Tag Archives: Film

Wonder Woman and Her Influence

Posted on 27th June 2017 by William the Bloody

A fascinating essay by Michele Kennerly and Carly S. Woods, ‘Wonder Woman and Her Influence‘, which takes an unusual approach through Classical Studies and rhetoric, considering the reception of the iconic feminist superheroine and exploring the stress on persuasion that surrounds … Continue reading →

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CFA: Edited collection – Oh, The Horror: Politics and Culture in Horror Films of the 1980s

Posted on 27th June 2017 by William the Bloody

A call for articles for an edited collection, Oh, The Horror: Politics and Culture in Horror Films of the 1980s. The editors are developing a new collection of essays with McFarland Books and seek essays investigating the ways horror films during … Continue reading →

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CFP: Rereading Stephen King: Navigating the Intertextual Labyrinth, Kingston University, 11 November 2017

Posted on 24th June 2017 by William the Bloody

Only a week left before the deadline for proposals for this conference on Stephen King, Rereading Stephen King: Navigating the Intertextual Labyrinth, Kingston University, 11 November 2017. In Stephen King’s Gothic (2011) John Sears asserts that rereading King represents ‘an … Continue reading →

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Feminism and the Cinematic Vampire

Posted on 1st June 2017 by William the Bloody

An excellent article by Genevieve Valentine, ‘How the vampire became film’s most feminist monster‘ on the female vampire in cinema, tracing the figure through shifts in feminist perspectives. Valentine says, ‘Vampirism is a charmingly reliable metaphor for a particular brand … Continue reading →

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CFP: Gothic Style(s), Gothic Substance: Gothic Manchester Festival Conference, MMU, 28 October 2017

Posted on 24th May 2017 by William the Bloody

Gothic Manchester Festival Conference 2017 Saturday 28 October 2017 Call for Papers Gothic Style(s), Gothic Substance After the great success of last year’s Gothic North conference, our attention turns this year to the topic of Gothic Style(s). At the start … Continue reading →

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Divine Horror: Essays on the Cinematic Battle Between the Sacred and the Diabolical

Posted on 10th May 2017 by William the Bloody

There’s a new collection announced from McFarland, Divine Horror: Essays on the Cinematic Battle Between the Sacred and the Diabolical, edited by Cynthia J. Miller and A. Bowdoin Van Riper. It looks very promising. From Rosemary’s Baby (1968) to The … Continue reading →

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CFP: Gender and Horror edited collection

Posted on 5th May 2017 by William the Bloody

A call for articles for a proposed edited collection on gender and horror. Deadline end of May. This edited collection aims to re-examine horror in an era of remakes, reboots and re-imaginings. There have been many developments in the horror … Continue reading →

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Wolfwalkers

Posted on 2nd May 2017 by William the Bloody

A preview by Amy Cranswick of what looks like a wonderful animated film of motifs that prompted OGOM’s Company of Wolves conference–wild children, wolves, and werewolves–‘First look at Tomm Moore’s next animated feature Wolfwalkers‘. Moore is the creator of The Secret … Continue reading →

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Fairy Tale Films and Gothic Forests at the Barbican, 3-25 May 2017

Posted on 26th April 2017 by William the Bloody

A season of films on fairy tale and Gothic forests, Into the Woods at the Barbican (including Neil Jordan’s adaptation of Angela Carter’s tales, The Company of Wolves, which inspired OGOM’s 2015 conference). Join us as we venture in to the … Continue reading →

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Reimagining the Gothic: Gothic Spaces Creative Showcase, University of Sheffield, 13 May 2017

Posted on 21st April 2017 by William the Bloody

Still time to book for this Reimagining the Gothic: Gothic Spaces Creative Showcase; though the CFP is closed, it should be a great event. Sheffield Gothic invites you to an afternoon of creative explorations around the theme ‘Gothic Spaces’. Reimagining … Continue reading →

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