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Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

Open Graves, Open Minds

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Sea Changes Mermaid Conference 2025
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In the Company of Wolves 2023
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Breaking Through to Faerie 2022
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2022: The Year of the Vampire
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Ill met by moonlight 2021
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The Black Vampyre and Other Creations 2020
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Polidori Vampyre Symposium 2019
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Books of Blood 2018
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The Urban Weird 2018
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Redeeming the Wolf 2017
Company of Wolves 2015
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Bram Stoker Symposium 2012
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Vampire Conference 2010
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- Open Graves, Open Minds Book
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OGOM in the Media
Undead Studies
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← How To Find A Masculine Halloween Costume For Your Effeminate Son

Watcher Junior: The Undergraduate Journal of Whedon Studies →

Sartrean Themes in Joss Whedon’s Angel: A Marxist Interpretation

Posted on 1st November 2014 by William the Bloody

A provocative article by Doug Enaa Green, interpreting Angel in terms of Jean-Paul Sartre’s later, Marxist philosophy.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

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This entry was posted in Critical thoughts and tagged Angel, existentialism, Jean-Paul Sartre, Joss Whedon, Marxism, Vampires. Bookmark the permalink.

← How To Find A Masculine Halloween Costume For Your Effeminate Son

Watcher Junior: The Undergraduate Journal of Whedon Studies →

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