Author Archives: William the Bloody

About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

CFPs: Buffy and the Bible, myth and fandom, fantasy blogs, Tropical Gothic

Some exciting calls for papers and articles: 1. Buffy and the Bible conference, University of Sheffield, 4-5 July 2019, deadline 18 March 2019 SIIBS and Sheffield Gothic are delighted to announce a two day interdisciplinary conference: ‘Buffy and the Bible’ … Continue reading

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Older than Dracula: in search of the English vampire

Older than Dracula: in search of the English vampire The Premature Burial. Antoine Wiertz (1854) Sam George, University of Hertfordshire The story of Count Dracula as many of us know it was created by Bram Stoker, an Irishman, in 1897. … Continue reading

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Angela Carter: BBC Documentary and The Angela Carter Society

Angela Carter’s work has been one of the centres OGOM’s research has revolved around, particularly since our very successful 2015 Company of Wolves conference. My own writing on paranormal romance has covered both werewolf narratives (for example, my chapter on … Continue reading

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Emily Brontë : bicentennial essays

A few days late, but here are a selection of articles celebrating the bicentenary of Emily Brontë, whose singular 1847 novel Wuthering Heights took the architexts of the Gothic novel and added new psychological depth. It also lay the foundations … Continue reading

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CFPs: Dracula, vampires, zombies, otherness

Quite a few CFPs here: Better rush for this one–deadline tomorrow, 15 August: A Cross-Platform Dracula Conference, 17-19 October 2018, Brasov Our aim is to present groundbreaking research on Bram Stoker, his novel Dracula and related topics on a bi-annual … Continue reading

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IGA2018: Ambiguous Creatures and Ambivalent Morals

A huge thank you to all the organisers of the International Gothic Association 2018 conference, held at Manchester Metropolitan University. And thanks to all who attended OGOM’s Ambiguous Creatures and Ambivalent Morals panel and to all the lovely and inspiring … Continue reading

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Genre, dreadpunk, mannerpunk, the female Gothic

What constitutes a genre or subgenre and whether even the concept of genre itself has any use is much debated; it’s certainly a focal point of OGOM research, where we’re often concerned with what happens when genres collide or mate, … Continue reading

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Mermaids: ballads, novels, films

Mermaids and related creatures such as sirens and selkies have a perennial appeal; we at OGOM love them and they have featured in quite a few posts here. There may be deep Freudian reasons for our fascination but we’re certainly … Continue reading

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CFPs: Popular Culture reviews, articles on urban Otherness, creative Gothic

Some invitations to contribute: 1. The Popular Culture Studies Journal is looking for Book Reviewers here. 2. The peer-reviewed e-journal Otherness: Essays and Studies is now accepting submissions for a special issue, forthcoming Spring 2019 – ‘Otherness and the Urban’; … Continue reading

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Buffy the Vampire Slayer: academia and Gothic heroines

Buffy the Vampire Slayer is a foundational text in many ways–not least, for OGOM’s origins, being the series which, with its wit, humanity, and dark imagination led me into vampire studies. It’s probably the TV series most written about by … Continue reading

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