Monthly Archives: February 2017

Love Song for A Vampire (2)

Posted on 14th February 2017 by William the Bloody

But then there’s also Annie Lennox’s ‘Love Song for a Vampire’ from Francis Ford Coppola’s Bram Stoker’s Dracula, the film which really cemented the figure of Dracula as romantic other and thus plays a central role in the development of … Continue reading →

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Love Song for a Vampire: Total Eclipse of the Heart

Posted on 13th February 2017 by Sam George

Once upon a time there was light in my life But now there’s only love in the dark Nothing I can say A total eclipse of the heart Bonnie Tyler’s ‘Total Eclipse of the Heart’ is a love song for … Continue reading →

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Vampire Theatricals: An Exploration of Vampires on the Stage

Posted on 13th February 2017 by Sam George

Last week on ‘Reading the Vampire’ we explored ‘The Vampire Theatre: Stage Plays and Victorian Melodrama’ our workshop texts were J. R. Planché, The Vampyre, or Bride of the Isles (1820); William Thomas Moncrieff, The Spectre Bridegroom (1821); George Blink, The … Continue reading →

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Nikolei Polevoi, Russian Fairy Tales

Posted on 6th February 2017 by William the Bloody

Here’s a beautiful digitisation of Nikolei Polevoi’s Russian Fairy Tales in a 19o5 translation by R. Nisbet Bain, with sumptuous illustrations by Noel L. Nisbet.

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CFP: Gendering the Urban Imaginary: Fantasy, Affect, Transgression, University of Debrecen, Hungary, 12-13 May 2017

Posted on 6th February 2017 by William the Bloody

Another conference that followers of OGOM may be interested in: Gendering the Urban Imaginary: Fantasy, Affect, Transgression at the University of Debrecen, Hungary. The Gender, Translocality and the City Research Group based at the University of Debrecen is pleased to … Continue reading →

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The Icelandic Dracula

Posted on 6th February 2017 by William the Bloody

Fascinating article by Hans Corneel de Roos on an Icelandic vampire novel from 1900 which has a curious hypertextual relationship with Bram Stoker’s Dracula (‘hypertextual’ is Gérard Genette’s term for that variety of intertextuality where one text is modelled on … Continue reading →

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Werewolves, pulp fiction, and folklore

Posted on 6th February 2017 by William the Bloody

OGOM’s very own Kaja Franck has contributed a fascinating item, ‘Old Tails in New Bottles: Folklore’s Influence on Pulp Fiction Werewolves‘ to the marvellous Folklore Thursday website, talking about the interactions between and generic transformations among popular fiction and folkloric … Continue reading →

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Fantasy Worlds with Frances Hardinge, Newcastle University, 8 February 2017

Posted on 6th February 2017 by William the Bloody

I apologise for not posting this sooner. The excellent children’s author Frances Hardinge, author of the Costa Award-winning The Lie Tree and the brilliant changeling novel The Cuckoo Song, will be talking on Wednesday, 8 February at Newcastle University–details here. … Continue reading →

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Seductive and Demented, ‘The Lure’ is Unlike Any Musical Ever Made

Posted on 6th February 2017 by William the Bloody

Who can resist mermaids? Well, maybe it’s just me. I love musicals too so the film reviewed here, Agnieszka Smoczynska’s The Lure sounds irresistible. There’s a trailer; it looks scary, mysterious, and lots of fun.

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Angela Carter news

Posted on 6th February 2017 by William the Bloody

There seems to be something cropping up every day about the fabulous Angela Carter! Here are links to four Carter-related items that I’ve come across: This exhibition, The Bloody Chamber, at the Koppel Project in London from 8 Feb to … Continue reading →

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