CFP: George MacDonald’s Scotland, University of Aberdeen, 19-21 July 2017

Seeking proposals for papers for this conference on the fantastic writing of George MacDonald by 1 March 2017:

This three-day conference will be held from Wednesday 19th to Friday 21st of July 2017 in the Old Aberdeen Campus of the University of Aberdeen. It will explore all aspects related to the Scottish upbringing, education and heritage of the cleric, polymath and writer of fantastic literature George MacDonald. It aims to fathom the importance of this facet in his enduring literary, theological cultural impact upon a wide circle of thinkers and writers such as H. G. Wells, G.K. Chesterton, and the Inklings.

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Wif-Wolves and Feminists

On Friday, The Conversation published an excellent essay about feminism and werewolves, ‘Friday essay: the female werewolf and her shaggy suffragette sisters’, by Jazmina Cininas.

(If you’re wondering why I used ‘wif-wolves’ in my title read this article ‘Fun with Etymology – Feminist Werewolves‘ as the Powder Room).

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Werewolf-Repelling Soap

This is something to get into a lather about: Pojo soaps have created a werewolf repelling soap. If you’re more concerned about something sucking your blood rather than ripping you apart, they also do an anti-vampire soap, as well as one to keep the zombies away.

If you are actually fond of werewolves, Sundance Soapery have created a soap that will have you smelling like a lycanthrope. Slightly more disturbing is this Vampire Whitening soap which promises to make you as pale as a vampire.

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Comforted by Wolves

The ending of the cult film ‘Withnail and I’ ( a 1987 black comedy written and directed by Bruce Robinson) came up in our discussions at Cumberland Lodge this weekend after my talk on wolves and wolf children. This was in response to my use of the Ted Hughes poem ‘Life after Death’ (Birthday Letters, 1998) in which the poet and his children are comforted by the sound of wolves from his Chalk Farm home following the death of his wife Sylvia Plath:

  • We were comforted by wolves.
    Under that February moon and the moon of March
    The Zoo had come close.
    And in spite of the city
    Wolves consoled us. Two or three times each night
    For minutes on end
    They sang. They had found where we lay.
    And the dingos, and the Brazilian-maned wolves –
    All lifted their voices together
    With the grey Northern pack (l.1-10).

The final soliloquy in the film is delivered to the same wolves at London Zoo. It is one of the most powerful uses of Shakespeare in film ever I think. The monologue is spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene ii. Rather than appearing in blank verse, the typical mode of composition in Shakespeare plays, the speech appears in perfect prose:

I have of late (but wherefore I know not), lost all my mirth, forgone all custom of exercises; and indeed, it goes so heavily with my disposition; that this goodly frame the earth, seems to me a sterile promontory; this most excellent canopy the air, look you, this brave o’er hanging firmament, this majestical roof, fretted with golden fire: why, it appeareth no other thing to me, than a foul and pestilent congregation of vapours. What a piece of work is a man! How noble in reason, how infinite in faculty! In form and moving how express and admirable! In action how like an Angel! in apprehension how like a god! The beauty of the world! The paragon of animals! And yet to me, what is this quintessence of dust? Man delights not me; no, nor Woman neither…

https://www.youtube.com/watch?v=RPNA_BoCFPs

I have previously blogged about Shakespeares Irish werewolves  and the gothspeare so maybe there is a theme here. Both soliloquy and poem are profoundly moving and have as their central concept mankind’s place in the world and the notion of our returning again to dust. The wolves are not present as the harbingers of death however, they seem instead to offer consolation or maybe to add their own silent commentary on ‘what a piece of work is a man’.

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Interview with Anne Rice

This is an interesting interview with Anne Rice from Nerdist about Interview with the Vampire (1976) and her erotica series, Sleeping Beauty. 

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Love Song for a Vampire 5

Buffy – Once More, with Feeling – Rest in Peace…aww Spike!!

 

 

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Love Song for a Vampire 4

Two more gothtastic love songs for some dark romance today! 

  1. Evanescence – Bring Me To Life

 

2. Shakespeare’s Sister -Stay

 

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Love Song for a Vampire (3)

Following on from Sam’s post about Bonnie Tyler’s ‘Total Eclipse of the Heart’ and Bill’s post on Annie Lennox’s ‘Love Song for a Vampire’, I thought I would post a few of my favourite Gothic love songs. (As it happens, I am planning to walk down the aisle to ‘Love Song for a Vampire’).

My favourites are, in no particular order:

  1. The Cure, ‘Love Song’
  2. Nick Cave, ‘Into My Arms’
  3. Florence + The Machine, ‘Howl’Arguably ‘Howl’ isn’t that romantic – but it’s dark, it’s about love gone wrong and it’s about werewolves. Join in the conversation below!
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Love Song for A Vampire (2)

But then there’s also Annie Lennox’s ‘Love Song for a Vampire’ from Francis Ford Coppola’s Bram Stoker’s Dracula, the film which really cemented the figure of Dracula as romantic other and thus plays a central role in the development of paranormal romance.

Do send us your recommendations for Gothic Valentine songs!!

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Love Song for a Vampire: Total Eclipse of the Heart

Once upon a time there was light in my life
But now there’s only love in the dark
Nothing I can say
A total eclipse of the heart

Bonnie Tyler’s ‘Total Eclipse of the Heart’ is a love song for a vampire and was originally named ‘Vampires in Love’. Knowing this really helps to explain the central image of the heart’s total eclipse and the outlandishly gothic video featuring a school for vampires (eat your heart out Twilight fans). Valentine’s day might just be the time to give this another spin and embrace some eighties eerie…after all forever’s gonna start tonight!

The story goes that after seeing ‘Meat Loaf’ perform ‘Bat Out of Hell’ live on ‘The Old Grey Whistle Test’ a relatively unknown Tyler approached his producer Jim Steinman who eventually wrote ‘Total Eclipse of the Heart” for her. He later confessed to have been writing a musical version of Nosferatu:

 With ‘Total Eclipse of the Heart’, I was trying to come up with a love song and I remembered I actually wrote that to be a vampire love song. Its original title was ‘Vampires in Love’ because I was working on a musical of Nosferatu, the other great vampire story. If anyone listens to the lyrics, they’re really like vampire lines. It’s all about the darkness, the power of darkness and love’s place in the dark’ (Steinman, ‘Dance of the Vampires’, Playbill, Sept 18th, 2002)

If you read the lyrics again the vampiric overtones are unmistakable! You can’t really out goth this for Valentine’s Day!!

Turn around, every now and then I get a little bit lonely
And you’re never coming round
Turn around, every now and then I get a little bit tired
Of listening to the sound of my tears
Turn around, every now and then I get a little bit nervous
That the best of all the years have gone by
Turn around, every now and then I get a little bit terrified
And then I see the look in your eyes
Turn around bright eyes, every now and then I fall apart
Turn around bright eyes, every now and then I fall apart

And I need you now tonight
And I need you more than ever
And if you only hold me tight
We’ll be holding on forever
And we’ll only be making it right
‘Cause we’ll never be wrong together
We can take it to the end of the line
Your love is like a shadow on me all of the time (all of the time)
I don’t know what to do and I’m always in the dark
We’re living in a powder keg and giving off sparks
I really need you tonight
Forever’s gonna start tonight
Forever’s gonna start tonight

Once upon a time I was falling in love
But now I’m only falling apart
And there’s nothing I can do
A total eclipse of the heart
Once upon a time there was light in my life
But now there’s only love in the dark
Nothing I can say
A total eclipse of the heart

Turn around bright eyes, every now and then I fall apart
Turn around bright eyes, every now and then I fall apart

And I need you now tonight (and I need you now)
And I need you more than ever
And if you only hold me tight (and if you only)
We’ll be holding on forever
And we’ll only be making it right (’cause we’ll never be wrong)
‘Cause we’ll never be wrong together
We can take it to the end of the line
Your love is like a shadow on me all of the time (all of the time)
I don’t know what to do and I’m always in the dark
We’re living in a powder keg and giving off sparks
I really need you tonight
Forever’s gonna start tonight
Forever’s gonna start tonight

Once upon a time I was falling in love
But now I’m only falling apart
And there’s nothing I can say
A total eclipse of the heart
A total eclipse of the heart
A total eclipse of the heart
Turn around bright eyes

 

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