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Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← Sartrean Themes in Joss Whedon’s Angel: A Marxist Interpretation

Dead Letter: The Aesthetics of Horror →

Watcher Junior: The Undergraduate Journal of Whedon Studies

Posted on 1st November 2014 by William the Bloody

For all undergraduate students of the Gothic, The Undergraduate Journal of Whedon Studies could be a valuable forum to exchange ideas–and practice the publication of your own ideas and research.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

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This entry was posted in Generation Dead: YA Fiction and the Gothic news, Publications and tagged Angel, Buffy the Vampire Slayer, Dollhouse, Firefly, Joss Whedon, undergtraduates. Bookmark the permalink.

← Sartrean Themes in Joss Whedon’s Angel: A Marxist Interpretation

Dead Letter: The Aesthetics of Horror →

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