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Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← Frankenstein and the Vampyre: A Dark and Stormy Night

“There is no escape.” Horace Walpole and the terrifying rise of the Gothic →

Marina Warner, ‘Once upon a time, part 1’

Posted on 2nd November 2014 by William the Bloody

Marina Warner being typically brilliant and evocative on fairy tales.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

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This entry was posted in Critical thoughts and tagged Fairy tales, Marina Warner. Bookmark the permalink.

← Frankenstein and the Vampyre: A Dark and Stormy Night

“There is no escape.” Horace Walpole and the terrifying rise of the Gothic →

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