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Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

Open Graves, Open Minds

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In the Company of Wolves 2023
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Breaking Through to Faerie 2022
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Bram Stoker Symposium 2012
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OGOM in the Media
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← The Dead Men Stood Together Longlisted for the UKLA Children’s Book Award

‘Into the Woods’: Go behind the scenes with Meryl Streep, Johnny Depp, and more →

What the historical inaccuracies in “Dracula Untold” tell us about the rise of Islamophobia

Posted on 24th October 2014 by William the Bloody

A thought-provoking article about anti-Islamic sentiments in the latest retelling of the Dracula tale, the film Dracula Untold.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

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This entry was posted in Critical thoughts and tagged Dracula, Film, Islam, Vampires. Bookmark the permalink.

← The Dead Men Stood Together Longlisted for the UKLA Children’s Book Award

‘Into the Woods’: Go behind the scenes with Meryl Streep, Johnny Depp, and more →

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