Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← David Castillo and William Egginton, ‘Dreamboat Vampires and Zombie Capitalists’

Matthew Jackson, ‘The enduring legacy of the Buffy the Vampire Slayer writers’ room’ →

Alexandra Campbell, ‘Review: Reading Vampire Gothic Through Blood: Bloodlines’

Posted on 21st December 2014 by William the Bloody

Alexandra Campbell, PhD student at the University of Glasgow, succinctly reviews here what looks to be an essential contribution to the critical literature on the vampire in literature and other media: Aspasia Stephanou’s book, Reading Vampire Gothic Through Blood: Bloodlines, which examines this theme through the symbolism of blood.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Books and Articles, Reviews and tagged Blade, blood, Buffy the Vampire Slayer, Film, Gothic, John Polidori, Marx, race, science, sexuality, technology, True Blood, TV, Twilight, Ultraviolet, Underworld, Vampire Diaries, Vampires, Victorian Gothic. Bookmark the permalink.

← David Castillo and William Egginton, ‘Dreamboat Vampires and Zombie Capitalists’

Matthew Jackson, ‘The enduring legacy of the Buffy the Vampire Slayer writers’ room’ →

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