Tag Archives: Intertextuality

CFP: Damsels in Redress: Women in Contemporary Fairy-Tale Reimaginings, Queen’s University Belfast, 7-8 April 2017

Posted on 29th July 2016 by William the Bloody

Reworkings of classic fairy tales is one of OGOM’s principal areas of research (and a favourite topic of my own). This conference at QU Belfast, Damsels in Redress: Women in Contemporary Fairy-Tale Reimaginings looks very exciting. I’ve posted about this … Continue reading →

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Strange Worlds: The Vision of Angela Carter, RWA, Bristol, 10 Dec 16 – 19 Mar 17

Posted on 2nd July 2016 by William the Bloody

Angela Carter is a key figure in the OGOM Project (as you might guess from the many postings here about her). Her explorations of the marvellous and the fabulous, her intertextuality and play with genres, her concerns with the metamorphoses … Continue reading →

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Fairy tales and contemporary fiction

Posted on 17th June 2016 by William the Bloody

An interesting article, ‘Follow the breadcrumbs: why fairytales are magic for modern fiction‘, by Lincoln Michel (author of Upright Beasts). It discusses  from a writer’s perspective the opportunities that modern reworkings of fairy tales have as an alternative to straightforward … Continue reading →

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Beauty and the Beast: A modernist transformation by Clarice Lispector

Posted on 16th May 2016 by William the Bloody

‘Beauty and the Beast’ seems to me to be a rather important fairy tale. It’s the architext of paranormal romance, the story whose narrative form and themes lies at the heart of all those romantic encounters between human and other, … Continue reading →

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Jane Eyre’s Fantastic Origins

Posted on 7th May 2016 by William the Bloody

More on Jane Eyre (it is, after all, the 200th anniversary of Charlotte Brontë’s birth) and its complex intertextual relationships with other texts and genres (following my post below). Here, Emma Butcher traces the novel’s origins in Brontë’s (and her … Continue reading →

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Jane Eyre–a YA novel?

Posted on 7th May 2016 by William the Bloody

A provocative article by the YA author Lena Coakley, claiming Charlotte Brontë’s classic novel of autonomy, education, and desire as a YA novel. This challenges ideas of the canon and of genre, of course, and does have a certain validity, … Continue reading →

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Shakespearian YA

Posted on 7th April 2016 by William the Bloody

Continuing the theme of adaptation of classic plots, here are five reworkings of Shakespeare as YA fiction. A couple of them are cast in the genre of paranormal romance, but they all look worth reading.

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Re-imagining Fairy Tales

Posted on 25th March 2016 by William the Bloody

A favourite OGOM topic (well, for me anyway!) is the transformation of classic fairy tales into (mostly YA) paranormal romances and allied genres. Here, the bare motifs of the fairy tale are invigorated by giving novelistic flesh to the characters … Continue reading →

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Intertextuality and YA Fairytale Adaptations

Posted on 15th March 2016 by William the Bloody

As you probably know, I am fascinated by intertextuality and the transformation of genres, particularly the way that recent YA fiction has taken classic narratives and reimagined them as contemporary paranormal romance or other YA genres. The chart here is … Continue reading →

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7 YAs Based on Myths and Tales From Around the World

Posted on 13th March 2016 by William the Bloody

YA transformations of fairy tale again; this is a type of writing which fascinates me at the moment. A review here by Melissa Albert on seven such novels, metamorphosing myths and folktales from the Thousand and One Nights; Norse myth; … Continue reading →

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