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Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← Gothic Origins: Film, Fiction and History

CFP: E-Gothic: Assemblage and Anxiety in the Networked World →

The Castle of Otranto, by Horace Walpole

Posted on 7th October 2014 by William the Bloody

Some beautiful images from the British Library’s edition of the founding Gothic novel, Horace Walpole’s The Castle of Otranto (1765).

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

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This entry was posted in Resources and tagged Gothic, Gothic novel, Horace Walpole. Bookmark the permalink.

← Gothic Origins: Film, Fiction and History

CFP: E-Gothic: Assemblage and Anxiety in the Networked World →

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