Open Graves, Open Minds

The Open Graves, Open Minds Project began by unearthing depictions of the vampire and the undead in literature, art, and other media, then embraced werewolves (and representations of wolves and wild children), fairies, and other supernatural beings and their worlds. The Project extends to all narratives of the fantastic, the folkloric, and the magical, emphasising that sense of Gothic as enchantment rather than simply horror. Through this, OGOM is articulating an ethical Gothic, cultivating moral agency and creating empathy for the marginalised, monstrous or othered, including the disenchanted natural world.

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← A Guide to Ancient Magic

Eric Stenbock, ‘The True Story of A Vampire’ →

Cultural Afterlives of Frankenstein

Posted on 26th August 2016 by William the Bloody

Great post by Megen de Bruin-Molé–Cultural Afterlives of Frankenstein–on why works last and the enduring nature of the Frankenstein myth, traced from Mary Shelley’s novel through its myriad descendants and adaptations.

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About William the Bloody

Cat lover. 18C scholar on the dialogue and novel. Co-convenor OGOM Project

View all posts by William the Bloody →

This entry was posted in Critical thoughts and tagged Adaptations, Frankenstein, Gothic novel, Intertextuality, Mary Shelley. Bookmark the permalink.

← A Guide to Ancient Magic

Eric Stenbock, ‘The True Story of A Vampire’ →

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