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Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← ‘Christmas’ leaflet distributed in Cambridge claims homosexuals are like vampires

Roger Luckhurst, ‘Perversion and degeneracy in The Picture of Dorian Gray’ →

Rachey Taylor: A Review of Xavier Aldana Reyes’ Body Gothic (2014)

Posted on 15th December 2014 by William the Bloody

Rachey Taylor, PhD candidate at the University of Newcastle, enthusiastically reviews OGOM contributor and member of The Manchester Centre for Gothic Studies Xavier Aldana Reyes‘s new book, Body Gothic here; it looks fascinating.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Books and Articles, Reviews and tagged body Gothic, Gothic novel, horror, Horror Film. Bookmark the permalink.

← ‘Christmas’ leaflet distributed in Cambridge claims homosexuals are like vampires

Roger Luckhurst, ‘Perversion and degeneracy in The Picture of Dorian Gray’ →

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