nut butter and cashew cream.
2 tbsp olive oil 500g boneless, skinless chicken thighs, cut into strips 2 tbsp butter 1 onion, sliced into fine strips 1 clove garlic, finely chopped or minced 3 tbsp smoked paprika 1 tsp hot paprika 400g tin of chopped tomatoes 350ml of chicken or vegetable stock 150ml sour cream Black tagliatelle, to serve (optional)
1. Gently heat the olive oil in a large, heavy-bottomed saucepan or stewpot and add the chicken, cooking for around 4-5 minutes on each side to brown. Remove and set aside.
2. Using the same pan, reduce heat and add the butter. Once melted, add the onion, garlic and pepper, cooking for a minute before adding the paprika.
3. Return the chicken to the pan, add the tomatoes and simmer for a few minutes before adding the stock. Bring back to a simmer, cover and cook on a low-medium heat for around half an hour, until the chicken is tender and the sauce is nicely reduced. Meanwhile, cook pasta according to packet instructions.
4. Combine a few ladlefuls of the sauce with the sour cream, then add back to the pan, stirring gently. Continue cooking until heated through, and serve over the pasta – or your chosen accompaniment.
A Gothic Cookbook is an illustrated celebration of food and drink in Gothic literature, discussing edible motifs and the significance of food in novels and short stories including Frankenstein, Dracula, Jane Eyre, Rebecca and The Haunting of Hill House.
The book, written by Ella Buchan and Alessandra Pino and with original drawings by Lee Henry, is signed with Unbound Publishing, which works by crowdfunding the initial production costs.
People can help make the book a physical, cloth-bound being by reserving a copy and merchandise with original artwork, such as posters, dinner party kits, limited-edition cocktail booklets and bespoke pet portraits. More information about the book, its authors and recipes – and how you can support – is here: https://unbound.com/books/a-gothic-cookbook/
OGOM’s Dr Sam George will be talking again on The Black Vampyre (the topic of a very successful online event for Being Human). Sam is accompanied by Charlotte Chassefière (Université Paul Valéry, Montpellier), on ‘Confinement and Masquerade: Charlotte Dacre and the Gothic body’; and Rebecca Gibson (University of Lancaster) ‘[T]he Corruption Implicit’: Liminal Faces and Ambiguous Moralities In Late Nineteenth and Early Twentieth-Century Gothic’.
This Halloween seminar will focus on Gothic bodies from the Romantic period to the early twentieth century. Three speakers will consider the resonances of the Gothic body in terms of race and gender, examining themes of monstrosity, confinement, facial transformation and masquerade.
From Frankenstein’s monster to The Day of the Triffids; Ann Radcliffe’s wildly sublime literary landscapes to the environmental apocalypse of films such as The Day After Tomorrow; from eighteenth-century Gothic to its modern sci-fi descendants, we have always been preoccupied with the effects of the natural world on humankind – when nature strikes back. As Autumn draws in, join us for dark folklore, plants and plagues: Gothic tours and talks, a new garden trail, atmospheric dining, and a movie night that’ll put a spell on you.
Doctor Who writer Joy Wilkinson has adapted the groundbreaking fantasy novel Lud-in-the-Mist into a play for BBC Radio Drama, which airs in October.
The novel by Hope Mirrlees was published in 1926 and is considered a pioneer of the fantasy genre that is all too often overlooked. Wilkinson aims to put that right – with the help of one of the book’s greatest advocates, Neil Gaiman, who has a star cameo in the production. [. . .] in a Halloween double-bill with Lolly Willowes a feminist classic with fantasy elements by Sylvia Townsend Warner, adapted by Sarah Daniels. Both dramas will be available on iPlayer following the broadcast.
In Irish literature from the eighteenth century well into the twentieth and twenty-first centuries, the Gothic tradition has been shaped by the spectrality and the perceived vulnerability of the female body. [. . .] This roundtable will consider the paradoxical role of women and feminized others in the long tradition of the Irish Gothic.
Researchers have argued that reading has provided ‘refuge’ for young people during the Covid-19 pandemic (Clark & Picton 2020), but there are still concerns about adolescent mental health following this period of disruption to ‘normal’ life. There are signs that the crisis is in retreat in the UK, but the future is uncertain. In this talk, I will discuss my British Academy-funded ‘Reading for Normal’ project, which offered enthusiastic teen readers a temporary community for talking about their own lives in relation to YA fiction during a period of lockdown.
As part of OGOM’s foray into the real world during Spooky Season, Dr Kaja Franck will be part of two-part Monstrum special on werewolves for PBS’ YouTube channel Storied. The first episode will be released on 21st October – following the Hunter’s Moon, and the second, on 28th October. Hopefully, you’ll enjoy this fascinating insight into lycanthropes. Looking forward to your responses.
Join us in November for the North West Long Nineteenth-Century Seminar series, hosted by Manchester Metropolitan University
This Halloween seminar will focus on Gothic bodies from the Romantic period to the early twentieth century. Three speakers will consider the resonances of the Gothic body in terms of race and gender, examining themes of monstrosity, confinement, facial transformation and masquerade.
Any queries, please contact the seminar organisers Emma Liggins and Sonja Lawrenson from Manchester Metropolitan University, on firstname.lastname@example.org or email@example.com
Date and time
Wed, 3 November 2021
16:30 – 19:00 GMT
16.30 – 17.30 Sam George (University of Hertfordshire), ‘America’s First Vampire was Black and Revolutionary: Is it time to remember ‘The Black Vampyre’?
17.30 – 17.45 break
17.45 Charlotte Chassefière (Université Paul Valéry, Montpellier), ‘Confinement and Masquerade: Charlotte Dacre’s gothic bodies (1772-1825)’
18.10 Rebecca Gibson, (University of Lancaster) ‘[T]he Corruption Implicit’: Liminal Faces and Ambiguous Moralities In Late Nineteenth and Early Twentieth-Century Gothic
Abstracts and Bios
Sam George, ‘America’s First Vampire was Black and Revolutionary: Is it time to remember ‘The Black Vampyre’?
In April of 1819, the New Monthly Magazine, published ‘The Vampyre: A Tale’ by Lord Byron. Notice of its publication quickly appeared in papers in the United States. Byron was at the time enjoying remarkable popularity and this new tale, supposedly by the famous poet, caused a sensation as did its reprintings in Boston’s Atheneum (15 June) and Baltimore’s Robinson’s Magazine (26 June). By July, Byron’s denial of authorship was being reported and by August the true author was discovered, John Polidori. In the meantime, an American response, ‘The Black Vampyre: A Legend of St. Domingo’, by one Uriah Derick D’Arcy, appeared. D’Arcy explicitly parodies ‘The Vampyre’ and even suggests that Polidori’s vampiric aristocrat had his origins in the Caribbean. A later reprinting in 1845 attributed ‘The Black Vampyre’ to a Robert C. Sands; however, many believe the author was more likely to be Richard Varick Dey (1801–1837), a near anagram of the named author.
This anti-slavery narrative from the early 1800s contains America’s first vampire who is Black. It is also the first short story to advocate the emancipation of slaves, released 14 years before Lydia Child published ‘An Appeal in Favor of That Class of Americans Called Africans’, which is widely considered to be one of the first anti-slavery books. ‘The Black Vampyre’, is also noteworthy for its idea of mixed marriage at a time when interracial love was deemed taboo.
In this paper I ask why this ground-breaking text is still relatively unknown, even in Gothic circles? It appears in none of the seminal histories of the vampire, for example. Important for being the first American vampire text, and for depicting the first Black vampire in literature; it has a contemporary resonance. The racism cultivated by slavery lives on; the struggle against it and the dreams of universal humanity expressed in the Haitian Revolution continues. I argue that the links ‘The Black Vampyre’ makes between racial oppression and a vampiric society, though ambivalent, make its resurrection worthwhile, and that the crude goriness and spookiness of Gothic vampire narratives can still have an ethical force.
Sam George is Associate Professor in Research and the Convenor of the popular Open Graves, Open Minds Project at the University of Hertfordshire. She is a writer of feature articles on literature, folklore and the Gothic in the national and international press. Her reads for The Conversation alone are 140,000. Her interviews have appeared in newspapers from The Guardian to The Independent and the Wall Street Journal. Her research interests span from women and botany to vampire studies, werewolves and dark fairies. She is the author of Botany, Sexuality and Women’s Writing(2007); In the Kingdom of Shadows; Optics, Dark Folklore and the Gothic (forthcoming 2022), and the co- editor of Representations of Vampires and the Undead from the Enlightenment to the Present Day (2012); In the Company of Wolves: Werewolves, Wolves and Wild Children (2020). She co-edited the first ever issue of Gothic Studies on ‘Vampires’ with Bill Hughes in 2013 and ‘werewolves and wildness’ followed in 2019. She is currently working on an edited collection on The Legacy of John William Polidori: The Romantic Vampire and its Progeny and researching a book on gothic fairies for Bloomsbury. You can follow her on Twitter at @DrSamGeorge1
Charlotte Chassefière, ‘Confinement and Masquerade: Charlotte Dacre’s gothic bodies (1772-1825)’
Writing from a culture that prized its women as symbols of moral property, the bearers of home and nation (Barlaskar 2020), Charlotte Dacre was (and still is) famous for her depictions of trespassing and hypersexual female characters. Concerned with issues of femininity as well as with the traditional Gothic emphasis on confined heroines, and the delimitation between ”inside” and ”outside” spaces, her four novels published between 1805 and 1811 expose the complex relationships between (anti-)heroines and their gothic bodies. This talk will be dedicated to the concepts of confinement and masquerade as developed in the novels of Charlotte Dacre, and will demonstrate the extent to which these notions can be ”harnessed” by the heroines, in order to assert their agentivity, in quite a suprising fashion when compared to other gothic texts from the time. In this presentation, I will analyse the dynamics of confinement of the heroines’ bodies—within an enclosed space, or within the traditional middle-class expectations of feminine behaviour—showing how Dacre appropriates and rewrites the sentimental motif of the blushing heroine. We shall also see how this blush (a mask among many others) can be appropriated by female characters in order to navigate their way in society, in a form of feminine masquerade that both endorses, subverts and criticises the ninteenth-century gendered double standard, and the discipline of sensibility.
Charlotte Chassefière is a PhD student in late eighteenth and early nineteenth-century British literature at EMMA (Etudes Montpelliéraines du Monde Anglophone), Université Paul Valéry (Montpellier, France), where she is also a lecturer for the English department. Her doctoral research is centred on the constructions of the self in the novels of Charlotte Dacre (1772-1825), under the supervision of Prof. Christine Reynier. Her other fields of interest include Gothic fiction, early nineteenth-century poetry, and Romantic Satanism. She is also the author of a review of Laurence Talairach’s Gothic Remains for Cahiers Victoriens et Edouardiens (https://journals.openedition.org/cve/8387), and of the chapter “’Reason, honour, and the usage of society’ in Charlotte Dacre’s The Libertine”, in the post-conference volume “I have a dream”: From a Culture of Violence to a Culture of Non-Violence edited by Anna Hamling (LCIR).
Université Paul Valéry, Montpellier 3 (France)
EMMA – Etudes Montpelliéraines du Monde Anglophone
Rebecca Gibson, ‘[T]he Corruption Implicit’: Liminal Faces and Ambiguous Moralities In Late Nineteenth and Early Twentieth-Century Gothic’
The late nineteenth century marks the moment when discourses of appearance-altering technologies, morality and the Gothic began to crystallise in literature. Novels from this era commonly incorporate characters whose disfigured appearances map directly onto their moral corruption or vice versa. Often the two are so tightly bound together that to separate the strands is to dissolve the characters altogether, as in the case of Oscar Wilde’s Dorian Gray, who sows the seeds of his own destruction in attempting to rid himself of the painting depicting his actual appearance. This paper will expand upon the implications of these representations and situate Gaston Leroux’s The Phantom of the Opera (1910) in the context of this tradition, focusing specifically on the mystery of the Phantom’s appearance, the horror of his true face, and his outsider status as a person unable to communicate with such a face. In Phantom, The Picture of Dorian Gray (1890), and other texts I will discuss, facial transformation calls identity into question, reflecting Gothic’s response to the scientific and social turbulence of the fin-de-siècle era.
Rebecca Gibson is a Gothic researcher and academic who recently passed her viva at Lancaster University. Her thesis is titled ‘Uncanny Incisions: Plastic Surgery in the Gothic Mode’. Her research interests include body Gothic, the medical humanities, ecoGothic, gender studies, and queerness.
ATTENDING: This event is FREE but you need to book via the link to Eventbrite HERE
Inspired by the eighteenth-century botanist Tournefort, who voyaged in search of plants and found instead a plague of vampires on the island of Mykonos (1702), Sam George’s botanical studies have taken a gothic turn. Following the publication of Botany, Sexuality and Women’s Writing (2007), and her contribution to New York Botanical Garden’s Poetic Botany she became the convenor of the Open Graves, Open Minds project. She now researches botany alongside the gothic, unearthing depictions of the vampire and the undead in literature, art, and other media, embracing werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. In this talk she presents a snapshot of the material that led to her research project coining the term ‘botanical gothic’. She explores a new darker, shadowy world of plants, found at the intersection between folklore and the gothic. As Halloween approaches, she demonstrates how our knowledge of plants is magically transformed when viewed through this lens of dark folklore. Did you know for example, that the seed heads of Snapdragons resemble tiny skulls, that Bluebells are a dangerous and potent fairy flower (the Scottish name for the plant is ‘Dead Men’s Bells’); that Hawthorne is the favoured wood for staking vampires? A surprisingly dark history of plants will be uncovered via this special Halloween journey into the botanical gothic.
TEAMWORK MAKES THE SCREAM WORK ON THE TRANSYLVANIAN TREK!
Cats Protection is looking for intrepid fundraisers to challenge themselves and raise money for cats on a thrilling new fundraising event next September. The Transylvanian Trek is a once-in-a-lifetime, six-day walk through Romania, including a climb across the Transylvanian alps and a stop at Count Dracula’s famous abode Castle Bran!
Participants will take in small mountain villages where they will stay in local guesthouses to soak up the rich cultural atmosphere while tackling the rugged wilderness and the region’s impressive mountain ranges – which are 2,200 metres above sea level.
There will also be a visit to King’s Rock National Park, home to the Carpathian Large Carnivore Project which shelters wolves, lynx and bears. In addition, there will be an optional one-day extension to the Putna-Vrancea Natural Park to meet biologists and wildlife experts who are seeking to protect the ecology of the lynx species.
The charity is looking for people to join this challenging adventure which takes place on 6-11 September 2022. The registration fee is £250 and there’s a minimum sponsorship pledge of £2,975 which would cover the funding of a new cat pen.
With trekking of up to eight hours per day, participants will need to be fit and healthy and ideally have undertaken some training.
This trip is being organised for Cats Protection by Charity Challenge (ATOL 6546). Cats Protection is acting as an agent for Charity Challenge. To sign up to this event or to find out more, visit https://www.cats.org.uk/transylvania, call 01825 741 960 or email firstname.lastname@example.org
Cats Protection doesn’t just care for homeless or abused cats, it provides education for cat owners, helps with treatment/neutering, campaigns for change on behalf of cats and even provides services for bereaved cat owners and those fleeing unsafe homes. It is estimated we help on average 200,000 cats and kittens a year, and in the past 18 months we’ve still managed to rehome over 20,000 homeless cats during the pandemic thanks to our Hands Free Homing service.
We therefore ask how fantasy and the fantastic engage with past global traditions whilst seeking and constructing new myths capable of taking account of the strange days we are living through. The conference also seeks to address the past(s), present and future(s) of fantasy and the fantastic as modes of artistic expression and creativity.
Never before has there been an academic conference on the relationship between these two Irish writers. Perhaps even more startling to those familiar with ‘the Joyce industry’ will be the knowledge that there has never been an edited collection of essays on Joyce and Wilde. [. . .] It is our intention to publish a selection of papers from this symposium in order to fill this obvious gap. The 2022 Wilde and Joyce Symposium welcomes papers that bring these two Irish writers together in innovative ways.
This conference seeks to explore the intricate patchwork of spiritual and religious practices, occult and esoteric beliefs, and spiritualist endeavours found in Irish literature from the nineteenth century and up to the present.
GIFCon 2022 is a three-day virtual conference that seeks to examine the myriad narrative possibilities afforded by fantasy across media. We welcome proposals for papers relating to this theme from researchers and practitioners working in the field of fantasy and the fantastic across all media, whether within the academy or beyond it.
The Mythopoeic Society invites paper submissions for an online conference that focuses on the connections between and among Inkling authors and the literary tropes of the horror sub-genre of speculative fiction, to be held through Zoom and Discord February 4-5, 2022.
With increasing interest and attention given toextraterrestrial life in contemporary developments and discourses, Islamic perspectives onexotheology have become a niche area that require due attention. This conference aims to fillthis gap by inviting scholars from all over the world and from different backgrounds to helpmake sense of this relatively unexplored territory. We believe this exploration will elevateIslamic discourses that are directly engaging with contemporary questions
The Shelley Conference will celebrate the achievements of a major Romantic poet, but also his various afterlives. We invite papers on Shelley’s last two years in Italy (his work, thought, life, friendships, and reading), but also on matters of Shelleyan reception: Shelley editing, and networks of influence, including the political, the musical, and the visual.
Daisy Butcher, a member of OGOM and PhD student of Dr Sam George, has collaborated with friend of OGOM and University of Hertfordshire alumna, Janette Leaf to put together an exciting anthology of insect themed stories for the British Library’s well-known ‘Tales of the Weird’ series. The creation of this book is indebted to the Open Graves, Open Minds Project as Daisy and Janette met at their Company of Wolves conference in 2015 and then had the idea to work together on an insect collection at their Polidori Symposium in 2019. With Daisy’s experience putting together a previous collection on killer plants called Evil Roots: Killer Tales of the Botanical Gothic (British Library, 2018) and Janette’s expertise in Insect Gothic, they have thoroughly enjoyed working together throughout lockdown. The anthology encompasses many genres and writers from Victorian Gothic to science-fiction on the subject of insects. Their overlapping interest in Egyptian Gothic and mummy curse tales from their PhD research proved fruitful for the collection as there are four Egyptian themed insect stories in the book. As well as bringing these stories they knew from their PhD research, Daisy and Janette both trawled through archives of old Victorian literary magazines and pulp science-fiction to find lesser-known authors and tales. Daisy and Janette co-authored the introduction and headnotes for the collection, touching on what the ‘Insect Weird’ means to them, where the irrational fear of insects comes from, biographical information about the authors, and the key themes throughout. In line with the Open Graves, Open Minds ethos, they were also keen to feature positive examples of literary insects. While they wanted to allow people to get a good scare off these creepy crawlies, indulging their entomophobic tendencies in a safe space, they also wanted to make people aware of this unfair prejudice against insects. In this collection, some insects aren’t as monstrous as they appear, some do the bidding of others, some are only doing what is natural for an animal to do, some give gifts, and some even save lives.
You can catch Daisy and Janette talking about the book at various events this Halloween including:
Teaching with Fairy Tales is a collection of essays that discuss the many ways to use fairy tales and folklore in classrooms at all levels. We are soliciting contributions of chapters focusing on classroom uses for fairy tales and/or folklore in any field. While lessons for any level of education are welcome, activities that can be adapted to more than one age group are preferred.
Mapping the Impossible is an open-access student journal publishing peer-reviewed research into fantasy and the fantastic. We welcome submissions from undergraduate and postgraduate students (and from those who have graduated within the last year) from any higher education institution. We publish articles on any aspect of fantasy and the fantastic and any work within this transmedial genre. Increasingly, students from more established disciplines (including, but not limited to, Literature Studies, Game Studies, Film and Television Studies, Media Studies, Philosophy and Theology) elect to write essays on a fantasy related topic that intersects with their primary discipline
The multifaceted framework of Ende’s story helps to shape the interdisciplinary approach of this collection. The lines between reality and fiction, between characters, and between purposes are all blurred in such a way that there is much to mine from the stores rich layers. This volume hopes to do the same by investigating the text from a variety of viewpoints, as well as offering pedagogical approaches for the classroom. It also seeks to highlight the various media representations of Ende’s story, including the films and cartoon adaptations.
Given the richness of theological substratum in vampire fiction, we invite submissions for a collected volume entitled Theology and Vampires, for the Theology and Pop Culture Series published by Lexington Books/Fortress Academic. The aim of this volume is to explore the theology of vampires, with a particular focus on the pop culture aspect of vampire narratives. We are seeking essays exploring the theological implications of the vampire across a wide range of media, from popular Victorian tales through to films, video games, and animated series.
This special issue will explore manifestations of religion and the expression and representation of religious experience in popular culture texts of all kinds. [. . .] We welcome proposals that focus on popular narrative in all its forms arising from the long nineteenth century, and particularly encourage research that examines noncanonical and neglected poets, dramatists, novelists, journalists, journals, publishers, artists, critics and readers. We would be particularly interested in research concerning religious practices and experiences outside of Christian traditions
We seek essays of 6000-10000 words that would broaden our understanding of the Gothic in Asia. Rather than considering the Gothic as a fixed western-centric genre or a rigidly defined aesthetical category, we propose to address it as a larger umbrella term: a conceptual framework through which distinctive local cultural practices, historical formulations, national and regional traumas, anxieties, collective violent histories and diverse belief systems are expressed. Whether understood as a localised version of international Gothic or part of a larger category of “globalgothic”, Asian Gothic can thus be read as a distinctive aesthetical and narrative practice, where conventional gothic tropes and imagery (monsters, ghosts, haunting, obscurity, darkness, madness etc.) are assessed anew, and where global forms get consumed, appropriated, translated, transformed, and, even, resisted.
1. The first is from OGOM’s own Daisy Butcher, in collaboration with Janette Leaf. They are promoting their new book, Crawling Horrors, and this is one of several events–more news to come. The book is an anthology of Gothic/horror insect tales and is part of the fabulous series from the British Library, Tales of the Weird.
A moth wreaks a strange vengeance on an entomologist. Bees deliver a supernatural dilemma to a mother-to-be. This new anthology offers a broad range of stories from the long history of insect literature, where six-legged beasts play many roles from lethal enemies to ethereal messengers.
With expert notes on how each tale contributed to insect horror literature, Janette Leaf and Daisy Butcher are your field guides for a tour through classic insect encounters from the minds of Edgar Allan Poe, E. F. Benson, Clare Winger Harris and many more.
Dr Maisha Wester (University of Sheffield), ‘Black Jacobins or Bloody Barbarians: the Haitian Revolution’s Gothic Impact’
Dr Christina Morin (University of Limerick), ‘Horrible tumults in Ireland’: Reading Rebellion in Irish Female Gothic
Dr Lauren Nixon (Nottingham Trent University), ‘A soldier for me’?: Framing British masculinity and nationality in women’s Gothic writing during the Revolutionary Wars
For our September event, the Gothic Women Project invites you to a seminar exploring how the Gothic responds to the realities and ideologies of revolution in the broader Romantic period. ‘Gothic Revolutions’ will explore how the work of women writers in particular intersects with revolutionary movements and moments across the globe. With papers exploring responses to the Haitian Revolution, the French Revolution, and rebellion in Ireland, we welcome discussion of how we can interpret the revolutions and upheavals of our own era by looking back to the late 18th and early 19th centuries.
A few related items here, centering on Byron and rebellion and including the Byronic vampire. 1. Rebellion, treachery, and glamour: Lady Caroline Lamb’s Glenarvon and the Byronic vampire, The Byron Society, Art Workers Guild, London, April 2022 [full date tba], … Continue reading →
I’ve left this a bit late, I know, but I want to express our mourning over Anne Rice, who died 11 December 2021. Rice’s novel Interview with the Vampire (1976) is, as I’m sure you’ll know, a pivotal moment in … Continue reading →
An assortment of conference CFPs and calls for articles, plus online events. 1. CFP: Crones, Crime, and the Gothic, In-person Conference, Falmouth University UK, 10-11 June 2022. Deadline: 1 April 2022. Older women have traditionally been portrayed negatively in folklore, … Continue reading →
Some calls for articles in journals and edited collections. Be warned that the deadline for the Murder, She Wrote collection is very soon–15 December 2021! 1. Call for chapters: Edited collection – ‘Something very sinister is going on here’: The … Continue reading →
Some interesting online events coming up along with some prerecorded ones, plus another Byron CFP. Be warned: the first two events are very soon–Monday and Tuesday! 1. Radcliffe Beyond Udolpho, The Gothic Women Project, 29 November 2021. For the November … Continue reading →
Some exciting CFPs for forthcoming conferences. The one we have all been waiting for, the International Gothic Association 2022 conference in Dublin is out at last!** Note that the deadline for the Angela Carter symposium is very soon–30 November. 1. … Continue reading →
Lady Caroline Lamb, whose birthday it would have been on 13 November (I’m a bit late!), famously judged Lord Byron ‘Mad, bad, and dangerous’, having had a brief and tempestuous affair with him. This relationship inspired her novel Glenarvon (1816), … Continue reading →
Halloween is finally here! @DrSamGeorge1, The ‘Coffin Boffin’, would like to thank all those who have accompanied her on this Gothtober Halloween journey. If you are still to view the gothic wonders she has uncover, click to enjoy her spooky … Continue reading →
Sam George, University of Hertfordshire When most people think about fairies, they perhaps picture the sparkling Tinker Bell from Peter Pan or the other heartwarming and cute fairies and fairy godmothers that populate many Disney movies and children’s cartoons. But … Continue reading →
Guest recipe post from Ella Buchan, co-author of A Gothic Cookbook (featured here also) Unlike Dracula’s cold cuts, this traditional Hungarian dish – also known as Paprika Hendl – is a warm welcome in a bowl, thick, rich and shot … Continue reading →
Some spookily exciting events coming up soon for Hallowe’en (and afterwards too): 1. North West Long Nineteenth-Century Seminar series, hosted by Manchester Metropolitan University (on line), 3 November 2021, 16:30 – 19:00 GMT. OGOM’s Dr Sam George will be talking … Continue reading →
As part of OGOM’s foray into the real world during Spooky Season, Dr Kaja Franck will be part of two-part Monstrum special on werewolves for PBS’ YouTube channel Storied. The first episode will be released on 21st October – following … Continue reading →
Join us in November for the North West Long Nineteenth-Century Seminar series, hosted by Manchester Metropolitan University This Halloween seminar will focus on Gothic bodies from the Romantic period to the early twentieth century. Three speakers will consider the resonances … Continue reading →
Inspired by the eighteenth-century botanist Tournefort, who voyaged in search of plants and found instead a plague of vampires on the island of Mykonos (1702), Sam George’s botanical studies have taken a gothic turn. Following the publication of Botany, Sexuality and … Continue reading →
TEAMWORK MAKES THE SCREAM WORK ON THE TRANSYLVANIAN TREK! Cats Protection is looking for intrepid fundraisers to challenge themselves and raise money for cats on a thrilling new fundraising event next September. The Transylvanian Trek is a once-in-a-lifetime, six-day walk … Continue reading →
CFPs for some exciting conferences ahead. 1. Once and Future Fantasies conference, Centre for Fantasy and the Fantastic (CFF) at the University of Glasgow, 13 –17 July 2022. Deadline: 22 October 2021 We therefore ask how fantasy and the fantastic engage with … Continue reading →
Daisy Butcher, a member of OGOM and PhD student of Dr Sam George, has collaborated with friend of OGOM and University of Hertfordshire alumna, Janette Leaf to put together an exciting anthology of insect themed stories for the British Library’s … Continue reading →
Quite a few calls here for journal articles and chapters in edited collections. 1. CFP: Fairy Tales and Fantasy Fiction / Contes de fées et Fantasy, Fantasy Art and Studies journal. Deadline: 25 October 2021 (in French or English) For … Continue reading →
Two exciting events coming up soon. 1. The first is from OGOM’s own Daisy Butcher, in collaboration with Janette Leaf. They are promoting their new book, Crawling Horrors, and this is one of several events–more news to come. The book … Continue reading →