Author Archives: William the Bloody

About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

Rowan Williams: why we need fairy tales now more than ever

Rowan Williams reviews Marina Warner’s new book, Jack Zipes’s translation of the Grimms, and Malcolm Lyons’s translation of early Arabic wonder tales, and discusses the power of the fairy tale in a fascinating essay-review.

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Call for Submissions — Spectral Visions: Grim Fairy Tales

Spectral Visions Press are calling for literary work in the mode of the Gothic fairy tale for their anthology, Spectral Visions: Grim Fairy Tales. I may have forgotten to post this before, but there is still time to submit short … Continue reading

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Happy New Year!

I hope you all have a Happy Undead New Year. Be carnivalesque and abandoned, even if you don’t drink . . . wine.

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Ursula Le Guin: ‘Wizardry is artistry’

Not strictly Gothic, but affiliated with that genre, Ursula K Le Guin’s writing has certainly been groundbreaking in the genres of science fiction and high fantasy (including children’s/YA fiction). Her novels are thoughtfully radical and remarkably well-written (particularly for genres … Continue reading

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Matthew Jackson, ‘The enduring legacy of the Buffy the Vampire Slayer writers’ room’

With interviews with Joss Whedon and the scriptwriters of Buffy the Vampire Slayer, Matthew Jackson looks at what made those scripts so special and the influence on writing for TV that this seminal programme has had.

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Alexandra Campbell, ‘Review: Reading Vampire Gothic Through Blood: Bloodlines’

Alexandra Campbell, PhD student at the University of Glasgow, succinctly reviews here what looks to be an essential contribution to the critical literature on the vampire in literature and other media: Aspasia Stephanou’s book, Reading Vampire Gothic Through Blood: Bloodlines, … Continue reading

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David Castillo and William Egginton, ‘Dreamboat Vampires and Zombie Capitalists’

In this essay, David Castillo and William Egginton give a very thoughtful politicised analysis of the meaning of vampires and zombies in contemporary society. A very useful adjunct to the themes discussed in the OGOM book.

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Dale Townshend, ‘Review of Elisabeth Bronfen’s Night Passages: Philosophy, Literature, Film’

Dale Townshend, University of Stirling, gives a thoughtfully analytical review of Elisabeth Bronfen’s Night Passages: Philosophy, Literature, Film, which itself looks a very interesting exploration of Gothic themes, in particular the image of Night, as the underside of Enlightenment in … Continue reading

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Louis Peitzman, ‘Behind The Changes That Brought “Into The Woods” From Stage To Screen’

An interview with Into the Woods screenwriter James Lapine on the new adaptation for cinema of Stephen Sondheim’s brilliant revisioning of classic Grimms’ fairy tales.

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Rebecca Williams, Post-Object Fandom Television, Identity and Self-narrative

OGOM contributor Rebecca Williams‘s new book, Post-Object Fandom Television, Identity and Self-narrative, on TV fandom from Bloomsbury looks exciting: Fandom is generally viewed as an integral part of everyday life which impacts upon how we form emotional bonds with ourselves and … Continue reading

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