Lesbian Vampires in the Movies

I admit that I watched the appalling Lesbian Vampire Killers (2009) and was suitably disappointed. (And I unashamedly like terribly, B-Movie style films). Though I suspect it meant to be an ironic homage to early lesbian vampire movies, it ventured too far into celebrating them and became lad-mag fantasy.

But the article, ‘Why Lesbian Vampire Movies are Terrible (but Also Totally Amazing)’ is a more considered approach to this subgenre. As Sheridan Le Fanu’s Carmilla (1872) and Samuel Taylor Coleridge’s ‘Christabel’ (1800) show, there is a long history of sapphic bloodsuckers. The success of the web series based on Le Fanu’s novella, Carmilla (2014-) also shows how this can updated and adapted with a contemporary sense of understanding regarding LGBTQ issues without resorting to tired fantasies involving the masculine gaze.

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A Compendium of Monsters

Over the Halloween period, the Wellcome Collection have put together an online compendium of monsters including the witch, zombie, werewolf, vampire and ghost. Though it’s quite tongue-in-cheek, I always think it is interesting to note what constitutes the stereotype of each monster in contemporary popular culture. There are also plenty of history and textual examples in these descriptions. There something quite taxonomic about the way this information has been presented which brings to mind interesting questions regarding the nature of knowledge and how we define the monstrous, aberrant and abject.

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Post-Halloween Blues

There is no denying it – the weather is getting worse, I’ve laundered my woollen apparel, hoovered up the last of the glitter, cut my fake nails short, and turned the calendar to a new month,  Gothtober is officially over.

To assuage my sulking, I have been catching up on the deluge of dark delights that are on the BBC iPlayer. (I’m not getting paid by the BBC, it’s just that being a technophobe once I find a medium that I can make work on my phone/ computer/ television, I stick to it).

Yesterday whilst hoovering up said glitter, I listened to the Fright Night radio adaptation of the Ring (1998). It was a little odd to hear it adapted for radio when the narrative centres around a visual medium but I thought the little twist they did at the end was good. A killer VHS would not be very threatening to the modern world because no-one has a video player at home any more and it would likely just end up in a car boot sale – the curse would only kill Luddites. I was not particularly pleased that the protagonist became a man, leaving his wife at home to look after the baby, and his side-kick was a womaniser. It felt liking taking two steps backwards in regards to the presentation of women in horror.

Perhaps more suitably for a radio drama, there was also a Fright Night adaptation of the BBC drama The Stone Tape (1972) which is still regarded as one of the most terrifying television programmes of all time. The narrative is largely about audio recordings so it worked rather well on the radio. I would recommend giving it a listen. Both of the above are also available in 3D sound which is meant to add an extra element of horror especially when using headphones to listen.

Later this evening, I am planning to catch up on the BBC radio adaptation of The Exorcist (1973). I first watched the movie when I was far too young for that sort of thing (but still had the desire to stay up all night watching horror movies) and then had to sleep in an attic room that was reached through a trap door in the roof. Nightmares ensued …

And, if you enjoy all this, why not try the quiz ‘How long would you last in a horror movie?’. I would survive but seriously maimed which is a cheerful thought for a miserable day.

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Mussorgsky – Night on the Bare Mountain (Bernstein)

Continuing the witches theme. Not strictly for Hallowe’en, but an eerie accompaniment to my Walpurgisnacht poem:

Mussorgsky – Night on the bare mountain (Bernstein)

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I Saw Three Witches

I saw three witches
Asleep in a valley,
Their heads in a row, like stones in a flood.
Till the moon, creeping upward,
Looked white through the valley,
And turned them to bushes in bright scarlet bud.

(From Walter de La Mare ‘I Saw Three Witches’)

normal_Alla_va_eso_Goya_le_on_de_volGoya_-_Caprichos_(68)

V0025829 Three witches or Fates spinning, with bodies of babies tied Credit: Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org Three witches or Fates spinning, with bodies of babies tied up behind them. Etching by F. Goya, 1796/1798. 1796 By: Francisco Goya y LucientesPublished: [1796/1798] Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

V0025829 Three witches or Fates spinning, with bodies of babies tied
Credit: Wellcome Library, London. Wellcome Images
images@wellcome.ac.uk
http://wellcomeimages.org
Three witches or Fates spinning, with bodies of babies tied up behind them. Etching by F. Goya, 1796/1798.
1796 By: Francisco Goya y LucientesPublished: [1796/1798]
Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

I went to see the wonderful Goya Portraits at the National Gallery yesterday and whilst there are no paintings of the witches above I did discover a fantastic book from a previous show in the shop which contains all these dark and diabolical images:  Goya: The Witches and Old Women Album . This is well worth a browse. Witches have been quite prominent on the blog recently so do take a peek. You can listen to  Catherine Spooner talking about Witch Craft Trials , peruse a Literary History of Witchcraft , and read my thoughts on Rise of the Sympathetic Witch and the Book of Witches from my childhood.

Happy Halloween OGOMERS everywhere!!

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Witches, Gothic Novels, and Cosmic Horror

I’ve been a bit lax on posting to the blog; I’ve found lots of interesting and useful material lately but haven’t had time to blog them–they’re usually on our Facebook group, though, and Kaja has been reposting some of these here (thanks, Kaja!).

But here are some very useful essays (revealed to me by the excellent LitHub website, whose mailing list I’m on and which I recommend for fascinating updates on anything literary).

First, three articles on witches in literature, supplementing Sam’s posts on the subject:

Then, on the ‘horrid’ Gothic novels of the eighteenth century and on Guillermo del Torro’s use of the conventions of the Gothic novel in his new film, Crimson Peak:

And, finally, an exploration of the cosmic horror associated with H. P. Lovecraft; some lesser-known writers are uncovered here:

Tobias Carroll, ‘The Conspiracy Against a Good Night’s Sleep’

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Some aural and visual delights to feed your Gothic needs …

Quite a few excellent sources have recently been posted on the OGOM Facebook page. For those of you who are not Facebookers, I thought I would collect them together for your delight, delectation, and education.

Firstly there is this useful video from the British Library and Professor John Bowen from the University of York on the subject of the uncanny, the sublime and the supernatural.

We then have Professor David Punter talking about the vampire in Gothic narratives. This forms part of larger lecture about the Gothic which can also be found on YouTube.

And finally, there is this lovely podcast from Durham University looking at ghostly language used in Wordsworth’s poetry.

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The Tragic, Forgotten History of Zombies

The Atlantic has published this is an incredibly thoughtful and interested article about the history of zombies, ‘The Tragic, Forgotten History of Zombies’. It’s well researched and effectively argued covering the relationship between George A. Romero’s undead films and the belief in zombies in Haiti during the height of the slave trade.

If I have any concerns with the piece, it is regarding the denigration of recent representations of zombies. Within Gothic academia, I have noticed a tendency to mock and dislike more recent portrayals of the monsters. It also seemed to me that describing modern zombie apocalypse narratives as ‘fantasies’ was a little stretched. Though they may offer a celebration of the individual’s struggle in a lawless society, they tend to end with the death of the protagonist undercutting the notion of individualistic power.

The article also seems to suggest a linear narrative in the evolution of the zombie (one which also occurs in discussions about vampires and werewolves). I am uncomfortable with the idea that any one historical account is the source for multiple re-interpretations of a specific monster; this seems to suggest that we can ‘solve’ the root of our fears if we just find that one source. My belief is that there are multiple societal, cultural and historical concerns that go into the transformation and re-appropriation of monstrous representations in popular culture. This piece offers an important insight into the history of the zombie and its relationship to the contemporary undead but it should support the current academic research into the zombie as a complex abject figure.

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Vampires on the Big and Small Screen

I was a little sad to see this very cutting review of Eddie Murphy’s Vampire in Brooklyn (1995). Having watched it when I was ten with a friend, I remember quoting it for days. And, having recently re-watched it, I thought it was no worse than many camp vampire movies and actually quite enjoyed the odd mixture of humour and melodrama. It’s definitely on my list of things to watch whilst I get ready for Halloween.

I will also be watching my favourite Buffy episodes. This handy article, ’10 Buffy the Vampire Slayer Episodes You Need to Re-Watch This Halloween’, may help to narrow down my selection. Happy watching, dear viewers, or perhaps that should be, happy viewing, dear watchers.

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How Did I Choose Me My Witchcraft Kin? My Past and Future in Witches

My Nannie says I’m a child of sin.
How did I choose me my witchcraft kin?’

waterhouse images

(Waterhouse, ‘The Magic Circle’, 1886, thanks to Janette for this)

I found myself in the north of England at the weekend for the Gothic Manchester Festival after which I slipped off to the house where I grew up which has been the George family home for over 50 years. I tend to want to sort through my books when I visit these days and this time I uncovered an absolute gem – The Book of Witches edited by Jacynth Hope-Simpson. I was given this book for my twelfth birthday and there is a little inscription inside from my family. These are the same parents who named me after Samantha from the TV series Bewitched (see my post on the emergence of the sympathetic witch)!!! It seems they knew something about the dark path my research would eventually take – which I was unaware of – indeed it was not until many many years later when I started OGOM in 2010 that my dark dreams began to take shape.

Flicking through the pages of the Book of Witches there are extracts and passages that still seem eerily famililar such as ‘Suppose You Met a Witch’ by children’s writer Ian Serraillier and Mary Norton’s ‘The Student Witch’ (this predates Hogwarts by a long way). ‘A Cat and A Broom’ from ‘Carbonel’ by Barbara Sleigh and Louisa M. Alcott’s ‘The Witche’s Curse’ are long remembered too, together with C.S. Lewis’s ‘The Queen of Underland’, John Masefield’s ‘The Boy on a Broomstick’ and Arthur Ransome’s ‘Baba Yaga’ ( the witch of Russian folklore). There is even ‘A Witches’s Guide to Gardening’ by Dorothy Jacob on growing Witchwood, Quickbane, Wild Ash, Wichen, Witchbane ( and strangely my other great love is botany and plant lore). What I remember most however are the poems especially this one…..

The Little Creature (De La Mare)

Twinkum, twankum, twirlum and twitch
My great-grandam she was a witch.
Mouse in wainscot, saint in niche
My great-grandam she was a witch;
Long though the shroud, it grows stitch by stitch
My great-grandam she was a witch;
Wean your weakling before you breech –
My great-grandam she was a witch;
The fattest pigs but a double flitch
My great-grandam she was a witch
Night jars rattle, owls scritch
My great-grandam she was a witch.

Pretty and small,
A mere nothing at all,
Pinned up sharp in the ghost of a shawl,
She’d straddle her down to the Kirkyard wall,
And mutter and whisper and call and call

Red blood out and black blood in,
My Nannie says I’m a child of sin.
How did I choose me my witchcraft kin?
Know I as soon as dark dreams begin
Snared is my heart in a nightmare’s gin;
Never from terror I out may win;
So dawn and dusk I pine, peak, thin,
Scarcely knowing t’other from which
My great-gandam she was a witch.

I think I have just found a future research project in these twentieth-century juvenile witch texts and serendipity (or dark insight) seems to be telling me that the next OGOM conference will most definitely be on the witch!!!

Happy Hallowe’en OGOMERS!!

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