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Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

Open Graves, Open Minds

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Sea Changes Mermaid Conference 2025
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In the Company of Wolves 2023
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Breaking Through to Faerie 2022
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2022: The Year of the Vampire
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Ill met by moonlight 2021
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The Black Vampyre and Other Creations 2020
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Polidori Vampyre Symposium 2019
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Books of Blood 2018
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The Urban Weird 2018
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Redeeming the Wolf 2017
Company of Wolves 2015
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Bram Stoker Symposium 2012
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Vampire Conference 2010
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  - The Legacy of John Polidori: Contents
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  - In the Company of Wolves: Contents
- Gothic Studies: Werewolves and Wildness issue
- Open Graves, Open Minds Book
  - Open Graves, Open Minds book: Table of Contents
- Gothic Studies Special Vampires Issue
OGOM in the Media
Undead Studies
- Generation Dead: Young Adult Fiction and the Gothic
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- Understanding Otherness: Educational Pack
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← Suzanne Burdon, ‘Mary Shelley’s Frankenstein and the birth of modern science’

Bill Hughes, ‘Demon Lovers: Embracing the Monster in Paranormal Romance’ →

monsters: the experimental association for the research of cryptozoology through scholarly theory and practical application

Posted on 25th January 2015 by William the Bloody

MEARCSTAPA–A useful site relating to the discussion of monsters and monstrosity and their cultural significance

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

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This entry was posted in Resources and tagged Folklore, Monsters, myth. Bookmark the permalink.

← Suzanne Burdon, ‘Mary Shelley’s Frankenstein and the birth of modern science’

Bill Hughes, ‘Demon Lovers: Embracing the Monster in Paranormal Romance’ →

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