CFP: Trans-states: The Art of Crossing Over

The University of Northampton is hosting a conference called ‘Trans-states: The Art of Crossing Over’ (9th-10th September 2016). Abstracts and proposals of 250-300 words should be sent in by the 20th March 2016. Further details can be found here.

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American Gothic Culture

This has just been published and looks an excellent collection of essays on American Gothic: American Gothic Culture: An Edinburgh Companion, ed. by Jason Haslam and Joel Faflak, Edinburgh Companions to the Gothic (Edinburgh: Edinburgh University Press, 2016). It feature contributions from, among others, Sam’s new colleague Dr Christopher Lloyd, Jeffrey Weinstock of Central Michigan University, and Sorcha Ní Fhlainn and Linnie Blake from MMU’s Centre for Gothic Studies.

Chris Lloyd’s essay is on ‘Southern Gothic’ and it focuses on True Blood, Stephen King’s Danse Macabre, Trash Humpers (2009) and Black Smoke Moan (2006).  Chris has recently joined the Literature Department at the University of Hertfordshire and is a promising young scholar in the field of American Studies, Comparative Literature, and the Gothic.  He will be getting acquainted with OGOM and will hopefully be contributing to future events.

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Company of Wolves Publications

Hi everyone,

May I remind you again that the deadline for submissions for the Company of Wolves collections of articles is the end of January? We’d really like an idea of who’s definitely interested, so just a short response from you would be very helpful. If you really want to contribute but have been struggling with the deadline, please let us know; we’ll be able to find extra time.
Do please remember to stick to the format; specifically, everything (including notes) as 12-point, double-spaced, Times New Roman; UK spelling and punctuation (single quote marks, for example); MHRA style; endnotes, and a works cited list included. Feel free to contact us with any queries/problems. Thanks,

Bill and Sam

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CFP: Roald Dahl Centenary Conference, 16-18 June 2016, Cardiff University

Yet another great looking conference on Roald Dahl–an author whose work is very relevant to OGOM’s concerns with fantastic narratives.

I didn’t spot this and the deadline is approaching: 31 January. There may still be time if you’re quick enough.

THIS interdisciplinary international conference, held in the city of Roald Dahl’s birth and childhood in his centenary year, will give further impetus to the substantial critical attention devoted to the author’s work by seeking new ways of understanding his achievement and place in twentieth- and twenty-first-century culture, broadly considered. The emphasis will be on defamiliarizing Dahl in the very act of bringing him ‘home’. Dahl’s work for children and young adults will, naturally, receive robust attention; innovative crossdisciplinary approaches that encounter his writing through the lens of (for example) illustration, adaptation and performance are particularly welcome. Dahl’s output for adult readers will also be a key focus, as will the need to resist the compartmentalization that sees his books for adults and children as separate imaginative entities. The conference will also consider Dahl’s interventions in other disciplines, from education to medicine, together with his manifold, influential legacies (both enabling and contentious). Discussions of Dahl’s various locations of culture, from Wales to Washington, Tanganyika to Buckinghamshire, Norway to New York, are also sought. The conference will offer opportunities for delegates to visit the places of Dahl’s youth, to examine manuscript and visual material from the archive at Great Missenden, and to enjoy dramatic readings and performances of Dahl’s work.

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Poe: Three Animations of ‘The Tell-Tale Heart’

It was Edgar Allen Poe’s birth date on 19 January; here (slightly late) are three very different animations of Poe’s classic tale ‘The Tell-Tale Heart’, with an accompanying essay by Josh Jones and links to further resources. Each one captures Poe’s disturbing darkness brilliantly; each one has different merits (though perhaps my favourite is the 1954 version, creepily narrated by James Mason).

(The Open Culture site is an inexhaustible source of texts, films, and music in the public domain.)

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Little Red Riding Hood, 1810

Here’s a nice little piece from the British Library on a chapbook version of ‘Little Red Riding Hood’ (Neil Gaiman’s favourite fairy tale–see my previous post). The BL’s website is, incidentally, an excellent resource for literary researchers, with many critical essays and analyses of items in their fabulous collection.

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Neil Gaiman on the meaning of fairy tales

Continuing the themes of fairy tales and Angela Carter, here’s an excellent interview with Neil Gaiman by Gaby Wood where they discuss his own intertextual adaptations of classic fairy tales (particularly his brilliant ‘Sleeping Beauty’/’Snow White’ mash-up, The Sleeper and the Spindle) and he talks about fairy tale in general, from Grimm to Disney, and Carter’s  influence upon him.

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Angela Carter, Vampirella

More from the fabulous Angela Carter. I apologise for not posting this sooner; there are only six days left in which to listen to it. But this is a rare chance to hear Carter’s 1976 vampire radio play Vampirella, starring Anna Massey (which she later adapted as ‘The Lady in the House of Love’, in The Bloody Chamber).

You can also find the screenplay here (though I’m not sure how official it is), and there is another performance by Australia’s Radio National here.

If the first link expires, there appears to be another version here (though, again, I’m not sure of its provenance).

 

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More on Fairy Tale Fashion

Following on from Kaja’s post on the Fairy Tale Fashion exhibition in New York, here’s a short piece on the fashion for fairy tale and fairy tale in fashion, suggesting the utopian components of fairy tale (as explored by the Marxist Ernst Bloch and the fairy tale scholar Jack Zipes).

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CFP: FINNCON 2016: Fantastic Visions from Faerie to Dystopia, July 1–3, 2016, University of Tampere, Tampere, Finland

Yet another exciting conference on the fantastic–Fantastic Visions from Faerie to Dystopia.

Finncon 2016 is one of the largest events in Europe for anyone interested in science fiction and fantasy. By tradition, it is free of membership fee, and offers you several programme tracks with presentations, panels and lectures on all aspects of science fiction and fantasy. The main language will be Finnish, but there are programme tracks also in English and Swedish.

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