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Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← Watcher Junior: The Undergraduate Journal of Whedon Studies

Frankenstein and the Vampyre: A Dark and Stormy Night →

Dead Letter: The Aesthetics of Horror

Posted on 1st November 2014 by William the Bloody

Dead Letter: The Aesthetics of Horror ‘An investigative essay into the value of artistic representations of gore.’

A very thoughtful essay on the ethics and aesthetics of representing the horrific and the profoundly unpleasant in art by Jude D. Russo.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

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This entry was posted in Critical thoughts and tagged aesthetics, Film, horror, painting. Bookmark the permalink.

← Watcher Junior: The Undergraduate Journal of Whedon Studies

Frankenstein and the Vampyre: A Dark and Stormy Night →

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