Click on links for the articles and chapters
Bill Hughes, ‘Genre mutation in YA Gothic: the dialectics of dystopia and romance in Holly Black’s The Coldest Girl in Coldtown’, in Young Adult Gothic Fiction: Monstrous Selves/Monstrous Others, ed. by Michelle Smith and Kristine Moruzi (Cardiff: University of Wales Press, 2020)
Bill Hughes, ‘“Through a glass darkly”: Reflection, Representation, and Mortality in “Eternity”’, Slayage: The Journal of Whedon Studies (17.2 , Summer / Fall 2019), 77‒95
Bill Hughes, ‘“But by blood no wolf am I”: Language and Agency, Instinct and Essence – Transcending Antinomies in Maggie Stiefvater’s Shiver trilogy‘, in in Werewolves, Wolves and the Gothic, ed. by Robert McKay and John Miller (Cardiff: University of Wales Press, 2017).
Bill Hughes, ‘“A devout but nearly silent listener”: dialogue, sociability, and Promethean individualism in Mary Shelley’s Frankenstein (1816)’, The Irish Journal for Gothic Studies, 16 (Autumn 2017), 4-21.
Bill Hughes, ‘“Legally Recognised Undead”: Essence, Difference, and Assimilation in Daniel Waters’s Generation Dead‘, in ‘Open Graves, Open Minds’: Representations of Vampires and the Undead from the Enlightenment to the Present Day, ed. by Sam George and Bill Hughes (Manchester: Manchester University Press, 2013).