The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.
Last week I was lucky enough to see Laura Marling perform at Queen Elizabeth Hall, Southbank. It was a beautiful concert. And, of more interest to me and my peculiar research topics, she opened with her song ‘Howl’. I don’t … Continue reading →