Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← What the historical inaccuracies in “Dracula Untold” tell us about the rise of Islamophobia

** University of Sunderland Spectral Visions: Change of venue →

‘Into the Woods’: Go behind the scenes with Meryl Streep, Johnny Depp, and more

Posted on 24th October 2014 by William the Bloody

I can’t wait to see this film version of Stephen Sondheim’s brilliant musical Into the Woods, where he weaves several of Grimms’ fairy tales into one witty interconnected narrative. Sondheim’s music and lyrics are perfect.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Reviews and tagged adaptation, Fairy tales, Film, Grimm brothers, Intertextuality, Stephen Sondheim. Bookmark the permalink.

← What the historical inaccuracies in “Dracula Untold” tell us about the rise of Islamophobia

** University of Sunderland Spectral Visions: Change of venue →

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