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Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

Open Graves, Open Minds

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Sea Changes Mermaid Conference 2025
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In the Company of Wolves 2023
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Breaking Through to Faerie 2022
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The Black Vampyre and Other Creations 2020
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Books of Blood 2018
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The Urban Weird 2018
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Redeeming the Wolf 2017
Company of Wolves 2015
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Bram Stoker Symposium 2012
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Vampire Conference 2010
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OGOM in the Media
Undead Studies
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← Review of Screening Twilight: Critical Approaches to a Cinematic Phenomenon

CFP: Brave New Worlds: The Dystopia in Modern and Contemporary Fiction, Newcastle University, 29 April 2015 →

The 10 Weirdest Horror Movies of All Time

Posted on 13th November 2014 by William the Bloody

A series of short summaries and excerpts from some astonishingly, bizarrely, silly horror films.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

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This entry was posted in Fun stuff and tagged Film, Horror Film. Bookmark the permalink.

← Review of Screening Twilight: Critical Approaches to a Cinematic Phenomenon

CFP: Brave New Worlds: The Dystopia in Modern and Contemporary Fiction, Newcastle University, 29 April 2015 →

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