The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.
In response to The Guardian’s Top Ten Shapeshifters in Fiction (which is very noughties) and Kaja’s lively alternative list, I am posting my own top ten which is a little bit more retro! A shapeshifter is usually understood to be … Continue reading →