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Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← Tessa Farmer, ‘In Fairyland’, Leeds College of Art, 30 January – 26 February 2015

Suzanne Burdon, ‘Mary Shelley’s Frankenstein and the birth of modern science’ →

Owen Williams, ‘A History of British Folk Horror’

Posted on 24th January 2015 by William the Bloody

A useful summary of the genre of Folk Horror in film.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

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This entry was posted in Resources and tagged Film, Folk Horror, Hammer horror, Horror Film, TV. Bookmark the permalink.

← Tessa Farmer, ‘In Fairyland’, Leeds College of Art, 30 January – 26 February 2015

Suzanne Burdon, ‘Mary Shelley’s Frankenstein and the birth of modern science’ →

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